tumblr users dni

[ID: A digital illustration of Maya Fey and Franziska Von Karma from Ace Attorney. They're laid in bed together with early morning light coming through the window. Franziska is still asleep but smiling softly as Maya lays awake next to her, gently playing with Franziska's hair. End description.]

My piece for @arnaulting's fic for the @aawlwminibang!!

Here's a link to the fic!

a brother is forever :)

well, kind of. there's a little more to it than that

in broad strokes, but this was a simplified version of my full opinion

New wave king

zuko saying “i’m never happy” is even funnier when you remember that this moment is in the middle of him actively trying to stop sokka from killing himself. like. come on dude. we don’t really have time to unpack YOUR baggage right now.

my problem as a writer and as a roleplayer is that I always want characters to do that thing where you hold your hand out, palm to the ground, and kind of tilt it quickly left and right to express uncertainty or a "kinda-sorta"/"yes and no" vibe. but I don't know an official term for this so I always just call it the Noncommittal Hand Waggle

somebody appears to have responded to this post... via the contact form on bandcamp, using the burner email "fake@fake.fake"

It is the sign of the scales. The scales have not settled and they waggle back and forth. Like this like that.

and you know what. I never thought about that before but it's probably right. why the fuck would you tell me this via the bandcamp contact form of all things, and why would you phrase it like you're writing an esoteric treatise encoded via metaphor

and what if I told you nine was less afraid of love than ten. what then.

for a moment i lived in a beautiful world where doctor who didn’t exist and this was simply a seven-ate-nine joke too layered for me to understand

secondary interest check for CHILD OF MAGIC: A TRUCY WRIGHT FANZINE because it's been awhile... 50 votes and the project is officially on (again)! refer to our carrd for more information as well as an updated schedule ✨✨

rbs & likes are appreciated!

Ema Ema Ema

Women in stem

Apollo Justice: Glamorous Assistant

And some doodles feat. Edgeworth, Kay and Lana

Romeo + Juliet (1996) Directed by Baz Luhrmann

they're putting apollo in the middle next time

I desperately need people to understand that Franziska's whipping thing really isn't solely a silly character gimmick. Of course it is to a degree, just like Godot and coffee and Klavier and air guitar in court, but so often I see people dismiss Franziska's whipping trait as an annoying feature that adds nothing to her character and I cannot stand it. This is a bit of a rant and I touch on gender inequality and the way I see a lot of men treat her as a character a decent amount within this because I feel like the fact that she is a woman is actually very important to this element of her character, and her treatment is also a lot of the reason why I feel compelled to talk about this in the first place.

Firstly what you need to understand is that not only is Franziska a woman, she is also laughably young when she becomes a prosecutor. She's a 13 year old girl trying to hold the attention of a courtroom of mostly grown men and be taken seriously. It's no secret that misogyny does exist in the Ace Attorney universe of course (see: Godot), but aside from this, maybe it's just because I've been playing Ace Attorney Investigations recently, but she is just very small all around. It's a running gag in Turnabout Reminiscence that she is short, she's small, she can't see things Edgeworth can - although granted Edgeworth is definitely fairly tall, most estimates I've seen linger around 5'8-5'10 (around 170-180cm). And of course, she is only 13 here, she's not done growing, but it's at this age that she actually did begin to prosecute. Naturally, she'd often be underestimated, and we can see a strong desire to prove herself during Turnabout Reminiscence, even just to her father; I can only imagine that this would extend further into her trials as a young girl. Secondly, she's the daughter of Manfred von Karma, whom she idolises to a godlike status and who teaches her everything she knows about prosecuting, and also a lot about life in general - he's her father. There's a lot I could say about their dynamic, but I feel that much of it doesn't need to be said in this specific post if you're already here dedicated to Franziska enough to bother reading this post.

