utkarsh.

My friend the forest.

Made within a week-long [Filmmaking as Spatial Speculation] agency under Trojan Horse {trojanhorse.fi/} and filmmaker Payal Kapadia's tutelage, the film chases light through the forest's veins. The film also serves as a video letter exchanged across the globe with Christine Yerie Lee, who at her end interpreted the homebound conditions of the pandemic.

Sourced through the Indian Film Archive (largely Films Division's instructional films, made by prominent figures of the Parallel Indian Cinema of the 60s/70s), the film is a cyclical narrative as a meditation on the current times (mid2020), with Lifafa's In Hi Ko juxtaposing best to all things vivid India is.

Visualizing Knowledge (vizknowledge.aalto.fi) is an annual DataViz conference held at the nice architecture of Dipoli, Aalto University. Set on Olli Ketonen's data intrinsic soundtrack that uses visual capture and morse code to create an ambient space for birds to chirp to, the visuals try to bring about this year's theme Data Sensations.

Identity Guidelines by Saara Majanne cargocollective.com/saaramajanne | instagram.com/smajanne Sound by Olli Ketonen olliketonen.com | soundcloud.com/ketonen Direction, Modelling, Texturing and Edit by yours sincerely

Visualizing Knowledge (vizknowledge.aalto.fi) is an annual DataViz conference held at the nice architecture of Dipoli, Aalto University. Set on Olli Ketonen's data intrinsic soundtrack that uses visual capture and morse code to create an ambient space for birds to chirp to, the visuals try to bring about this year's theme Data Sensations.

Identity Guidelines by Saara Majanne cargocollective.com/saaramajanne | instagram.com/smajanne Sound by Olli Ketonen olliketonen.com | soundcloud.com/ketonen Direction, Modelling, Texturing and Edit by yours sincerely

Jack and Jill of the old rhyme are now grown ups, changed names and identities. Here’s a motion comic exploring thoughts around individuality, nostalgia and a car ride.