BYE

The closer a language is to yours, the easier it is to understand, the further it is from you, the harder it is to understand. But there's a sort of uncanny valley right in the middle that makes a language sound silly.

I'm an English speaker. German sounds similar, I can even find cognates sometimes. Mandarin Chinese sounds completely alien, but I can understand that it is a language.

But Dutch, Dutch sounds hilarious. Dutch sounds like a clown version of English. I wonder why that is.

I've heard Spanish speakers say similar things about Portuguese, which makes me think there's some sort of linguistic Silly Zone.

Y'all are already doing this but I am fascinated. Tag this with your native language, and what languages are in the Silly Zone for you.

I just don't get the appeal of streams

north atlantic fish watching salmon swim off to get eaten by bears

you absolutely cannot say shit on this website

moderator clarifying the rules of the coprophobia support forum

god fucking damn it

Check for understanding:

I think I'm going to become a teeth monster and bite everybody to death

Additional questions:

The goblin looked at the orc. The orc looked at the goblin. They both looked down at the crumpled shape of the Overlord, His Unholy Majesty, in his obsidian armor.

His final spasms had been mesmerizingly acrobatic. The fall down the steps leading up to his iron throne had pretzelled his body quite impressively, both arms folded behind his back and one leg bent at a jaunty angle.

The goblin looked at the orc. The orc looked at the goblin.

"Shit," said the goblin.

"Shit," said the orc.

"We're likely to get blamed for this," the goblin said. She walked over to the head of the glittering mangled heap and started pulling the helmet off.

"It's not our fault," the orc said. "It's hard to help someone choking when they wear two-hundred pounds of spiked armor at all times."

"Yeah, well," the goblin grunted. The helmet came free, and the bald head of the Overlord bounced on the stone with a hollow, coconut noise. "You know how it is in this bloody country - thieves get their heads cut off so they can't think about thieving, and all that." She fished in the Overlord's mouth with a finger and pulled out the obstructing olive on the end of her claw.

She popped it into her mouth and chewed. "What do you reckon they do for a regicide?" she said.

"We should run," the orc said. She had started bouncing her leg. "I hear that there's some places in the Alliance where they just kill you and let you stay dead. That's got to be nicer than what'll happen if we stay here."

The goblin started to nod - and then her gaze fell on the helmet.

It looked like a pineapple designed by a deranged blacksmith. It was all thorns and spikes and hard edges, as though the maker had been very determined to not let pigeons roost on it. The only bits that weren't solid iron were eyeholes. Nobody had ever seen the Overlord's face.

She held up the helmet and squinted from it to the orc. One of the thorns had been bent badly in the fall.

Nobody had ever seen the Overlord's face...

"Right," she muttered. "Right. Could work - or."

The orc had a sudden vision of the immediate future. "No," she said.

"I mean you're about his height-"

"No."

"It would just be for a-"

"Absolutely not."

"Just hear me out," the goblin said. "Outside of this room are two-thousand men and orcs and goblins who are absolutely gonzo about this man, and there's a whole country of them outside of the castle, and at any moment someone's going to walk in that door and see one dead tit in black armor and two unbelievably dead idiots next to him.

"Or." She tossed the helmet up like a basketball to the orc, who fumbled and tried to find somewhere to hold it that wasn't a knife's edge. "We chuck him out the window now, walk out the door in the armor, and ditch the armor as soon as nobody sees us."

The orc had started bouncing her leg again. "They'll know something's up the second I walk out of the room."

"No worries," said the goblin. "Leave that to me."

---

It had been a very strange year for the Empire.

Change had rolled across the land as slow and inevitable as a glacier. Roads and bridges carved the gray, blasted wildlands, and a number of social reforms had made the country a place where you could be miserable, yes, but miserable in comfort and safety, and that was an improvement.

Barely anyone got boiled alive in molten metal, and even if the disgusted sun never rose to light the Empire, at least you had a roof over your head to protect yourself from the acid rain.

Reading a Terry Pratchett book is literally just: Here's a funny little joke Here's something that you can tell is a joke but don't get and will only figure out five years later Here's a surprisingly cool fantasy concept Here's a unique and well written simile Here's a lil guy Here's something that has aged depressingly well into the modern day Here's something that has aged remarkably queer into the modern day Here's a character that you can barely understand what he's saying Here is the most terrifying and deeply disturbing concept you have ever heard, casually mentioned Here is the dumbest fucking pun you've ever heard but in the best way Here is a quote so profound that it makes you view morality and the world in a different way Here is a plot twist that you can't tell if it's genius or stupid Congratulations! You've finished the book! It has fundamentally changed you as a person and you will never be the same!

