"My work is the evidence of an organic rhythm, precision and play – an intuitive and contingent moving and culling of an image into this reality through a physical process of searching. This approach invests in the unknown, or bewilderment as a vulnerable, yet powerful and freeing, path to making work. Drawing is vital, with an emphasis on the criticality of touch and the physical transmitting of information into a surface. Gardens, sisterhood, headstrong blues, diagrams, empathetic relationships, disembodied experiences, and repressed affectivity are relevant to my current thinking. Morphing between presence and absence, this way of reliving obscurities and articulating invisible and unnamable alliances, reflects the way worlds osmotically modify each other, the re-framing, writing over and re-imagining that can empower multiple visions."