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The Music Brew

@themediabrew / themediabrew.tumblr.com

Louis.
Albuquerque, NM
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From the late Sir George Martin and his son Giles, an 8 part documentary about records and producers is premiering at SXSW this week and airing on PBS in November. 

The press release, via Pitchfork, says:  One episode will focus on Martin’s work with the Beatles. Others will focus on Phil Spector, sampling in hip-hop, Miles Davis, Marvin Gaye, Stevie Wonder, Giorgio Moroder, and Adele’s “Rolling in the Deep.”

There’s no mention of Danger Mouse participating per se, but there are 150 featured artists in total and The Black Keys are all over the trailer, including using Gold on the Ceiling as theme music.

Plus it just looks interesting. :)

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drownerrs

Vampire Weekend and Dirty Projectors perform “Cape Cod Kwassa Kwassa” and “Unbelievers” at the Bernie Sanders rally in Iowa City

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Bernie Sanders and Ezra Koenig at the University of Iowa Field House (via @_cwalzak and @perdidoentranslation)

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rostam

‘Wood’ is finally out today on all digital music services— with a 7 inch vinyl that also has EOS coming next month. It only took 4 and a half years. Ha.

I wanted to try to capture the feeling of being in bed with someone, and dreaming something wild beside them.

In 2008 I moved into a tiny room in Brooklyn Heights that could fit a bed and not much else, but I loved this room to death because it had an enormous window facing the backyards of the block. A lot of time spent in my first relationship was the two of us in that bed with the sun coming through the window in the morning— and I’m sure that inspired the lyrics of this song.

But it started on an airplane— it was a beat I made on my laptop with cut up tabla and digital sitar and me trying to push myself to write the hardest, fastest, most classical violin parts I could. I spent years trying to figure out what to sing on top of it — even recording real string players without a vocal part written —before realizing that everything would have to clear out before my voice could enter the picture.

In 2009, my friend Mickey had started telling me about this guy he was working as an assistant to , “You two are both producers, you should meet.” The guy was Ariel Rechtshaid, and we became friends right away. In the spring of 2011 I left New York to spend some time in LA.

Me and Ariel ended up spending about ten days hanging out but not that much time actually making music in the studio, not at the same time anyway. Ariel was dealing with illness in his family. But one of the things we were able to accomplish was recording the lead vocal on ‘Wood’, it was on a sunny morning with the front door of the studio wide open. Hopefully you get some of that feeling when you listen to it.

I had borrowed a 12 string acoustic from Matt Popieluch of Foreign Born and figured out if I tuned it like a Tar I could play the Persian music I grew up listening to. So their is a 12-string guitar solo on 'Wood’ that quotes melodies 1000s of years old (Rast Panjgah), there’s classical music at play, it’s a love song, it’s a queer love song. It’s my moms’ favorite thing I’ve ever done.

I’m not sure if I ever finished 'Wood’, it’s probably longer than it needs to be. I stayed up all night in late September of 2011, hustling to bounce down a final version. In the morning I posted it to Soundcloud, I felt like if I didn’t release it I may never release it. But here it is.

Source: Spotify
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please unmute this

someone isolated my favorite part of this bad lip reading

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Through half the taquerias y fondas Half the health clubs, half of the saunas Half the Barbaras, half of the Rhondas Is there something there?

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“Secrets” by Deep Sea Diver (2015)

Deep Sea Diver’s debut album, History Speaks, is still one of my favorite albums of 2012. It received some attention thanks to Jessica Dobson’s previous job as Beck and The Shins’ guitar player, but I hope their upcoming album, Secrets, get them more praise and popularity because I truly think they deserve it. The first song they showed of the new album isn’t very straightforward as the singles of History Speaks – “NWO” and “You Go Running” – but that “uh-uh” of the chorus is enough to make me love the whole song.. 

I don’t know what is exactly that I like so much about Deep Sea Diver. It happens to me often to find artists that I enjoy but that I’m not sure I know how to write about them. However, there is a certain sense of trouble in Jessica Dobson’s trembling vocals that calls my attention; as if she was trying to be strong and relaxed but fails at certain moments to keep her voice stable.

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