Everyone gives Sherlock Holmes a hard time about being mean about Watson's writing, but honestly imagine you told your roommate "sure, you can write up an account of my work for the newspaper," thinking it would be like, about the murder, but then he publishes it and it's 90% about you, as a person, and it's a huge hit and now everyone in London knows that you hoard newspapers and do cocoaine when you're depressed. Because I think you'd be little miffed too.

Humans are so cute. They think they can outsmart birds. They place nasty metal spikes on rooftops and ledges to prevent birds from nesting there.

It’s a classic human trick known in urban design as “evil architecture”: designing a place in a way that’s meant to deter others. Think of the city benches you see segmented by bars to stop homeless people sleeping there.

But birds are genius rebels. Not only are they undeterred by evil architecture, they actually use it to their advantage, according to a new Dutch study published in the journal Deinsea.

Crows and magpies, it turns out, are learning to rip strips of anti-bird spikes off of buildings and use them to build their nests. It’s an incredible addition to the growing body of evidence about the intelligence of birds, so wrongly maligned as stupid that “bird-brained” is still commonly used as an insult...

Magpies also use anti-bird spikes for their nests. In 2021, a hospital patient in Antwerp, Belgium, looked out the window and noticed a huge magpie’s nest in a tree in the courtyard. Biologist Auke-Florian Hiemstra of Leiden-based Naturalis Biodiversity Center, one of the study’s authors, went to collect the nest and found that it was made out of 50 meters of anti-bird strips, containing no fewer than 1,500 metal spikes.

Hiemstra describes the magpie nest as “an impregnable fortress.”

Pictured: A huge magpie nest made out of 1,500 metal spikes.

Magpies are known to build roofs over their nests to prevent other birds from stealing their eggs and young. Usually, they scrounge around in nature for thorny plants or spiky branches to form the roof. But city birds don’t need to search for the perfect branch — they can just use the anti-bird spikes that humans have so kindly put at their disposal.

“The magpies appear to be using the pins exactly the same way we do: to keep other birds away from their nest,” Hiemstra said.

Another urban magpie nest, this one from Scotland, really shows off the roof-building tactic:

Pictured: A nest from Scotland shows how urban magpies are using anti-bird spikes to construct a roof meant to protect their young and eggs from predators.

Birds had already been spotted using upward-pointing anti-bird spikes as foundations for nests. In 2016, the so-called Parkdale Pigeon became Twitter-famous for refusing to give up when humans removed her first nest and installed spikes on her chosen nesting site, the top of an LCD monitor on a subway platform in Melbourne. The avian architect rebelled and built an even better home there, using the spikes as a foundation to hold her nest more securely in place.

...Hiemstra’s study is the first to show that birds, adapting to city life, are learning to seek out and use our anti-bird spikes as their nesting material. Pretty badass, right?

The genius of birds — and other animals we underestimate

It’s a well-established fact that many bird species are highly intelligent. Members of the corvid family, which includes crows and magpies, are especially renowned for their smarts. Crows can solve complex puzzles, while magpies can pass the “mirror test” — the classic test that scientists use to determine if a species is self-aware.

Studies show that some birds have evolved cognitive skills similar to our own: They have amazing memories, remembering for months the thousands of different hiding places where they’ve stashed seeds, and they use their own experiences to predict the behavior of other birds, suggesting they’ve got some theory of mind.

And, as author Jennifer Ackerman details in The Genius of Birds, birds are brilliant at using tools. Black palm cockatoos use twigs as drumsticks, tapping out a beat on a tree trunk to get a female’s attention. Jays use sticks as spears to attack other birds...

Birds have also been known to use human tools to their advantage. When carrion crows want to crack a walnut, for example, they position the nut on a busy road, wait for a passing car to crush the shell, then swoop down to collect the nut and eat it. This behavior has been recorded several times in Japanese crows.

But what’s unique about Hiemstra’s study is that it shows birds using human tools, specifically designed to thwart birds’ plans, in order to thwart our plans instead. We humans try to keep birds away with spikes, and the birds — ingenious rebels that they are — retort: Thanks, humans!

-via Vox, July 26, 2023

Guys… hallmark is making Halloween movies now…

@copperbadge

[ID: An ad image for the Hallmark film "3 Bed, 2 Bath, 1 Ghost" which is summarized as "A ghost from the 1920s refuses to leave the home just listed by Anna, a new real estate agent. Worse, the spirit is convinced she cannot 'pass over' until she gets Anna back together with her ex."]

Amusingly, it's not even a Halloween movie -- it's just a regular-degular Hallmark movie with a ghost in. :D Because the Christmas movies get so much attention, a lot of people don't know that Hallmark makes cheesy, cheap romance movies year round, most of which aren't holiday themed, and you do get the odd supernatural one. There aren't any scares in this one, from start to finish; the worst thing the ghost does is temporarily max out Anna's company credit card.

