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Its bigger on the inside!

@iwasbluue / iwasbluue.tumblr.com

- Raah. BRAZIL. ARO/ACE. FEMINIST. FAN. MULTIFANDOM
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goat fight. non-negotiable.

I think it’s also very important that this is a fight in which the characters *actually interact with their environment* in a way that feels real. Like, yes, have superpowers but there’s no cartoon physics involved, no obvious sense that this was filmed on an empty set with a greenscreen and the background was added later, or that they’re filming without even the people they’re fighting being present, just ‘look over here and make a hand gesture’. The shield gets stuck in a car, there’s that awful moment of the knife sliding along the side of the van that cues up with the mounting tension in the soundtrack. Bucky’s arm impacts the pavement and actually dents it, etc. They’re jumping over/behind the cars and getting thrown into them/into the pavement in a way that feels more visceral than just ‘whoosh there was a wire & we CGI’d in the rest’. t has a sense of real world space to it, and that adds to the feeling of real world stakes.

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dduane

People... watch out for these things!

The saying applies with more than usual force here: if you're not paying for it, you're not the customer: you're the product being sold. (And maybe you're the product being sold even if you are paying for it.)

DO NOT MAKE YOUR PERSONAL PHYSICAL DATA AVAILABLE TO PEOPLE WHO COULD THEN SELL IT TO THOSE INVESTED IN USING IT TO SURVEIL YOU AND POTENTIALLY CHARGE YOU WITH CRIMES.

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reblogged
镇魂  | Guardian (2018) + trivia

[ID: 14 gifs from the c-drama Guardian, all showing scenes with trivia facts related to them. 1: Shen Wei holding a lecture in front of an audience, his sleeves rolled up and wearing sleeve garters, with text reading, “Zhu Yilong was the one who suggested Shen Wei wear sleeve garters.” 2: Zhu Jiu standing in front of 5 youchu, the text reading, “The original production company went bankrupt while Guardian was filming (it was later picked up by Youku). The score was finalized before this happened, which explains the comparatively high production value vs. the rest of the series.” 3: Shen Wei stepping forward, intently telling Zhao Yunlan that this is the life he’s returning to him, the text reading, “Zhu Yilong was called in as a favor to play Shen Wei, after the initial actor for Shen Wei (Ren Yankai) jumped ship.” 4: Zhao Yunlan biting his thumb and looking through his lashes at Shen Wei, who is rubbing ointment on his arm, the text reads, “The scene where Shen Wei massages ointment on Zhao Yunlan’s arm was the first scene Zhu Yilong and Bai Yu shot together.” 5: Shen Wei standing in front of Zhao Yunlan, who is curled up on the sidewalk after a gastritis flareup, the text reads, “Bai Yu, method acting king that he is, also has stomach issues due to irregular eating habits, like Zhao Yunlan. Once Zhu Yilong learnt of this, he took it upon himself to have breakfast at a nearby noodle shop with Bai Yu every day.” 6: The final scene of episode 14, where Zhao Yunlan bids Shen Wei goodbye with a grin, and the first scene with Zhao Yunlan in episode 15, where he smiles, calculating, his hair having changed to be parted in the middle, with text reading, “Between episode 14 and 15, Zhao Yunlan changed his hair, parting it in the middle. In Han Chinese culture, it was customary for newlywed women to change their hairstyle to show their foreheads. When asked about it in an interview, Bai Yu said it was because he’d met his “good brother.”” 7: Zhao Yunlan as Kunlun sticking a lollipop in a young Shen Wei’s mouth, shutting him up. Shen Wei looks startled, as the text reads, “To circumvent censors, fans used the term “socialist brotherhood” to talk about the homoerotic subtext in Guardian and specifically the relationship between Shen Wei and Zhao Yunlan.” 8: Shen Wei in the Heipaoshi getup drawing an arc with his hand, Zhao Yunlan in the background looking exaggeratingly impressed, before exclaiming WOW! and clapping loudly, the text reads, “While both main leads rarely had any bloopers, the “WOW!” here was improvised and made Zhu Yilong break character, which is why they had to cut away so quickly. 9: Zhao Yunlan and Shen Wei holding onto the Longevity Dial as the camera spins around them, the text reading, “Guardian won the most popular Web Series Award at the 3rd Annual Golden Bud Internet Film Festival.” 10: Bai Yu and Zhu Yilong on hoverboards following each other in circles, the text reading, “After seeing Zhu Yilong on set with a hoverboard, Bai Yu got his own.” 11: Zhao Yunlan holding Shen Wei back by tugging on his arm, wiggling around coquettishly and making to rub his head against Shen Wei’s body before he’s rudely shoved away by Shen Wei, with text reading, “The iconic “Heipao-gege take care~ I’ll be waiting for you~” lines in episode 25 were improvised by Bai Yu.” 12: Shen Wei and Zhao Yunlan in the taxi scene of episode 8, Shen Wei gently readjusts Zhao Yunlan’s position so his head rests properly on Shen Wei’s shoulder, then looks at him slight frown, the text reading, “Zhao Yunlan napping on Shen Wei’s shoulder was improvised. While they had discussed what would happen beforehand, Bai Yu couldn’t help but tease Zhu Yilong by pretending to fall asleep and seeing what he’d do. Zhu Yilong pushing Bai Yu away the first time was his genuine reaction, before adjusting his position.” 13: A behind-the-scenes clip of the part in episode 38/39 where Shen Wei uses himself to shield Zhao Yunlan from Ye Zun’s attack, the text reading, “While a different angle was used for the episode, Shen Wei grabbed Zhao Yunlan’s hand when he shielded him from Ye Zun’s attack. Zhu Yilong had also done a take where he didn’t hold Bai Yu’s hand, but waved it off and redid the take with the hand-holding.” 14: the final scene in Guardia, Shen Wei smiles as tears run down his face, Zhao Yunlan tremulously answering it with his own, the text reading, “Guardian initially had a different scripted ending, with Zhao Yunlan being trapped in Dixing as an energy being for 10.000 years, becoming the headmaster of a school, while waiting for Shen Wei. Shen Wei (and Ye Zun) finally return as children, and Zhao Yunlan recognizes them because… they wear glasses, vowing never to leave them again. Because this ending was leaked early on, and reception was bad, they edited it to be the current drama ending instead.” /END ID]

