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. HOMER & KILL .

@metvmorqhoses / metvmorqhoses.tumblr.com

Free one. Art's Great Priestess. Writing's Mean, Slave and Altar. Founder and Curator of The Dead Anon Poets Society. M Y / W R I T I N G / B L O G
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Artemis smiled as Apollo opened the door to their oikos.

It was a beautiful house surrounding a garden filled to the brim with wildlife and even some vegetables. The walls were painted by Apollo himself and some even had mosaics on them. Artemis told her brother it was unnecessary but he wouldn’t listen, saying that if the garden and the outer walls have been left just as wild as she wished then the inner walls could be as colorful as he desired.

He was as dressed as a newly hatched baby bird, not that she could judge, her weapons where the only thing covering her pale skin. She looked as ready for battle as she was for xenia, as Leto was returning to Hyperborea. Apollo assured her of that fact a fortnight ago, eyes unwavering even now, eyes of the predator that he really was. Artemis was absolutely convinced that they looked laughable, hunter and predator working together.

She left the nymphs on the edge of the river Eridanos, Artemis knew they would wait for her, days and even centuries if they had to, although Artemis wondered how many of them would be pure by the time she came back.

She let Apollo drag her to the gynaeceum, where, on the klines, was the lovelies dress that she had seen. Stars woven together to play the part of a dress, just like she was

“Couldn’t let my sister not look the part of the hostess, could I?” He kissed her neck, knowing that’s the most she will let him do, knowing that she was only playing, just as they had when they we’re in the lovely forest for only a day, that lasted weeks, she could still fell those mortal’s terror when they realized that the day would not end, just as Apollo will never end. For what reason, not even Gaia herself knew, much less Artemis.

Artemis looked at her twin and her smile widened. She felt ready, sparks under her skin and an almost satisfied heart.

She put on the dress that Apollo gifted her. He watched.

He went to the andron. She followed.

He dressed. She watched.

She started to set the table. He brought the wine.

They get a cow and rip out its heart.

Apollo sets up everything for the symposia. Artemis cooks them dinner.

Divine siblings sit at the table waiting for their mother. They wait and wait and wait and wait…

The dinner never gets cold. The hostess never rises and the host never speaks. Neither move.

The day doesn’t end. Babies are morn and made of stone. Mortal scream and scream and scream…

The door opens. Apollo smiles. Artemis rises.

Nyx runs free, cloak falling freely behind her. Mortals scream in ecstasy. And a mother smiles at a predator playing the role of a hostess greats her in a place that she can’t bear staying for long, let alone calling it home.

-

So, you inspired me to write this, I used some actual ancient Greek words

Oikos refers to three related but distinct concepts: the family, the family’s property, and the house.

gynaeceum - women's room

Greek houses would typically contain an ‘andron’, or men’s room. This was a sort of lounge where men would host friends and associates and hold ‘symposia’, essentially dinner parties.

By then the Greeks had a couch/bed called a “kline” that was used for lounging and sleeping (hence our word “recline”). 

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I love this to bits.

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Nononono waitttt what do you mean about Good Omens season 2?? Why didn't you like it?

I personally thought it was better than season 1 - better paced. There wasn't a single boring moment. And sure, the plot maybe had fewer stakes, but seeing as this was a bridge season between season 1 (the of Good Omens book) and hopefully season 3 (the book that never came out, “668” or something like that), I thought it was good. Warm & fuzzy.

I need to know your opinion now

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As abashed as I am to have to respond to such enthusiasm with, well... the very opposite of enthusiasm, please at least know that I consider the truth the best thing I have to offer in general and in regard to that unfortunate (yet somehow still-untouchable?) mess the second season of Good Omens has proven itself to be in particular, so accept it as some sort of well-intended even if perhaps unwanted gift.

This is probably the most unpopular opinion one can have on Tumblr right now, so I'll go straight to the point: Gaiman managed to ruin Good Omens (perhaps he isn't able to write it by himself, perhaps he got carried away with fan service, who knows), once one of the most delightful, witty, engaging, profound books/shows existent, changing its register and raison d'être in order to turn it into, per great popular request, the same lame simple plotless cheesy cookie-cutter gay romance without rime and reason apparently every single piece of media is deforming itself into lately.

The dramatic loss of... artistic quality this show suffered is appalling and even more appalling is the fact I seem to be one of the very few on this green earth to have even noticed? Did I perhaps read too much in the show before? I don't think so, it was indeed a masterpiece. I saw many die-hard fans of the series beyond puzzled at this last season too, straining themselves to try and make sense of it with wild theories, justifying them with the simple fact that Neil Gaiman is a genius and surely this hot mess must mean something, right? I wasn't aware the world was mostly populated by hysterically besotted people hailing Neil Gaiman's alleged greatness from dawn til dusk without contextualized merit, and the discovery didn't particularly excite me, to be quite honest. I think a healthy amount of fairness in the critique of any artist should always be the norm, but I digress.

I'll try to keep it as brief and matter-of-factly as possible, especially since some time has passed and the fumes of my rage aren't as scorching or as precise as they used to be lol

In a word, this season was subpar. Not only did it lack that original witty, ineffable meaningfulness, that intrinsic and very human sense of wonder and protectiveness towards life and its profound sense the original show brimmed with, but even from the most basic literary point of view, it literally lacked a plot worthy of this name, a story, characters that felt complex and real instead of caricatures who tried and reenact themselves, and in general what should have been, quite simply, good writing.

More than Good Omens' long-awaited season 2, this felt more like a high-budget filler fanfiction created by someone who didn't know what they were doing with story and characters most of the time, but who sure as hell wanted to please the audience to disastrous lengths.

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“What you, call monsters are superior forms, or forms simply beyond your understanding. Aren’t the gods monsters? Isn’t a man of genius a monster, like a tiger or a spider, like all individuals who live beyond social lies, in the dazzling and divine immorality of things? Why, I too then—am a monster!”

— Octave Mirbeau. The Torture Garden. (via criminal-delirium)

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pasdetrois

I am the serpent (women and snakes motif 1/?)

Eva by Vittorio Zecchin  •  Boy, Snow, Bird by Helen Oyeyemi  •  New Worlds Old Cover Art by David McCall Johnston  •  Illustration by Yoshitaka Amano  •  “Troubling Resemblance” by Renée Vivien (tr. Jeanette H. Foster)  •  Lillith by John Collier    Sensuality by Franz von Stuck    “To The Snake” by Denise Levertov    The Space Between Garden and Eve by Adam Fuss    Borderlands/La Frontera: The New Mestiza by Gloria E. Anzaldúa
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