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immorality for immortality

@neuxue / neuxue.tumblr.com

Lia, 30+, she/her. Questionable morals but excellent taste. Wheel of Time liveblog The Untamed liveblog AO3 About
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neuxue

I keep stalling on finishing the last half of Checkmate and I think it's because of all the books in this series this is the one where it actually feels like A Romance (derogatory)

the final half alas did not fix but instead exacerbated this feeling, but it's fine, one book that doesn't work for me is a small price to pay for the other five in the series that very much did.

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-a Qinghua graduate in the court of the warlord Cao Cao- part 1

Me designing Guo Jia: what if Zhuge Liang brushed his hair and was like, 2% more evil.

this popped into my head while i was reading wikipedia. Guo Jia would have been around 27-30 when he joined Cao Cao's administration and he was very much a "have you considered Violence, my liege," type of advisor. He accurately predicted Cao Cao's seemingly impossible victory against Yuan Shao, told him to go north and attack the Xianbei people, and depending on which account you read, urged Cao Cao to kill Liu Bei before he stopped being a loser and started consolidating power. (Spoiler: the Sandalweaver has plot armour).

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nightshadetq

one of the reasons shuos jedao has stuck with me as a character is the feeling through the entire series that the characters are chasing him, but he’s always just out of reach.

in book 1, one of the core draws is the mystery of jedao: why did he do what he did? what does he want now? who was he, really? we get a picture of him, and even literal flashback fragments at the end that try to piece him back together, but in doing so, he is obliterated. those glass shards and the fleeting time Cheris had with him are all we have to go on.

book 2 is also about chasing jedao, from a different perspective— brezan and khiruev meet Cheris-jedao and forced to interpret them. the reader also has to navigate the boundaries between the characters, but it’s impossible. we will never know a jedao that isn’t Cheris during this time. we can’t find him here either, but we can sketch and guess and extrapolate. But still. Out of reach.

book 3 is where this theme gets crazy. you are a teenager in a 40 year old body and they’re telling you that it’s yours and this is who you became and what you did when you grew up. you don’t recognize him, but you’re supposed to follow in his footsteps and do what you’re fated to do. but the people trying to shape you into him have their own ideas of he was, and you don’t really get it either way.

one of the scenes from book 3 that I remember most vividly is when jedos tries to figure out jedao like everyone else, and watches both a historical drama about his life (absolutely awful but so true that they’d romanticize his relationship with khiaz…. and when jedos remarks on it without Understanding but the audience does?? dramatic irony at its most painful) and the archival footage of hellspin fortress… he’s chasing jedao too, but all he has to go off of are kujen’s vision for him, the vast breadth of history and entertainment about his complicated legacy, and a few meetings with someone who is only somewhat him.

if you read Hexarchate Stories, you catch even more fleeting glimpses of who jedao was— snapshots of his family life, his adventures, his hobbies. but still, it feels to me, beautifully incomplete. to me he’s all about the distance and the mystery, someone whose story is always viewed through his legacy and other people.

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greelin

trust between two people who could easily kill one another (especially when it would be the more sensible option in the scenario) drives me insane. you could kill me. you SHOULD kill me. but you won’t. and i won’t. and i’m going to go a step further and trust you to hold my life in your hands. as i hold yours. wild sick twisted etc

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neuxue
The ruthless hands let him go. 'All right,' said Lymond, suddenly bored. 'Kill me now, sweetheart... if you can catch me, that is.' Jerott Blyth, cast suddenly free, lunged weakly as his knife arched towards him, handle first, and caught it.