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reblogged

I want to thank all the gif-makers of tumblr for allowing me to experience all of the best, funniest, hottest, most poignant, most romantic, most intensely heart-tugging moments of shows that I will absolutely never watch.

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reblogged

Keep seeing Avatar the last airbender posts about the show overstating stuff and not being nuanced enough. Bruh, some of us are watching the show with our mothers (who don’t know every single detail of the lore) and we’re asked about 20 different questions the first half hour of episode one.

It’s not as obvious as y’all make it seem, there’s a lot of politics that need to be inserted for the new viewers to understand, while at the same time include enough of the details and fun moments from the original to entertain the super fans.

Have some chill, a cup of Jasmin tea perhaps? And let them establish the story, this is what it’s like to start a new series, don’t forget that this show was not made exclusively for you, it was made for all of us and our mothers.

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nakedsasquatch it’s ya man

Okay but seriously folks - as often as I joke about this movie stirs my loins and as weirdly popular as this text post got a while back, I wanna rap with you all about why the George of the Jungle remake is a pretty important piece of cinema.

It’s literally the only movie I can think of that is based completely around the unheard of “FEMALE gaze.” Granted, while I’m a huge movie buff I’ve not seen every movie ever made. But even so, even if there’s another example of the “female gaze” in cinema that has escaped me it’s still damn impressive that a kids movie from 1997 based on a Jay Ward cartoon from the 60’s managed to turn gender representation in media on it’s fucking ass!

First things first, let’s look at our leading lady and love interest - Ursula, played by Leslie Mann.

