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dozydawn

Deer and jackdaws.

The birds feed on ticks from the deer, and also assist in removing velvet from growing antlers.

[ID: Ten photos of deer with one or more jackdaws perched on them. /end ID]

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shadow27

This is the FUNNIEST SHIT I HAVE EVER SEEN

Reblogging for cultural enrichment

bout time I brought back the Laurel and Hardy flex tape-

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knitmeapony

From The Killers, 1946. A Film Noir Classic

I’m an archivist, behold my growing collection was of old photos mirroring timeless memes I’ve come across at various places I’ve worked.

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Grave of Dr. Timothy Clark Smith

In New Haven, Vermont lies a unique grave. Because of the prevalence of accidental burials in the 1700s & 1800s, many people used preventative measures such as bells should someone find themselves buried alive. Dr. Smith decided that wasn’t enough, and deemed that a window be installed on his grave in the event of his death. When he did eventually die, a secret vault for his wife was also built under his grave. Today the window is blurry with condensation and mold, but if a person shines a flashlight down into the grave at night, the body is still visible. Tales of hauntings also follow this grave, and the surrounding cemetery. People have made reports of an eerie green light within the grave at night and peering into the window and seeing a living face staring back at them. An old urban legend also says if you knock upon the window three times, you will hear screams and the doctor himself will appear.

Photos by J.W. Ocker

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DOCTOR WHO S05E10 Vincent and the Doctor

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emmikay
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atlinmerrick

No. No one is immune to this scene in “Vincent and the Doctor.” It’s the most beautiful scene ever recorded in any medium. It’s flawless and I love it and I watch it every time it passes my dash.

Tony Curran is the actor who played Vincent so flawlessly, and Bill Nighy is the man praising him.

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yes carrie killed over 400 people ok. thats bad i know. but have you considered that i feel really bad for her :(

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d0gb0yy

carrie deserved to kill 400 ppl as a treat

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madseance

That's because he didn't write, nor intend to write, a horrible terrible disturbed woman beyond redemption. The genesis of Carrie (told in its entirety in the 1999 edition's introduction that you can read here, and in King's memoir On Writing), was this: sometime in high school, King read an article in Life magazine about supposed poltergeist activity in a home, which seemed to be associated with the teenage girl who lived there. The article included the hypothesis that poltergeist activity is, in some way, tapped into or manifested by girls at that critical and tumultuous age.

And some years before that, King had gone to school with a couple of girls he pseudonymously calls Tina and Sandra, who were bullied and shunned by the other kids—Tina for wearing the same clothes every day, Sandra for her epilepsy and extremely religious mother, but both really for having some undefinable Other quality that kids pick up on like blood in the water. Both of them were dead by the time King began writing Carrie: Tina by suicide, Sandra from her epilepsy.

Carrie was what King imagined might have happened if that explanation of poltergeist activity were correct, and if Tina and Sandra had been able to tap into such an energy. He started writing the story a few years after getting married (his wife Tabitha is also a writer), but abandoned the idea a few pages in; the raw, merciless adolescent cruelty the story called for was too much to deal with, and what did he know about teenage girls, anyway? But Tabitha dug the pages out of the trash and read them, and convinced him it was a story that needed telling.

Carrie is a story which, perhaps like poltergeist activity, could only happen to a girl on the brink of womanhood, when every emotion and sensation is excruciatingly vivid and nothing makes sense anymore and every single occurrence in your life is the most important thing that will ever happen to you. It's about being horribly powerful and vulnerable at the same time, and alienated from your own body. It's about the visceral, starved animal fear and rage of being a teenage girl, and it goes to show what an arcane and powerful craft creative writing is that a man could manage to capture that without having experienced it firsthand.

"Sometimes—quite often, in fact—I wish that Tina and Sandy were alive to read it," King says in the 1999 introduction to Carrie. "Or their daughters."

Yeah, if you read the man's own words she was clearly intended to be sympathetic and human

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You know what's thoughtful? Asking someone to finish their story when they get cut off in a group conversation. It's such little gestures that mean the most.

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