Avatar

@noblegasseswithglasses

(She/her) Denmark, Chemistry student. Feel free to send asks, or messages if you wish :)
Avatar

this one goes out to all the Jews who change their names so goyim can pronounce them. All my Eliezers and Batshevas and Tzipporahs and Avishais and Rochels and Shimons and Benyamins and Me'iras and Elimelechs and Gershons and Yehudas and Devorahs and Zalmans and Yedidyas and Aharons and Noachs and Yitzchaks and Ya'akovs and Yissochars and Tzvis and all. Your names are beautiful how they are 💕🕎

Avatar
Avatar
bobemajses

Is there any evidence of the Passover story being in any way true? Did Ancient Egyptians ever enslave Jews?

Avatar

The Passover story, recounting the liberation of the Israelites from slavery in ancient Egypt, is a significant religious tale for Jews all around the world. However, there is limited direct historical evidence for its events, and the enslavement of Jews by the Ancient Egyptians to this day remains unproven. Archaeological research has not yet provided concrete proof of the story's accuracy. Thus, scholars maintain that the Exodus story and the enslavement of the Israelites in Egypt are more likely to be symbolic and represent a broader memory of oppression and liberation rather than a specific historical account. The story might have a historical basis but was likely embellished and transformed over time through oral tradition and religious interpretation.

Avatar

Furthermore archeological and genetic evidence points to Jews (and also Arabs, iirc) having Canaanite descent, so the tale of the 'conquest of Canaan' is much more rooted in the realm of mythology than in that of fact. Modern Jews descend from Israelites who were a group of Canaanites that developed a distinct religious identity (which later evolved into a monotheistic religion).

Now, the following is based in my own speculation so take it as you will: The 'from Egypt to Canaan' tale might have been used to further cement the Israelites' distinction from other Canaanites. And I wouldn't be surprised if changes/embellishments have occured to increase the tale's relevancy for the time it was told.

Avatar

Okay i saw your answer on etrogs so it made me wonder: etrog vs rimon, which is more Jewish?? (I’m not actually invested in a definite answer, but I’m VERY invested in the debate)

Avatar

Rating: HERE’S THE DEBATE YOU WANTED 

Answering this question necessarily requires a working definition of what makes something “more” or “less” Jewish, and what that definition is results in several different answers with their corresponding justifications. Does “more Jewish” mean “more important to Judaism religiously”? Or “more important to Jewish culture?” Or “belonging uniquely to Jews as opposed to any other enthno-religious group?” So, here goes: 

More religiously important: ETROG. The etrog, also known as the citron, is one of the four species critical to the celebration of the Festival of Sukkot. Leviticus 23:40 commands that “on the first day [of Sukkot] you shall take the product of hadar trees, branches of palm trees, boughs of leafy trees, and willows of the brook, and you shall rejoice before your God seven days.” “Hadar” translates to “splendor” or “beauty” and is traditionally read to refer to the etrog tree. Interestingly, the Jerusalem Talmud suggests the possibility that “hadar tree” could refer to pomegranates before dismissing it, as the pomegranate has a “beautiful fruit but not beautiful wood,” (or possibly vice versa, scribal texts disagree), whereas the etrog has both beautiful fruit and beautiful wood, along a beautiful scent. (Jerusalem Talmud Sukkah 3:5:2). All that aside, there is mitzvah d’orieta (a religious obligation directly from the Torah, as opposed to an obligation established by the rabbis, a mitzvah d’rabbanan) that requires the use of the etrog, whereas all religious use of the pomegranate, such as at a Tu B’shvat Seder or as a siman on Rosh HaShanah, have merely the force of minhag (religious custom, not law). 

More important to Jewish culture: RIMON. Pomegranates feature in a huge amount of Jewish art, especially as decoration on pretty much any Jewish ritual item. You can find them on everything from ketubot (marriage contracts) to hanukkiot (hanukkah menorahs). I’ve seen pomegranate tallitot, pomegranate mezuzot, pomegranate tzedakah boxes, etc. Personally, in my house, we have four different pomegranate mezuzot, a pomegranate hand-washing cup for ritual handwashing, pomegranate candlesticks, a pomegranate kiddush cup, and, ironically enough, an etrog box decorated with— you guessed it— pomegranates. (I also have pomegranate earrings and pomegranate socks, thank you fiance) (At the time of this writing, this blog is also a Jewish thing decorated with pomegranates). A search for “pomegranate” on Judaica.com offers 197 results, whereas a search for “etrog” turns up 4 actual lulav and etrog sets, plus 13 decorative boxes designed to safely hold one’s etrog during sukkot and not as decoration at all. 