Let me just say that while Leslie Mann is adorable and a talented actress, she does look a little less conventional and a little more plain compared to the bombshells that Hollywood likes to churn out. Leslie, in comparison, looks much more like a real women you’d meet on the street. She dresses pretty conservatively and plain throughout the film ; Wearing outfits that are more functional than fashionable for trekking through the jungle, pulling her hair back and so forth. Not that if she was dolled up and more scantily clad it would give her character any less integrity, but can we appreciate how RARE that is in the male dominated industry of film? Just think about all the roads a film about a woman in the jungle COULD have taken but didn’t - no scenes with her clothes strategically ripped or anything! You can say this is a kids movie, intended for children and that’s why the sensuality of the female lead is so downplayed but there are PLENTY of kids movies that handle women in a very objectifying and sexualized manner despite the target audience is pre-pubescent. Like, a disgusting amount. So I don’t think “it’s a kids movie” is why the film doesn’t take ANY, let alone EVERY, opportunity to showcase the main female character’s sex appeal…

…especially considering the sex appeal of the film rests squarely on the well defined shoulders of our male lead, George of the Jungle played by Brendan Fraser in the best god damn shape of his life!

*Homer Simpson Drooling Noises*

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Whenever members of the reddit community try to compare the sexualization of women in fiction to the design of characters such as Batman and Superman, I always want to just sit them down and show them this movie. Because THIS is what the female sexual fantasy looks like, and Batman and Superman are male power-fantasies. Look at him - his big blue eyes, his soft hair, his lean, chiseled physique built for dexterity rather than power. He’s wild and free, but gentle. It’s like he fell right out of that steamy romance novel your mom tried to hide from you growing up.

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Hell, the whole plot seems to be designed around how damn hot he is! First, for the majority of the film, he wears only a small strip of cloth to cover the dick balls and ass. Everything else is FAIR GAME to drool over for 40 minutes. Then, after he meets Ursula she takes him with her to San Francisco just so we can enjoy him in a well-tailored suit (as seen in the gif set), running around in an open and billowy shirt along side horses while Ursula and all of her friends literally crowd around and make sexual comments about him, and my personal favorite, ditch the loincloth entirely and have him walk around naked while covering his man-bits with various objects while one of Ursula’s very lucky friends oogles him and makes a joke along the lines of “So THAT’S why they call him the ‘KING of the Jungle’…”

And yes, it’s also a very cute and funny little movie. Out of all the movies based on Jay Ward cartoons, it was the most faithful to the fast-paced humor and wit of the original source material (yes even the new Peabody and Sherman movie which honestly I thought was too cutesy-poo.) But that’s not why this movie is popular with the gay community or why we all became women in 1997. It’s just really cool that there’s a film out there where the sensuality of the female form takes a back seat for the oiled up, chiseled, physique of Brendan Fraser (in his prime that is)

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One thing to add: in the scene mentioned above where the ladies are watching him in the billowy shirt running with the horses, it pans back to about 50 feet away to two guys in suits at this party looking at the women and one of the guys says, “Man, what is it with women and horses?” So not only does this movie highlight the female gaze, but it blatantly points out that western male sensibilities don’t have a clue what actually appeals to women.

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bifca

ALSO

he’s non threatening

as mentioned above, he looks built for dexterity rather than power, but he’s still a 6+ foot tall extremely muscular man, and not once are you worried for Ursula when he’s with her

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ms-demeanor

ALSO

let’s take a look at his rival - Lyle is a cravat-wearing trust-fund kid (who, interestingly, is into Ursula’s fortune more than her, which kind of makes this a gender-swapped gold-digger thing too). He’s blonde and Ursula’s mom LOVES him. He’s more uncomfortable and less prepared to cope with the jungle than Ursula is, in his pastels and shiny shoes.