It unfortunately isn't even a good bad movie, however. The historical stuff is fun, but the entire premise is that Anna and her fiance VERY RECENTLY dissolved both their business and their engagement, and this is Anna's chance to make a fresh start, but of course she ends up getting back together with the extremely bland and uninteresting fiance. The ghost who is haunting the house Anna is trying to sell, a female flapper who died in a car crash when she was 25, had way more chemistry with Anna than the ex-fiance did; we never really get any sense of who he is, which even for Hallmark is a bit unusual. He's basically a cardboard standee, the platonic ideal of the Moderately Attractive Man, and their relationship sounded like it was tedious at best. Watching them get back together was like watching the 'acceptance' stage of a slightly acrimonious divorce.

The ghost, meanwhile, has all the best lines and by far the best outfits and also the actress playing her really committed, so the movie on the whole is like watching what would happen if F. Scott Fitzgerald wrote a romcom (complimentary) with Ernest Hemingway as script doctor (derogatory). There's a scene which if it were in a romance would actually be extremely charming, where the ghost insists she can't leave the house she's haunting even to go outside to the garden, and the heroine tricks her into going outside anyway by picking a ridiculous fight. But it feels like it's all chained to the death march of Anna's engagement to Walking Mayonnaise. Hallmark films often feel like there's a good movie inside them struggling to get out, or like one character just arrived from a much better film (for example, Darcy in "Christmas At Pemberley", who is visibly confused by the incredibly stupid plot he finds himself trapped in).

I will say that the vast majority of all Hallmark movies could generally be improved if the heroine was banging her female BFF, or if the occasional gay-coded male BFF ended up with the male love interest. I yet hold out hope that the Wedding Veil series of films will one day feature Tracy's super fun and definitely gay Work Husband landing himself a rich art-collecting sugar daddy. Man deserves it.

Murderbot: I’ll make you pay for endangering my humans

ART: I’m a giant space ship you cannot hurt me in a way that matters

Murderbot: *locks itself in the bathroom and refuses to talk*

ART: *on the verge of tears* I don’t care even a little bit

Rereading the first Murderbot book, had forgotten these absolutely Peak Relatable Murderbot moments

-when someone asks Murderbot why it won't make eye contact and it grinds its teeth so hard it loses performance reliability and

-when someone has an Incorrect opinion about its favourite show so it has to pipe up and correct them even though its in the middle of being interrogated.

the thing that fascinates me about the whole Brandon Sanderson episode 2x08 meltdown is that, look. he is EXTREMELY popular with a certain very specific subset of SFF fan who loves 'Magic A is Magic A' type magic systems where it's really sci-fi in fantasy dressing and part of the fun of the exercise for him and his readers is interrogating it to find all the logical loopholes and cool shit that you can do while still being within the rules of the system and so on. and that's perfectly legit.

but it's also...even though WoT does have aspects of this, in that channeling is a very rules-based magic system compared to e.g. magic in LoTR (which is the classic 'no rules only vibes' high fantasy magic) it also co-exists along magic which is MUCH more vibes-based (whatever Min does, Ogier Treesinging, Wolfbrothers). RJ was also never interested in writing the sort of edge-case rules-lawyering that BS obviously loves; it's pretty clear he wanted channeling to have rules to give himself rails to run on when incorporating it into the plot, not so he could logically deconstruct the thing. (like, how exactly did Mierin Eronaile and Beidomon use the One Power to drill into the Dark One's prison the first time when the Dark One is outside the Pattern? we have no idea because it doesn't matter, it just matters that they did it.) there's also plenty of inconsistencies and weird notes in the earlier books because he hadn't fully settled on how things worked yet - famously, Moiraine's staff.

and none of that matters really, because ultimately the internal logic and ability to be gamed out of your magic system is not a sign of writing quality, it's an artistic choice about how you want to depict magic in your SFF setting and also about what helps you as an author to write an internally coherent story. there's a lot of very good fantasy where the magic is EXTREMELY handwave-y and it's fine because that's not the point of the thing.

so to see that BS apparently seems to think that it IS a sign of writing quality and furthermore that the show is bad if it doesn't meet *his personal standard* of magic system logic, which he is somehow 'qualified' to have because...he likes to write magic systems with lots of rules a lot...is just. wild. sir, you have identified a very specific niche of nerd who will give you lots of money for your very specific books, that's great for you but the world of SFF is much bigger and weirder and cooler than that and that's okay.

Okay starting All Systems Red and I instantly see why people on here like this series so much.

Crystal Tumblers and Decanters Glint in the Sun in Photorealistic Embroideries by Lucy Simpson

2nd part of the characters I've been requested on Instagram!

watching a group of mutuals reblog the same post like they’re passing the salt down the table for everyone to season their food with