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& ONE DAY I AM GONNA GROW WINGS

@natashakhan / natashakhan.tumblr.com

Hi, my name isn't Natasha.
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reblogged
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evilwvergil

The Land of Shadow. A place obscured by the Erdtree. Where the goddess Marika first set foot. A land purged in an unsung battle. Set ablaze by Messmer’s flame. It was to this land that Miquella departed. Divesting himself of his flesh, his strength, his lineage. Of all things Golden. -E L D E N R I N G : Shadow of the Erdtree (21.06.2024)

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Text from the YouTube description:

By Ann Powers | November 17, 2023

“Polly Harvey has inhabited many characters throughout her 30-year career and always dressed the part: catsuit-rocking glam queen, high-collared Victorian wraith, mini-skirted libertine, feather-adorned warrior. Bringing the story told in her latest album, I Inside the Old Year Dying to the Tiny Desk, she stands at the microphone in a draped dress the wintry color of a gray alder tree, designed by her longtime costumier Todd Lynn. Its torn elegance perfectly suits the dual role she plays in these gently ferocious songs, which originated in her novel-in-verse, Orlam. As she lets loose her inimitable razor-sharp alto, she becomes both Ira-Abel, the child who, in the aftermath of an assault, merges with the forest around her Dorset, England, home, and of the bard whose verses keep that shepherd girl alive after her vanishing.

Harvey keeps her gestures minimal as she sets her scenes and speaks through them. Matching her voice to those of her trusted collaborators John Parish and James Johnston as they invoke the forest's ghosts — the "chalky children of evermore" — she lets the fecund imagery of her lyrics resonate. At times the crowd seems stunned into silence; after her lament for Ira-Abel, "A Noiseless Noise," concludes with the notes from her acoustic and Parish's electric guitar intertwining, she coolly waits out a gap before the applause and hoots of appreciation arrive.

This is where Harvey lives as a fully realized artist: on her own artistic plane, inviting listeners to take their time to fully join her. Ending with the heart-rendingly lonesome title track from 2007's White Chalk, she connects Ira-Abel's story to her lifelong project of expressiing women's solitude, pain and resistance. Exploring how human boundaries can shatter, reassert themselves or be rendered irrelevant, these songs create a contained space that echoes far beyond itself.”

SET LIST

"I Inside the Old I Dying"

"A Noiseless Noise"

"A Child's Question, August"

"I Inside the Old Year Dying"

"White Chalk"

MUSICIANS

PJ Harvey: vocals, acoustic guitar

James Johnston: keys, acoustic guitar, violin, vocals

John Parish: electric guitar, drums, vocals

TINY DESK TEAM

Producers: Robin Hilton, Bob Boilen

Director/Editor: Maia Stern

Audio Engineer: Josh Rogosin

Series Producer: Bobby Carter

Videographers: Maia Stern, Joshua Bryant, Kara Frame

Audio Assistant: Ted Mebane

Production Assistant: Ashley Pointer

Photographer: Catie Dull

Tiny Desk Team: Suraya Mohamed, Hazel Cills

VP, Visuals and Music: Keith Jenkins

Senior VP, Programming: Anya Grundmann

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PJ Harvey flew all the way from the UK to the US, and to DC just to do Tiny Desk… but no tour…

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norimatsuaki

The Smile - Full Whole Entire Complete Show Live Franklin Music Hall Philadelphia PA July 8 2023

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happy Thursday the 20th

I’d have to wait months or even years for another chance to reblog this, so why the fuck not?

next days you can reblog this on a Thursday the 20th

August 2015

October 2016

April 2017

July 2017

September 2018

December 2018

June 2019

February 2020

August 2020

You know, just in case you wanted to set your queue for the next 6 years

It’s tomorrow. For me it’s only 10:43 so I’ll leave this here

Guys its the end of the list D:

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romolite

The last Thursday the 20th

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raimi

Here are the next 6 years!

May 2021

January 2022

October 2022

April 2023

July 2023

June 2024

February 2025

March 2025

November 2025

August 2026

You know, just in case you wanted to set your queue for the next 6 years

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dykerory

just a reminder that you do not know the names of most of the people in SAG-AFTRA. They are not multi-millionaire A-Listers, not even beloved D-listers with a cult following. They are ordinary people struggling to make a living, living paycheck to paycheck just like the majority of WGA members. The push for SAG to strike was from the bottom up and that is who we have to thank for this moment of entertainment labor solidarity.

Donate to the Entertainment Community Fund to support those striking, as well as teamsters and IATSE members affected by the strikes

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ierohero

seeing people be like ‘I know it’s going to be hard to support the sag strike because movies and shows will stop coming out but-’ is so fucking funny like can I introduce you to a beautiful concept called the million billion movies and shows that already exist that you couldn’t even get through in a lifetime if you wanted. welcome to heaven <3

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