Book of Free Ideas

Art Fight 2022 - Team Bloom HU: Az idei Art Fight-om nem telt túl aktívan, inspiráció hiánya és hétköznapi nehézségek miatt. Mégis sikerült 3 embert is megtámadnom, ami az elmúlt évekhez képest így is rekodnak számít. (Általában csak 2 rajz sikerül.) Ami vicces az egészben, hogy a 3 rajzból 2 egy nap alatt készült el… ennyit számít a hiperfixáció. xD Remélem jövőre azért még jobban sikerül! ENG: I wasn’t very active during this year’s Art Fight, due to the lack of inspiration and everyday issues. Although I still manage to attack 3 people which is a record compared to previous years. (Usually, I only draw 2 attacks.) Funnily enough, 2 out of the 3 pieces were done within the same day… This is how much hyperfixation affects my productivity. xD I hope next year will be even more successful tho!

HU: Azért utolsó nap muszáj volt egy revenge-nek is beleférnie.. :D ENG: On the last day I had to make one last ravange as well.. :D

happy artfight's website blowing up day to all who celebrate

I spent ten years building up a following on Tumblr. I had 30k+ followers, great engagement, it helped my career thrive like nothing else. I could quit my day job and live off the fan base I’d accrued.

Then, their policies changed. Half my work was no longer allowed. People left the site in droves. I left too, for awhile. I came back to a ghost town. I still have 25k followers, but I don’t think more than 10% are active anymore. I’m followed by ghosts. Same with DeviantArt, although I was never quite as big there, and I’ve been gone so much longer.

This disallowed half of my work was never allowed on Facebook in the first place, or Instagram, but their algorithms are such that my stuff rarely makes it to anyone’s feeds, and if I post a link to where people could actually pay me for my content, it’s hidden unless I pay for it. Patreon swept my work away to a dark corner where no one could see it unless I personally guided them there. Twitch is so strict you can’t even show bare feet. The death of Google Reader means nobody follows RSS feeds anymore, so I can’t direct people to my own site.

So there’s Twitter I guess, where I can post whatever I want, but again, algorithms. But more than that, I don’t have the energy to build up a following once again on a site I don’t own that can delete my career on a whim. The thought of spending time jumping around through hoops for attention just to have it taken away again has stripped any motivation I had to try.

The internet has been gentrified. All the small cute houses and mom & pop shops have been shut down and replaced by big corporations that control everything. I’ve been making webcomics for twenty years, and at the start, the internet was a beautiful wild place. Everyone had a home page. It was like having a house and people came to visit you and you would visit other people in their houses. Now, we don’t visit each other in personal spaces anymore. It’s like we have to visit each other in the aisles of a megamart. Everything is clean and sanitized and the weirdos who made the internet what it was are no longer welcome. No space for freaks anymore.

People still ask me for advice on how to break into comics, and I don’t have any wisdom because I don’t recognize the internet anymore. I don’t feel comfortable working within its boundaries which seems to be getting smaller and smaller and smaller. None of the tools I used when I started exist anymore. They’ve been replaced by things I don’t know how to use. I don’t think I could break into comics today. 2002 had so few barriers compared to now. You might have started on Keenspace, but you could reach a point where you could break away to your own site and people would go to it. Now, you start on Webtoon or Patreon and I guess you just stay there? It feels so much like owning a hardware store for years and then having to go work as a cashier at the Home Depot that put you out of business. I’m looking at my career trajectory and it all points to being a Wal-Mart greeter with uncontrolled arthritis.

I don’t want to make “content,” I want to make comics, I want to make art, and I want to do it in a space that is mine. I’m not sure there’s a place for that anymore.