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it's the magical mystery kind

@maybehonestly / maybehonestly.tumblr.com

aka tv and movies and some occasional hipsterness
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who do you think they are to each other? / it took me twelve years to find my friend / he was just this kid in my head for such a long time, and I think I just missed him / you dream in a language I can’t understand / you make my life so much bigger, and I just wonder if I do the same for you / this is where I ended up. this is where I’m supposed to be / I just wanted to see you one more time / I didn’t know liking your husband would hurt this much / maybe we were a bird and the branch it decided to rest on one day / who you are is someone who leaves / to arthur, you are someone who stays / if this is already a past life, who do you think we are to each other in the next?

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So there is this thing that the two Villeneuve Dune movies do together that I cannot stop thinking about, where they will present something (often, a weapon) in a context the first time around where it looks a certain way (often, very sexy and cool). And then they will present it again in a way that doesn't exactly negate your reading of the original context but makes you recoil in horror from the new context.

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sluttyhenley

Mrs. Mollie Cobb, fifty years of age, passed away at 11 o'clock Wednesday night at her home. She was a full-blood Osage. She was buried in the old cemetery in Gray Horse beside her father, her mother, her sisters, and her daughter. There was no mention of the murders.

KILLERS OF THE FLOWER MOON (2023) dir. Martin Scorsese

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visenyaism
Anonymous asked:

correct me if i’m wrong cos i don’t watch dune.. but i’ve seen people call paul a tragic character. except isn’t he a whole white coloniser tricking indigenous poc into believing he’s a prophet to serve his own interests? that’s inherently evil that cannot be a tragic character imo

so yes that is correct that is what happens. the tragedy is that he is a sixteen year old boy who gets a vision of this happening and he is TERRIFIED and absolutely does not want this to happen at all. He does not want the holy war he does not want to be the chosen one he initially very much wants to fight alongside the fremen as equals trying to liberate themselves from their current colonizer without becoming the messiah because they have common political cause.

And then the entire second half of the first book (and the second movie) are about the concessions he makes to himself bit by bit by bit (well it’s the only way to save his mom and sister. well it’s the only way to prevent nuclear war. well he does want his revenge. well maybe he IS special.) Until by the end he has lost 100% of his humanity, fully wants to be the messiah and is willing to manipulate people into thinking so, and has declared himself duke of arrakis in his father’s name and made a play for the imperial throne.

you’re right that it’s evil. the book and these movies agree with you. the tragedy is watching a child who desperately wanted to avoid this slowly completely lose himself to it anyways. i don’t think “tragic” and “evil” are inherently mutually exclusive.

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