“Fuckin’ excuse you?!”
This is turning out to the the worst fucking day. All Tess had wanted to do after the battle was raid the kitchen and maybe find somebody to bum a smoke off of, but now something’s going on. Somewhere in the base an alarm is blaring, made all the more distressing by the fact that everything else, lights and all, seems to have been shut down. The Scout goes around most days wound like a spring, and she’s got an active imagination.
So it’s got to be some sort of punishment from God for what she did at midnight mass that one Christmas or something that currently the worst thing happening to Tess is standing next to her in a suit in this fucking stuck elevator. And it’s being condescending.
Somebody up there has to hate her for something.
“Well fuck you ginger minge, didn’t ask for your input anyway!” She whirls away from the upsetting sight that encompasses Stian’s entire… thing and again faces the elevator door like she’s about to challenge it to a fight. “I’m gonna kick it down!”
“Is that a good idea?” Stian asks automatically. The definition of minge just tags it as “vulgar”; even after fiddling with every override he can access, it seems like his dictionary files are just expurgated, so it’s good that he doesn’t want to use naughty words in the first place, but it is annoying when half the things out of people’s mouths are “vulgar” and nothing more.
She said she’s going to kick down – the door, most likely. Stian doesn’t have a lot of technical information about elevators, but he does know some things that should be useful to him to know, such as that her actions will be pointless if they’re between floors right now. Letting her do it probably shouldn’t compromise their safety, either; it’s not a load-bearing door. Therefore, he can ignore her.
The power is off except for the emergency lights set into the corners where the floors meet the walls, so he can’t do anything with the little computer who operates the elevator, or is the elevator, depending on how you, or more importantly, how it feels about it. (There are days when he himself feels more like he is the entire individual and other days when he feels more like he is the computer who operates the meat suit, so he certainly won’t make that decision for anyone else!) He has another piece of information about elevators, though: there’s usually a trap door in the ceiling through which one can escape. The Scout can open a door to look at a wall; the Spy is looking at the ceiling to open a door.