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@mymxssion / mymxssion.tumblr.com

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THE TIME I THOUGHT OF YOU

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THE LION ROAR BREAKS THROUGH a convulsing body, unable to attack with the reinforced restraints in place. Somewhere someone beats words into his head like a ritual chanting. Though the words come in a language he’s become fluent in, they pass over his translation and process only as sounds and syllables. The lights shut off and the convulsions stop, words leaving lingering echoes and static noise. He resists the urge to catch his breath, staying silent as to remain undetected and listen for movement, but the dark is silent too. He knows it isn’t empty.
The lights turn back on and the roaring returns only it doesn’t come from him. In his place, shackled down, is a woman. The room fills with screams this time from both of them, drowning out the chants. 
When the screaming stops, he’s lying on an uncomfortable mattress in a hot room. Clenched in his fist is a crumpled newspaper that he doesn’t need to open up to remember what is printed. A picture of the Black Widow over an article inquiring about the agent’s persona. That face was left as a stain in his memories, traces of her in every locked and unlocked piece of his consciousness. She appears in his dreams more often than she doesn’t. She’s been looking for him and he’s stayed hidden. She creates a cyclonic war in his head from day to day -- and he resigns to turning over on the mattress, tucking his face under his arm.
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When they brought him back with them, and in all honesty it felt like they were taking in a stray who did not want to be taken, he meant to find his out. When they said they could help, instinct told him to refuse. Tests and experiments didn’t seem like a better alternative to the life he’d been living hidden away in a dingy apartment, but it changed when something else made him consider the option.
He doesn’t call this a home and he doesn’t know the extent of his temporary stay, but he sits next to Natasha, knee knocking against knee like kids. Forgetting what they were talking about, they’d fallen into a silence of staring at the same rip on his jeans. They read each others minds somehow, always knowing what the other might be thinking about, predicting their next move. That’s how their eyes end up meeting at the same level.
His calm expression now gone, tension builds at his brow with every inch that he moves to press his lips to hers. Like flipping a switch somewhere in him, he quickly becomes consumed. The second that his hand locks on her knee he retracts and mutters an apology under his breath, turning forward on the couch with a hunched back and clenched fists. It isn’t the kiss that he apologizes for, its everything that he won’t tell her and everything else that she already knows. The light that went off in his head like a muted alarm and the ripple down his back that felt more like vertebrae stacking up for combat. He mentions that they’re starting tests tomorrow, that they’re confident, but doesn’t mention that he isn’t.
He’s back where he began with her, only now he’s the one who’s tearing them apart.
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SEND A HEART FOR A SPECIFIC KISS.

Send ❤️ for a romantic kiss. Send 💝 for a plationic kiss. Send 💞 for a awkward kiss. Send 💓 for a heated kiss. Send 💟 for a delicate kiss. Send 💔 for a interrupted kiss. Send 💘 for a static shock kiss. Send 💗 for a repetitive lip peck kiss.

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reblogged
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bag-of-dirt

The melancholic 1943 hit single from American singer and actor Bing Crosby, “I’ll Be Home for Christmas (If Only In My Dreams)”. The song is sung from the point of view of a soldier who is overseas, writing a letter to his family. In the message, he assures his family that he will be coming home, and to prepare the holiday for him including requests for “snow”, “mistletoe”, and “presents on the tree”.

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   HIS COMMENT DOESN’T COME AS A SHOCK      though MJ does find herself amused in the attempt. Though most turned a blind eye to the ghost among them, news blasts getting straight to her phone made him very recognizable. She understands the broad strokes, the specifics of his abilities are concealed as the arm that usually drops down near her. Her head tilts, following his down-tracking gaze,            In that case I’ll get you another before Dana gets in here and takes over            It’s not often the end of her shift comes as a disappointment.
   HER SISTER LIKED TO SAY      (      liked to complain       )      about MJ’s ability to talk to anyone. For the most part, there’s truth in it. Caught up in details of their daily lives, there is something of interest to be found even when waiting for the subway. He’s different. Not a way to pass the time, not a usual airy conversation. Her ever-present smile widens when she sees him there, his presence alone can bring it about.
   AS PROMISED     she pours him another, leaning in as she slides the glass his way. If it’s a secret, she keeps her, complete with lowering her voice as she teases,            You must really miss hangovers, huh?      

