• For starters, it’s completely decontextualized from the narrative coherence of the previous events. We were left with Rajan and Wolfgang physically together and Kala with Lito, Hernando and Dani leaving the club. Why is Kala arriving at the shelter in a car with Bug? It’s not necessarily a continuity error, because this moment happens likely the day (or even days) after the exchange. Still, though, this doesn’t explain why this scene is shown to us in this way: are we supposed to buy the idea of Kala never meeting with the two of them for a couple of days or, if she did, never properly talking to them until now? What really happened between these two scenes? It really isn’t clear at all. So, the writing is little too obvious and orchestrated for it to be believable, but really this may be the least problematic aspect.
• Then we are shown Wolfgang rightfully thanking Rajan for saving him and showing him some deserved gratitude, since Rajan actually prevented Lila from killing him. So, this is a totally acceptable and understandable behavior for him. The problem steams from the fact that the writers clearly intended for this moment to hint at something bigger and different between the two and expected us to accept it even though it came from nowhere at all. And this is mostly disappointing knowing how carefully and worthily Lana represented and explained the complex realm of human sexualities for the past two seasons. For each character there has always been a detailed attention in the exploration of their identities, especially regarding their approach to sex and their sexual preferences. Knowing this, it’s quite a downer witnessing such a great work lose its power and value in this scene, where some bubbling from Rajan is supposed to suggest us something never mentioned or addressed before. It’s a totally superficial and cheap choice that weakens the depth and the heaviness of the importance that the show itself has always given to sexual orientation and self-awareness. For twenty-three episodes we have never been given the slightest hint of Rajan being anything but a hetero-sexual man, and if he wasn’t from the very start, Lana would surely have found a way to let us understand quite instantly (since thankfully she cares a lot about these themes and would never fail to portray them properly ― at least I believed it, until now). For this very reason I find it inappropriate and very inadequate for the writers to imply superficially (and without providing a needed foundation) the existence of an instant, unmotivated attraction between two characters who have never been shown to struggle with their sexual orientations. Sense8 has always treated its characters way better than this misleading and trivial stare-action between Wolfgang and Rajan suggests. It really looks like a joke.
• Kala arrives in the car and shows again second thoughts. Objectively, this is not an incomprehensible thing. I think it’s true to her character showing hesitance right now, knowing that Rajan helped them and saved Wolfgang personally. What many people fail to understand, though, is that these second thoughts don’t correspond to a sudden newborn love indecision. Kala is once again showing uncertainty regarding “which rules to follow”, not “which man to choose” (she has clear ideas about her feelings, she is just afraid and hesitant of turning her back from her duties ― which now are more oppressive than ever, because her husband has proved to be a good and worthy man). Since Kala is conscious that Rajan has proved to be fundamental in Wolfgang’s salvation and providing a shelter, I don’t feel like blaming her for a newfound indecisiveness. She was ready to be with Wolfgang and tell Rajan the truth because during all S2 he acted quite badly towards her, instead now the writers presented him (in a totally cheap way, but still) as redeemable, therefore she develops a new sense of guilt and discomfort to hurt him. So, overall, I can consider this moment acceptable. But this hesitance doesn’t translate in a romantic awakening from her towards her husband. She simply finds herself not ready to hurt him anymore, so she goes back to “talk in circles”.
