the distance between two doors

@metaphorformetaphor / metaphorformetaphor.tumblr.com

Time passes through us, or we pass through it as guests to god's wheat. In a previous present,a subsequent present, just like that, we are in need of myth to bear the burden of the distance between two doors.../  — Mahmoud Darwish
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For me it's essential to reject death, Even though my legends die. I am searching in the rubble for light, for new poetry. Oh, did I realise before today That letters in the dictionary, my love, are stupid? How do all these words live? How do they increase? How grow up? We still nourish them with memories' tears, With metaphors - and sugar! So be it.  — Mahmoud Darwish, from "The Rose in the Dictionary," The Music of Human Flesh (Heinemann Educational Books, 1980)
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And, of the voices that stray far from me, which one will be able to turn your journey and mine into a march of sleepless sunflowers? But no other good or other evil do they know than a lake of blue or gray, your eyes from an avenue’s shadow.

Vittorio Sereni, from "To Youth," The Selected Poetry and Prose of Vittorio Sereni: A Bilingual Edition (University Of Chicago Press, 2006)

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on my desk, fictional characters practice missing dialogue. i sit here as if at the root of an old disturbance, forcing air into my memory cells to keep them alive,

Maja Haderlap, from "piran," Distant Transit (Archipelago Books, 2022)

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I tried not to think about it as I went about my days, and mostly I succeeded. But occasionally the memories still found their way in, through a sound I heard, a word someone uttered, or a smell I caught in the street.

Tan Twan Eng, from The Garden of Evening Mists (Myrmidon, 2011)

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Memories I had locked away have begun to break free, like shards of ice fracturing off an arctic shelf. In sleep, these broken floes drift towards the morning light of remembrance.

Tan Twan Eng, from The Garden of Evening Mists (Myrmidon, 2011)

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After looking at the world I live in, I have returned, with greater anxiety, to words, to writing and to reading. Because in words resides a mysterious halo that nourishes me. Because words distance us from destruction, from death. They make us into others, within our own human wretchedness.

Mónica Nepote, from Sin Puertas Visibles: an Anthology of Contemporary Poetry by Mexican Women (University of Pittsburgh Press, 2003)  

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