  IT WOULD SOUND SAD TO ADMIT      that he’d been spending his nights the same way, sat in a barstool for longer than it takes to finish a drink. An unnecessary amount of time for someone who goes alone and with no intention of losing sobriety. But no one questions him because no one notices him. Well, save for one.          Dana.         He drums his fingers against the bar top. He doesn’t know Dana but he’s sure she can’t do her job like Mary Jane, though he runs the risk of seeming obsessed if he leaves the moment she does. 

  WHAT ONCE WAS CUSTOM      he’s found to have gained new meaning in the contemporary world. Manners are seen as too polite or pretentious when they once were commonplace. Men held doors, walked people home, shook hands, took off their hats (  though he’s learned to hide behind his  ). He can’t help it when his old instincts kick in. Sometimes they’re confusing like he’s stuck in a warped time and other times they’re refreshing, like seeing an old friend or getting a piece of yourself back that was lost somewhere in the rubble.

  HE CATCHES     the class between his fingers and looks at her with one eye squinted, the corner of his mouth canting the same way.         You kidding? The best part of drinking.    ”      He nods slightly in thought. Like he’s considering something, or fighting in a match against himself.       Goddamn. I’m gonna hate asking this and you’re gonna think I’m real fuckin’ dated, but      can I walk you home?  

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sandcvstles

hurt meme.

  • “ i got you. it’s gonna be okay, you’re going to be okay.”
  • “i feel like everyone’s miles away from me.”
  • “my mind is a dark place. you don’t want to be there.”
  • “i know this hurts, but you have to stay awake.”
  • “don’t close your eyes, please don’t close your eyes!
  • “i just want to be numb, i don’t want to feel anything.”
  • “please don’t do this, don’t act like you care.”
  • “you don’t care, nobody cares, just leave.”
  • “you’re my friend, of course i fucking care.”
  • “i can’t give up on you, so please don’t give up on yourself.”
  • “i love you so much, i forgot what hating myself felt like.”
  • “i fucked up, why do you not care?
  • “i can’t walk, just go on without me.”
  • “you have broken ribs, take it easy.”
  • “i have no idea how to do cpr.”
  • “whose blood is that?
  • “apply pressure to the wound, don’t let go.”
  • “don’t you dare fucking let go!” 
  • “what the hell happened to you?” 
  • “are they dead? did you kill them?” 
  • “do you know what you’ve done?” 
  • “you’re either with me or against me.” 
  • “who the hell did this to you?” 
  • “are you alright? you hit your head pretty hard…” 
  • “i can’t see!! what’s happening to me?” 
  • “when was the last time you ate?” 
  • “what do you mean you’re fine? you are not fine!” 
  •  “i’m fine, it’s just a flesh wound, i’ll be okay.” 
  • “for how long? how long were you bottling this up?“ 
  • “there’s so much blood, you won’t last.” 
  • “are you… throwing up in there?” 
  • “why aren’t you eating?” 
  • “just breathe… you’re okay, i promise, just breathe.” 
  • “i can’t breathe, i can’t –” 
  • “i woke up, & you were gone.” 
  • “just tell me something, was it really worth it?” 
  • "it’s okay to hurt & breakdown. you don’t have to be strong all the time.”
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❛ I know you’re teasing me. And you should know I’m not easily humiliated. ❜

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HE SHAKES HIS HEAD AND BITES HIS LIPS. She makes him laugh whether she tries to or not, and it’s a nice change. Different, being able to have a conversation about nothing over eggs and toast and being completely satisfied with that. It’s different having his time filled with the presence of someone else and not be alone when he would have thought he needed to be. And though it seems and feels easy, it’s fucking hard. The smile isn’t.

        ❝   It’s the generational gap. Eat your eggs.    ❞

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