Pomegranates are one of the seven species biblically associated with the land of Israel, along with wheat, barley, grapes, fig, olives, and dates (Deuteronomy 8:8)-- a list that does not include etrogim. They are also an important motif throughout Shir haShirim (Song of Songs), in which the lovers frequently compare each other’s beauty to that of a pomegranate. Pomegranates symbolize beauty, fertility, fecundity, mitzvot, and merit, as in the annual Rosh HaShanah wish that “our merits be as plentiful as the seeds of the pomegranate.” A common (though inaccurate) bit of folk wisdom gives the number of seeds in a pomegranate as 613, one for each of the commandments given in the Torah. 

In a particularly entertaining digression in the Talmud (Bava Metzia 8a) in which the rabbis are comparing their physical attributes (yes, this means exactly what you think it does), the narrative voice pauses to explain that if you want to understand just how unbelievably gorgeous Rabbi Yochanan was, you should take a “silver goblet from the smithy and fill it with red pomegranate seeds and place a diadem of red roses upon the lip of the goblet, and position it between the sunlight and shade. That luster is a semblance of Rabbi Yoḥanan’s beauty.” Does this really support my thesis? As minor evidence at most, but I will seize any opportunity to share that description. 

Meanwhile, the etrog does not appear as a symbol or decoration in and of itself, only in the context of Sukkot and the other three Sukkot species. You may indeed see an etrog on the Torah curtain in Tishrei or in a panel of stained glass in the synagogue… but you’ll only know it’s an etrog because it has the lulav right next to it, generally as part of an array of holiday-related symbols. (I do, in fact, also own an etrog earring, but just the one— the other one is a lulav, thank you sibling.) There are a plethora of midrashim on what exactly the etrog symbolizes, but always as part of a set. For example, it’s often associated with the heart, to go along with the palm frond’s spine, the myrtle’s mouth, and the willow’s eye. As my fiance put it, “If you see a pomegranate on something, there’s a decent chance it’s Jewish. But without the lulav, an etrog just looks like a lemon, and there’s nothing particularly Jewish about lemons.” 

Belonging Uniquely to Jews: ETROG. The citron is widely agreed to be one of three “true” members of the citrus family, along with the mandarin and pomelo, with all others the results of hybridization. Archeological and primary-document research confirms that the citron originated in eastern India and southern China, and was found in Sumerian ruins dating from more than six thousand years ago. It is referenced in the Vajasaneiy Samhita, a compilation of Vedic religion texts, called Yajur-Veda (ca. 1200-1000 B.C.E), and early Greek and Latin writers describe the citron clearly, mentioning its use as an antidote to poisons and a way to ward off moths from one’s clothes.* However, a 2015 study found evidence that the diffusion of the citron throughout southern Italy and the surrounding region dated to the destruction of the Second Temple and subsequent Jewish diaspora. The study concludes that their results “evidence the special role played by Jews in the spread of the citron as the authentic sacred fruit used in their Tabernacles ritual.”* It is worth noting that there is a variety of citron known as “Buddha’s Hand” that may be used as offerings in Buddhist temples, but it looks so dramatically different from what we know as an etrog as to be a different item entirely (and, indeed, multiple rabbis have ruled that it should not be used for fulfilling the mitzvah). Thus, the etrog is inextricably and uniquely linked to Jews. 

On the other side of the debate, pomegranates appear frequently in art, stories, and cultural artifacts throughout the world, particularly in the Middle and Near East. These stories range from the Ancient Greek myth of Hades and Persophone, whose consumption of pomegranate seeds kept her in the underworld for the winter each year, to a Buddhist legend of a child-eating/stealing demoness whom the Buddha convinced to only eat pomegranates and become a patron goddess of children.  Greece, Armenia, and Azerbaijan, among others, consider the pomegranate to be one of their important symbols. Traditions regarding pomegranates abound, including a Greek custom of smashing a pomegranate on the new year for good luck. They are widely considered a symbol of fertility, abundance, and good luck, similarly to their symbolism in Judaism. In short, while Jews are very into pomegranates, so are a lot of other cultures. 

