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multifandom af

@dylanorunnner / dylanorunnner.tumblr.com

Alessio//18//Rome//movies & photography //marvel addicted
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chalamet
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theroning

“Once upon a time, before I came, you cried and cried and watched TV all day, until you were a zombie. But then I zoomed down from Heaven, through skylight, into Room. And I was kicking you from the inside. Boom boom! And then I shot out onto Rug with my eyes wide open, and you cut the cord and said, “Hello Jack!”

Source: theroning
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dylans-obrien
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labellanight-blog

I didn’t think of it like that until dinner last night when somebody mentioned how many people might be watching. It was so cool to be part of a film that is loved so much, and then to be able to launch in that sphere with just fans and people who love what we’re doing and are so excited about what’s going to come in December, that was the best way to come out, as it were.

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hobbitbilbo

The Second Afghan War brought honours and promotion to many. But, for me, it meant nothing but misfortune and disaster.

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jappumble
For Fury Road’s fluid editing, Miller called upon his wife, Margaret Sixel, who had spent most of her career editing documentaries and had never cut an action movie before. ‘We’ve got teenage sons, but I’m the one who goes to the action movies with them!’ laughed Miller. 'So when I asked her to do Mad Max, she said, ‘Well, why me?’ And I said, ‘Because then it’s not going to look like other action movies.“ And it doesn’t. Compare the smart, iterative set pieces of Fury Road to one of the incoherent car chases in Spectre, for example, and you’ll see that Sixel prizes a sense of spatial relationships that has become all too rare in action movies. 'She’s a real stickler for that,’ said Miller. 'And it takes a lot of effort! It’s not just lining up all the best shots and stringing them together, and she’s very aware of that. She’s also looking for a thematic connection from one shot to the next. If it regressed the characters and their relationships, she’d be against that. And she has a very low boredom threshold, so there’s no repetition.’ That Sixel was able to whittle 480 hours of footage down into a movie that sings still astounds Miller. 'It’s like working in the head of a great composer,’ he said. 'Movies like this one — in particular this one, because it’s almost a silent movie — are like visual music. In the same way that a composer has to have a strong casual relationship from one note to the next, paying attention tempo and melodic line and overall structure, it’s exactly the same process that a film editor must have.’ Sixel, surely, is one of the greats.

Director George Miller Explains Why His Mad Max: Fury Road Deserves These Oscar Nominations (via jag-lskardig)

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jonswno
northofthemountains
Between the Trees by Ellie Davies
“What is a forest? Is it the trees or the space that exists between them?”

Or it is the place you get lost in for over an hour when you actually try to reach the beach at the river. XD

You should have headed North after you saw the mountains.

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