• What I actually really consider outrageous here is Bug’s suggestion that a choice shouldn’t be made and, worst, Kala’s immediate acceptance of this. This moment not only destroys Kala’s character evolution in the past seasons, but it also sends a horrible message. First of all, I don’t clearly see why there shouldn’t be ethical rules if she was able to be in two different places at the same time. I know the visiting element is complex, but, in my opinion, it still doesn’t allow a person to cheat on another, and staying with two people at the same time is cheating (especially if a “sapiens” is involved, because he is unfairly cut out from part of it because of natural limitations). On a strictly conceptual point of view, I could see the appeal of this idea: by being naturally able to “multiply” yourself, you could be able to naturally “multiply” your feelings too. But being able to be in two places at the same time doesn’t mean that you become two different people. And the fact is always that: Kala is not suffering from a love indecision. She isn’t romantically conflicted, she is torn between obligation and herself. By stating “there are no rules” the show basically implies that it’s okay for Kala to keep avoiding her right and duty to choose for herself and keep maintaining her uncertainties unresolved. And if this is really the case, then the question is: what was the point of Kala’s character at all? Why showing us two seasons of internal struggle only for it to end up being completely ignored? It doesn’t make sense. If the purpose of the show had really been for her to not come to a choice at all, I think at least all S2 would have been written very differently than it actually was. By rejecting the very fundament of Kala’s character, her constant worries now seem to have always been pointless, because what Bug suggests is actually a stupid way out that she already knew and that definitely couldn’t be anything but a temporary solution. She was already conscious that she could be in two places at the same time, and she actually used this at her advantage by visiting Wolfgang for the entire second season and being with the only man she loved and was comfortable with. But this “visiting” skill accessible only to Sensoriums shouldn’t erase the moral laws and conventions that are applied equally to both species. Kala shouldn’t be excused by anyone, especially Rajan, for taking advantage of this “privilege” in order to reject her responsibilities. Choosing by herself and for herself was her ultimate responsibility as a character and an Indian woman, and here the writers just decided to nullify all of it. In my opinion, it’s okay for Kala to show a newfound unease towards the difficult and life-defining choice that she has to make, but it’s not okay for her to decide to avoid it at all and expect Wolfgang and Rajan to accept it. The moment where Kala acts all mind-blown in front of Bug’s completely wrong advice, I could feel her character slowly disintegrating. Why would she even consider this as a solution? If this had really been a solution for her, if she really felt like she could “have both”, she wouldn’t have had any problem at all since the beginning of the show. But she had, because truth is that there are rules, and a choice was supposed to be made to give a meaning to her self-worth discovery. We as human beings are defined firstly by our choices: to have Kala degenerate as a character and suddenly avoid any responsibility that she had to deal with for two seasons is just an insulting and unacceptable message (apart from being incoherent with how her character was built and totally nonsensical).
• Then we see Kala exiting the car and approaching Rajan, playing the wife role. Regardless of anything, this moment is just out of character. During the end of S2, we have been made promises and raised expectations regarding Wolfgang and Kala’s real meeting both by a conversation between Kala and Riley in S02E10 and a heart-felt monologue by Kala herself in S02E11. In that same episode, Kala was literally unable to keep her breath steady just thinking about the emotions of this moment. We have been fed for two seasons of the unprecedented intensity and depth of their connection. Also, Wolfgang has been captured, tortured multiple times, nearly killed and finally rescued. There is just no way that Kala, once she finally has the opportunity of touching him in real life for the first time, consciously goes first to her husband and kisses him in front of the love of her life. It’s laughable even thinking about it, no matter how badly she may feel about hurting him. But I sincerely hope think that almost every human with a brain agrees that this choice was OOC and very questionable. Also, about the line “Rajan, you are much more than the man I thought I married”, I feel that it’s totally understandable for Kala to have this new opinion of him. I personally just think that the writers made her say it in a completely out-of-place situation. It just feels wrong in this particular moment, when you are ignoring the man you were willing to die for who is standing right there behind you husband.
• What’s the point of showing us all the touching and the kissing in the sun and everything between Wolfgang and a visiting Kala? Bad editing, maybe for time constraints, but according to how they realized the scene, it seems to me that physical Kala is the one who hugs Wolfgang at the end, once all of that is already finished, and I can tell this because Rajan is actually observing the hug with a worried, even hurt expression (which he has every right to have, since his wife has just decided to play him and has previously failed to tell him about her connection with Wolfgang). Such an unfair mess we have here, in every aspect.
• I have also problems with the direction of the kiss. It’s just realized weirdly and from a not-so-optimal position. It was kind of odd to watch, and it wasn’t even in person.

“… it was clear that Hitler had little use for the modest salary of 45,000 Reichsmarks he earned as Reich Chancellor, or for the annual expense allowance of 18,000 Reichsmarks; early in his Chancellorship, therefore, he publicly renounced both salary and allowance in a propagandistic gesture designed to advertise the spirit of selfless dedication in which he ruled the country.” Richard Evans - The Third Reich in Power