thinking about how in s1 Cat straight out says she doesn’t really pay Kara very much and Kara has a p nice apartment, no roommates, in the equivalent of LA, and eats a lot, we see her eating takeout quite a bit too.
After 2 years of Kara being the only assistant to the CEO of Catco Worldwide media, she’s probably also made a lot of connections in publishing and media and who knows what else. Probably by the 2nd month at her time at CatCo Kara has probably outlasted the majority of other assistants--definitely by the half year mark.
What I'm saying is every person who has to interact with Cat At All probably knows it's best practice to go through Kara first to get a guage on Cat's mood, or just simply a filter of no no. She's going to tear that apart.
People might scoff when they hear that from Kara at first but then surprise surprise Kara is right.
Cat loves it because she doesn't have to deal with as many morons in a day and other people love Kara because that means they're a lot less likely to be fired or verbally eviscerated, either at the office or whatever event Cat drags Kara to (in season 1 Winn called it "taming the beast"--how long did it take other people to start using that phrase?) Kara is the type to remember (and also hear bc thanks superhearing) small details about people, their favorite color, their spouses and children's birthdays, how their pet is doing--she also speaks multiple languages and yeah it's easier to coordinate with CatCo France or Brazil when guess what Kara speaks French and Portuguese. She makes connections.
Kara doing a favor for an executive at CatCo, maybe someone located in New York, and maybe deleting a drunk angry email that they call and Beg her to delete before Cat sees (Cat probably gets an ungodly number of emails a Day) and Kara reads it and relents and deletes it and then maybe a few months finding out that exec also owns an art gallery (let's name her Julie) and asking if she could look at some of Kara's art.
Julie agreeing, Kara just asking for her art to be looked at, not even displayed and oh, it's like nothing she's ever seen--Otherworldly and futuristic and animals and plants that are so clearly planned and detailed especially since there are repetitions on multiple paintings and sketches of the same flora and fauna but it's like nothing on Earth (Kara has been to 11 different planets before she was 13--she has plenty of experience)
It's not about the money--she cherishes her art and guards them possessively, like they're precious (because they are) but she wants people to know Krypton the same way she did, even if they don't realize it.
It's nerve wracking to give away these pieces of herself, She wants to be anonymous, and Julie agreeing. She knows these are going to do well. They're out of this world (literally) and Kara's perspective and use of color and just the sheer emotion pouring off the page on every one is just--brilliant. Either the sheer joy and wonder--or the absolute heartbreak of that one painting Kara brings in one day, the contrast between the two paintings
(one is the image Kara treasures of her view of Krypton when she's coming home from her travels with her Father--the other is the last time she ever saw her home.)
Art collectors and museums acquiring the pieces and every time Kara lets go of another piece it gets snatched up very quickly, a marvel--
And in one art gallery in Buenos Aires, a guest with distinctive blue eyes and a white streak in her hair recognizes the painting--it's been over 3 decades since she last saw Krypton but she'd know Argo City anywhere.