Manfred's courtroom (and often, regular) behaviour revolves a lot around him taking complete control of the entire courtroom, with him even speaking over the judge, overruling objections he does not like and sustaining his own, and instructing witnesses himself. He also often snaps his fingers to direct attention to himself and his point. Franziska learns this, but how does a literal 13 year old girl follow her father in this regard? Well, by force. Whipping someone is a very clear way to get their attention. Not only the person it hits but the people around - whips cracking are loud, they take up a lot of visual space, and they also obviously cause harm to the person they hit. These are all things you can't really ignore - it forces you to look at her and pay attention to her and gives her control of the room exactly like Manfred. I've also been thinking a lot about the end of Justice For All in relation to this. She's lost to Phoenix multiple times and she couldn't beat him even once just to prove that she was better than Edgeworth as she so desperately wanted to. This brings me to another point about her use of her whip. While I think control is a huge aspect and is my main focus here, I think it falls more under the umbrella of Franziska's own perceived shortcomings. We also know that she doesn't believe she lives up to her father's genius, and that she consistently feels like she's walking in Edgeworth's shadow, she says it herself:

I think at least some part of the reason her whip is so important is because she believes she could very well be less than equal to others in the room in terms of certain traits. She sees her father as a genius, knows she isn't equal to him, and internalises this (whether she is actually less intelligent or not I personally don't know what I believe, I haven't played Justice For All in over a year and a half and I would have to replay it to decide my thoughts).

In having to be perfect, there are many expectations she cannot live up to, and this leads to many ways in which she falls short of what she believes she should be. By using her whip, again, she can account for her perceived shortcomings in other areas - control, her intelligence, her ability as a prosecutor. I think this last scene of JFA actually introduces us to the idea that Franziska is somewhat self-doubting in some ways and compares herself a lot with others, not just Manfred, but also Edgeworth, which we see more of in Ace Attorney Investigations during Turnabout Reminiscence, where we see her at 13 attempting to prove that she can "out-logic" Edgeworth for the entire case, and essentially, that she is "more perfect" than he is.

But to come back to her whip, control, and the end of Justice For All.

She is left with little of who she was before and doesn't know how to move on - everything she was taught to be from the moment she was born, she no longer is. She is 18 here, prosecuting for 5 years already and desperate to be prosecuting for even longer. As far as her life was set out, this was basically it for her - become a perfect prosecutor and prosecute perfectly just like Manfred - the ideal prosecutor in her eyes.

A Von Karma is perfect, but she is not - she lost, just like Edgeworth, whom she shamed for the same thing. She gives up her whip here, and I feel that it's truly symbolic of how she feels like she's completely lost control of herself, her life, her relationship with her father and most obviously her occupation as a prosecutor. How could she continue being a prosecutor when she no longer lives up to the idea of it that she's had her entire life? What use is her whip if she will not need to hold the court's attention any longer?

I'm sure a million other people have thrown their coin in the pot on this exact topic, and I'm sure many have said the same thing as me and many have said something different, but I needed to write my thoughts out about it because I couldn't stop thinking about her. This is one big reason why I feel like I see a lot of men who don't understand Franziska and see her as very annoying, gimmicky, and my least favourite - a "female Edgeworth." She is a woman who steals attention and space forcibly; both from characters in-game, and also from the player with her animations that take up time in trials and a lot of the visual space. Of course this makes her unpopular with a lot of men. I'm not saying that if you dislike her or the whip it comes from a place of misogyny, I am saying that I think her whipping trait is reduced to a stupid, annoying gimmick more than, say, Godot and his coffee, because a lot of people don't really care to see that there is intention behind it that reveals a lot about her character, just like how Godot's coffee problem is relevant to his backstory.

KRISTEN STEWART

Photographed by Collier Schorr for Rolling Stone (March 2024)

In the third case of Ace Attorney, Turnabout Samurai, after hearing the news of Will Powers's arrest and Jack Hammer's murder, a number calls the office. Maya answers as "yes, this is Wright & Co. Law Offices" (being notified of Will Powers's situation), and the item that pops up as being the phone is her own phone, the pink one from the previous case. This implies that Maya set her own phone number as the office's number, which is so funny to me.