midnights by taylor swift review im back for another first listen release review. the majority of songs i love (bolded i will stand and die by) and enjoy but there are some skips. i think this album has a lot more variety than her last two albums that will pertain to a lot more people, but is less focused on one sound like folklore. off the bat, i doesnt eclipse any of my favs (folklore and reputation), but hm it might fight reputation, it reminds me of a more mature reputation and is more experimental with vocals and instrumentals. lets dive in:
lavender haze - the electronic start of this song with "meet me at midnight" is so danceable. i love the "yeah oh yeah"s, they are so goood. this song just makes me want to move, im obsessed.
maroon - the verses dont do a whole lot for me, a little boring and 2 drum beats, but i love the whole chorus "the burgundy on my t-shirt when you splashed your wine into me" and the "maroon"s coming in louder and louder throughout the song. anti-hero - this song is kind of funny and cheeky, despite the words being super dark (my fav "when my depression works the graveyard shift, all of the people ive ghosted stand there in the room"). i thought the "its me, hi, im the problem, its me" was a little lame, but its growing a lot of me after 2 listens.
snow on the beach - theres like two speeds in this album, one electronic and other side super soft and slow, this one being the later side. in contrast to some of my other favorite songs, it doesnt quite hit as dramatically but i do enjoy its dreamy, light verses and "weird but fucking beautiful". youre on your kid - this little indie beat is so sweet and her spoken "youre on your own kid, you always have been" is perfect, uplifting, brings me peace. i also love the verse, prechorus, verse, chorus pattern. it tells a story from beginning to end, and i love a story. midnight rain - the beginning!!! the contrast of her electronically-deepened voice is so fun against the first line "my town was a wasteland". the soft claps, the drum beat, "picture perfect shiny family holiday peppermint candy" wrap everything together. question..? - i dont love the chorus lyrics, its far too specific. the tone of the song also stays very flat and i dont really love the bridge either especially that autotuned "tonightttt". lmao the clapping and cheering. but the song isnt like annoying or anything so ill listen to it more. vigilante shit - super reputation-like "are you ready for it" sound. i only like this song when she sings "don't get sad, get even". i live for the spice on the "even", its maybe one of my favorite lines in the whole album, but the song itself is bottom tier. bejeweled - i cant with this song. the way she sings *shimmer*, i cant do it. the rhymes at the end of the songs "man / remember", the childish "nice!", "i miss sparkling". cant relate. labyrinth - for a song that is about falling in love, its far too chill and i dont like the weird floob-floob sounds scattered throughout. the vocals are so soft and the instrumentals are random.
karma - this song is an easy fan favorite that blew up on tiktok immediately and im clapping riding that train. its catchy, its funny, its "sweet like honey". this makes me love taylor.
sweet nothing - this funky lullaby is a sweet love song and reminds me of delicate "you must like me for me". the choruses are much better than the verses though, like lol wut "i wrote a poem, you say what a mind, this happens all the time".
mastermind - obsessed with the intro beats and "checkmate i couldnt lose", but the "im a mastermind" and the whole song makes me think really, did you plan your current relationship, kind of weird and creepy sorry (3am track time!) the great war - the chorus is so strong and catchy "my hand was the one you reached for all throughout the great war". i also just like the messaging that her current relationship carried her through this huge drama. bigger than the whole sky - i do like the sound of the background instruments, some of the lyrics im not a huge fan of like "did some bird flap its wing over asia" and etc, and "shouldve been couldve been" feels like it shouldve been in another song. the song just flows past you and its over. paris - uh excuse me? rhyming paris with (some)where else?? genius. the verses are witty and i cant wait to learn them: "drew a map on your bedroom ceiling". also anyone else notice in the bridge "at midnight in my mind" sounds just like daylight. this feels very much meant for lover but it still fits.
high infidelity - the piano and vocals are straight out of evermore but all the beeping and button sounds brings it into the midnights era. im also getting strong renegade energy ("are you really gonna talk about timing in times like these?") from "do i really have to ...". i love "put on your records and regret meeting me, put on your headphones and burn my city". there are some things i would change about the song but overall its good. glitch - the background static and "oh oh ooh"s add velvet and warmth to the song, despite the kind of boring lyrics "i think theres been a glitch im fastening myself to you with a stitch". she writes this glitch/system/static/counterfeit/malfunction metaphor but it never really sticks 100% for me. its just missing something to tie it all together. would've, could've, should've - this song is impressively balanced, with such strong verses, choruses, and bridges. "if youd never looked my way i wouldve stayed on my knees". dear reader - heavenly vocals with a melody that actually surprised me, and a bridge that feels liberating like taylor is finally telling you her truth. the way she manipulates her voice electronically adds so much interest and intrigue to the song. overall, taylor does not disappoint yet again with a funky fun album with a song for everyone.