The Disorderly Knights ch6

It is a truth universally acknowledged that in each book of this series, the young man whom Lymond has chosen to [whatever the fuck verb we're using for Lymond's deal with Will Scott, Robin Stewart, and now Jerott Blyth] will at some point try to kill him.

looking back on this I think perhaps the verb is 'ruin'

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He made the journey to Dieppe without resting

Checkmate, part 3 ch 3

another surprise entry on the just-like-me-fr crawford of lymond bingo card—

me 🤝lymond: once rode* without stopping from Paris to Dieppe in single-digit hours, because of a boat

*on a bicycle rather than a horse but it's the same verb so it counts

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The daughter of a Marshal of France, destined from birth for highest station, did not admit newcomers to easy friendship. But sitting murmuring over her sewing with [Philippa,] this slender girl with the clear skin and brown eyes and coiled chestnut hair, Catherine d'Albon found herself moved to converse not as to another girl, but to a tutor. A tutor who brought her not only news and opinions and discoveries but songs and poetry and books, dearly bought and freely given for her to study; so that for part of the day at least her mind was turned from its treadmill. When would he come back? Would he speak? Or would he allow the divorce to take place before he would approach her? But of that, and the person who filled both their minds, neither of them ever said anything.

Checkmate, part 3 ch1 (emphasis mine)

So do we count this as a Bechdel pass or...?

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neuxue
'Something comes out of every voyage,' said [Lymond] sharply. 'Out of every bloody fruitless endeavour. All the striving after the unknowable. The unattainable, the search for Athor, the creative force, rolled into a circle. You with your quest; I with my care-ridden Emperor; Sir Thomas, sitting before the fire, his bowels burning before him. We add something. If we didn't add something, there would be no object in it... I had better stop talking.'

The Ringed Castle, part 3 ch 2

It's a shame there's no way for Lymond to realistically include Li Bai amongst his apparently endless quotes and allusions because this moment, before he so abruptly and forcibly stifles it, has such a "天生我材必有用 // the talents heaven granted me must surely have some use" feel to it.

It's also a shame this whole story is set several hundred years too early for someone to pointedly whistle Evita's High Flying, Adored every time Lymond walks past.

Just imagine Danny Hislop armed with the lyrics

High flying, adored What happens now, where do you go from here? For someone on top of the world, the view is not exactly clear It's a shame you did it all at twenty-six. There are no mysteries now Nothing can thrill you, no one fulfill you
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'Something comes out of every voyage,' said [Lymond] sharply. 'Out of every bloody fruitless endeavour. All the striving after the unknowable. The unattainable, the search for Athor, the creative force, rolled into a circle. You with your quest; I with my care-ridden Emperor; Sir Thomas, sitting before the fire, his bowels burning before him. We add something. If we didn't add something, there would be no object in it... I had better stop talking.'

The Ringed Castle, part 3 ch 2

It's a shame there's no way for Lymond to realistically include Li Bai amongst his apparently endless quotes and allusions because this moment, before he so abruptly and forcibly stifles it, has such a "天生我材必有用 // the talents heaven granted me must surely have some use" feel to it.

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oh look another pair of lymond quotes I can pin together on a corkboard with red string

'Jerott, for God's sake! Are you doing this for a wager?' said Lymond, his patience gone at last. 'What does anyone want out of life? What kind of freak do you suppose I am? I miss books and good verse and decent talk. I miss women, to speak to, not to rape; and children, and men creating things instead of destroying them. And from the time I wake until the time I find I can't go to sleep there is the void - the bloody void where there was no music today and none yesterday and no prospect of any tomorrow, or tomorrow, or next God-damned year.'

The Disorderly Knights, part 3 ch XI

But to the members, old and new, of the company he had created [...] he showed a blank and courteous indifference. And nightly, when he could, he withdrew from their society to Güzel's civilised house, with its books and its music and its well-prepared food

The Ringed Castle, part 1 ch 6

how's that working out for you, Francis?

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tam--lin

Developing something called the "gloves and bathroom model of intimacy", which states that if you are doing something involving another person, gloves, and a bathroom, you have reached a new level of intimacy in your narrative

options include, but aren't limited to, hair dying, sex, wound care, and disposal of a body

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ironedorchid

then there's the most intimate of all: cleaning a bathroom together

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