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@anewdialect-blog / anewdialect-blog.tumblr.com

JMP, 28. "I didn't find god and he didn't come looking for me but someone showed me Minor Threat and that was plenty good enough for me."
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yycstreet

Looks like it’s giveaway time again!

We’ve got four packs of cameras to give away this time. 

Winners packs are pictured 1st to 4th place!

All you have to do to be entered in this giveaway is:

-Like this post

-Reblog this post

-Follow YYCSTREET

:)

We will announce the winners on the 31st!

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anewdialect-blog

Yes, please.

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I'm still motivated and I'm still angry and I'm still trying to shake things up.

Jacob Bannon

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s0me-assembly-required
Just remember, even your worst days only have twenty-four hours

10 word story (via thatkindofwoman)

this.

(via optimismandcaffeine)

this quote reminds me of ted's lyrics for "diesel and gunpowder"

When things are at their worst try hard to remember:  This struggle we must all endure is a test of strength;  a lesson in appreciation.  No one said this would be easy.  What good's a fight you're guaranteed to win?  Those bad days, those fucking evil days  define the days we live for.  I must remember that darkness is the canvas  where light will paint a dawn.  And when you die you don't come back.  There's no second chance.

Source: hiddeninstars
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And I just want to go back to when we didn't have to drink ourselves to sleep, back to when our dreams didn't weigh us down, back to when each day didn't feel like something we just survived.

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adeclarationofsorts
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ryanpanos

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

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