But he talks over Ursula, insists he knows what’s best for her, ignores her autonomy. In spite of the fact that Lyle Van de Groot is a rich, educated, social climber who cares deeply about his clothing and appearances he is a point-by-point checklist of unhealthy masculinity in a way that beefy, inarticulate, uneducated George could never be. Ursula is off on her own doing her own thing and Lyle hires two FUCKING POACHERS to track her down in the middle of the jungle while she’s working (or on vacation? It’s never made clear because he interrupts her before she can explain why she went on the expedition). Lyle ignores the local guides, claiming his experience with a bridge in Maui means the bridge they’re on is safe - which leads to a significant injury for one of the guides. He then tells Ursula the guides are conspiring against him, trying to make himself and his poachers seem safe and the Africans who make up the rest of their party seem dangerous.

Check that body language! A post above points out that we’re never worried about Ursula when she’s around George. That’s because Lyle talks to her like this. Look at his aggressive lean! Look at him literally looking down at her! She’s tilted away from him in the least threatening position possible and he’s so aggressive about whatever point he’s making. When he finds her after he pushed her toward a damned lion he kisses her and she pushes him away. Want a textbook example of gaslighting? Here you go: she says “don’t get all smoochy with me! I remember what happened with that lion” and he responds “What are you talking about? I was fighting that lion the whole time - you were just so terrified you don’t remember.”  Then he shoots George! And then he kidnaps Ursula and attempts to force her into marriage!

Now look at how George and Ursula interact (slightly NSFW):

Even though he’s a big strong dude and he thinks he’s doing what’s okay he lets her set the tone for their interactions. He accepts that he’s out of his wheelhouse and even if he doesn’t understand it he does what she says is culturally appropriate. He learns from her! He listens to her! Compare Lyle leaning into Ursula above to this image of George and Ursula talking:

He’s listening to her, all of his attention is on on her, but he’s totally nonthreatening. His torso is turned toward her but he’s not invading her space, his hands are clasped, he’s smiling, and she’s the one leaning into him. Look at that smile she has, look how happy she is to be listened to. Her posture in both images is vulnerable but in this one with George she’s vulnerable because she has chosen to share with him instead of because she feels threatened.

When George rescues Ursula from Lyle at the end of the film it isn’t a typical damsel situation - George doesn’t have a knock-down-drag-out fight with Lyle, he swings into a tree and offers Ursula a hand so she can reach up and save herself (and before he does it he acknowledges how much it’s going to hurt and *whimpers* and looks human and scared). And you’ve gotta remember that George rescues everybody. It’s not just Ursula - he also rescues a parasailer and gets shot rescuing Shep and Ape. He just likes helping, dammit!

AND this movie offers a perfect counter to the “nice guy” thing - Ursula starts engaged to a jerk who her mom thinks is a “nice guy” the moves on to actual nice man George who isn’t *just* nice - he’s also patient, listens to her, has his own skills and talents, is okay with being goofy, has his own social circle and isn’t totally dependent on Ursula, and looks amazing. Ursula doesn’t go with George just because he’s a *nice* guy who rescued her from an asshole, Ursula goes with George because he’s an interesting, fun person who is supportive of her different way of being an interesting, fun person. AND he’s emotionally available. Google image search George of the jungle and see how many smiles you can find, see how many open looks of confusion there are, see how much sadness you can see in George’s face. Now look for images of Lyle. His two expressions are a smirk and cartoonish fear. I know this is a cartoonish kid’s movie, but it is SO powerful that the hero shares his emotions while the villain masks every emotion but fear. Lyle doesn’t want to open up, he doesn’t want to be vulnerable, he wants CONTROL. George wants to learn, to protect people he cares about, to explore new places, to laugh when he’s happy and to be sad when he’s sad, and that he does that while being a broad-shouldered, physically powerful dude who is NOT totally self-involved is just…

Like, look, I didn’t sign on to tumblr dot com for George of the Jungle discourse, but I’m just now realizing that this movie may have done the most for destroying my conception of stoic masculinity and gender roles as a child.

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Damn.

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starline

2nd reblog because this is even better. 

George of the Jungle discourse is definitely what I signed up to this hellsite for me thinks

It’s been seven years and this post is still one of my all time favorites.

Wish I could do a lit unit on this movie…

It’s been seven years

and this post is still one of

my all time favorites.

Beep boop! I look for accidental haiku posts. Sometimes I mess up.

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