*Gina Maruca, et al. “Religious and cultural significance of the citron (citrus medica L. ‘diamante’) from Calabria (South Italy): A biblical fruit of the mediterranean land.” Journal of Environmental Science and Engineering A, vol. 4, no. 4, 28 Apr. 2015, https://doi.org/10.17265/2162-5298/2015.04.006.

Avatar
Avatar
Avatar
mylight-png

I have thoughts in regards to That Photo of Shani Louk receiving an award.

But first, I'd like to address something I've seen in our community about how the situation has been handled.

Many people I've seen have been sharing their anger and pain in regards to the photo and the award, rightfully so. However, many of these people have shared those thoughts alongside That Photo. While I understand the intent of this, I'd like to just ask for people to not do that.

Do not distribute That Photo in any way, please.

Shani Louk's family has asked for that photo not to be shared. Her family has asked for her to be remembered for her life, not her death.

Instead, I encourage you to share your views alongside a photo of Shani from her life. Share her as she lived, not as she died.

Let Shani's memory be who she was, not what was done to her.

Now, I know there's little I can say about the photo and award that hadn't already been said. I'd like to talk about it anyway.

First and foremost, receiving an award for photographing a woman being subjected to the worst a person can endure is disgusting. That award was given for taking a picture of a woman who has been raped and killed, and of her body continuing to be violated and paraded around. Not for protecting her, not for intervening, not for doing anything to help anyone.

Additionally, as I mentioned before, Shani's family has asked for that photo not to be spread around, and the resurgence in publicity that this photo is getting as a result is a direct blow to the family's wishes.

In that photo, for the purpose of that photo, Shani is used as little more than a prop. It is dehumanizing and violating. It is beyond that, but I cannot even come up with words to articulate how horrible it is.

I'm sure we've all heard the phrase, "people love dead Jews" at this point. This photo receiving a major award is simply confirmation of this. This photo, a photo of a dead Jewish woman, receiving such a highly esteemed award, proves this. I am sick to my stomach just writing about it.

There is nothing about that photo that would merit an award and it tramples upon Shani's memory and dehumanizes her even further than she already has been.

In protest of that award, I encourage you to share photos of her that aren't of her lowest moment.

Share photos of her life, share photos of her art. Do not share photos of her death.

Here are some photos I am choosing to share:

You can find these photos online, there's a whole Instagram account dedicated to sharing photos of her life. The first and last photos are from an article about her art being put up in an exhibition. These photos are out there, just find and share them please.

May her memory be a blessing and may it be protected from further desecration.

A friend of mine met Shani Louk at a wedding. Instead of remembering her as that photo, at the very end in the darkest moment of her life, let's remember her as a fleshed out human being, who did things like attend the wedding of her cousin. Let's restore some of the humanity to her that her murderers tried and failed to strip from her

Avatar
Avatar
arctic-hands

I don't see people talking about this so today is the 110th anniversary of the Triangle Shirtwaist Factory fire, in where the factory owners locked working women and girls inside to "eliminate the risk of theft" (in reality it was too keep them from taking breaks), which resulted in the gruesome deaths of 123 mostly immigrant women and girls and 23 men, many of whom jumped to their deaths from the ninth floor either in a panicked attempt to escape or in order to die quickly. There were reports that some of the workers were on fire already as they jumped.

The eighth floor of the building was able to telephone the tenth floor to warn them about the fire, but the factory on the ninth floor where these women and girls labored had no such communication and such warning.

The factory owners were criminally charged with manslaughter for actions that contributed to the mass deaths but acquitted. However, this tragedy led to mass sympathy to the labor movement, and unions spurred on safety regulations that passed in New York state and eventually the entire country, and activists were able to reduce child labor in the process.

This tragedy is a reminder that has been forgotten in the 110 years since: every safety regulation-- every scrap of paperwork contributing to the hundreds of pages of red tape people like to complain about--every word of it was written in the blood of a laborer.

111th anniversary

They were discouraged from breaks because they were actively trying to unionize, and bosses felt that keeping them from unsupervised contact would prevent them from joining the garment workers' union.

This is why unions are important. This is why today, right now, the biggest companies in America are trying to squash unionization of their laborers and why those workers are fighting so hard to unionize.

@tikkunolamorgtfo did a great write-up a few years ago about the aftermath of the Triangle Shirtwaist fire, and I highly recommend reading it (and anything else you can about the fire). It is painfully relevant still and it's incredibly important women's, Jewish, immigrants', and workers' history.

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.