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Elizabeth Minkel

@elizabethminkel / elizabethminkel.com

Co-host of Fansplaining and co-curator of The Rec Center.
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Did you know there's a new Captain America movie out this weekend? Since I have actually broken this news to multiple fandomy people in the past week, you might not! Brave New World (with Sam Wilson as Captain America and Harrison Ford being unhappily motion-captured) is in fact the 35th installment of the Marvel Cinematic Universe in 17 years.

WIRED asked me to look back at the Captain America fandom's heyday (aka The Peak Stucky Era) and contrast it with now. That comparison is *complicated*โ€”not least because of fandom's longtime sidelining of/racism towards Sam Wilson. But the MCU is in a very different cultural position than it was in the mid-2010s, and fandom is, too: superhero and franchise fatigue, dramatically shortened fandom life cycles, the end of the "juggernaut ship," etc. etc. Add onto that an ongoing BDS boycott of the film due to the inclusion of an Israeli character (a Mossad agent in the comics) and it makes for a very messy pop-culture picture.

Featuring interviews with fans and scholars including the great JSA Lowe, who articulated a helpful framing for these franchises right now:

She offers the linguistic term โ€œsemantic depletionโ€ for thinking about the MCU and other big franchises that have pushed out nonstop installments in recent years. โ€œWith each iteration, something can get more watered down,โ€ she says. โ€œYou can retcon your retcons, but at a certain point, you lose the audienceโ€™s engagementโ€”you lose their willingness to keep entertaining these iterations.โ€
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fansplaining

Our March piece is live! ๐Ÿ’• We're thrilled to welcome back Amanda-Rae Prescottโ€”first a guest on our 2020 "Race and Fandom" epsโ€”with this deep dive into one of her areas of expertise, racism within period drama fandom, with a focus on Bridgerton in particular:

These diversely cast works changed the narrative, forcing future creatives to reverse past casting discrimination, and consider how fiction can be used to teach audiences about these hidden histories. The goal of racist discourse in period drama fandoms is to return period drama to only showing whitewashed propaganda. Some may hide behind critiquing โ€œmodern writingโ€ or โ€œactors being not up to par,โ€ but these are dog-whistles for their true opinion: that they only want to see white actorsโ€”and white historyโ€”on screen. 

Read the piece or listen to Amanda-Rae reading an audio version via the link above!

So excited to get this out into the world! Amanda-Rae has exhaustive knowledge of this space, and it was a real pleasure to work with her on this piece (as depressing as the subject is).

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joeinct

Sesiรณn Nocturna (Night Session), Photo by Francesc Catalร -Roca, 1950

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huariqueje

Sunlight on Wallpaper and Door - Michael Banning , 2020.

American , b. 1966 -

Oil on panel , 10 x 10 in.

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yorickish

the last couple of days I've been noticing way more buds than usual on the branches of trees and bushes. I think something big is about to happen

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huariqueje

Long Shadow View - Michael Banning , 2020.

American , b. 1966 -

Oil on panel , 10 x 10 in. 25.40 x 25.40 cm.

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henripix

Mark Grantham (Canadian Artist, born 1966) "The Other Day (June Street)".

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