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Caviar and Cigarettes

@gayporridge / gayporridge.tumblr.com

celeste: gay rabbit enthusiast
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tribeca

“So why does Disobedience deserve a place in the awards season conversation, especially with more outwardly exciting and elaborate fare coming quickly down the pipeline? Lelio’s filmmaking may not be necessarily pushing the medium forward, but his generous empathy, his eager willingness to consider the beliefs of all of his characters and, through them, plumb the complicated nuances of faith, family, and sexuality, is refreshing, even radical in its refusal to prettify the hard truths of these subjects. Several of Disobedience’s characters behave inhumanely, or else put words to inhumane mentalities, throughout the course of the film, but not a single individual is rendered minuscule or subhuman within the eye of Lelio’s camera. And when the director trains that eye on Weisz, McAdams, or Nivola and closes in on the expressive faces and moving bodies of his three leads, he reminds us once again that a single gesture from a great actor can thrill us more viscerally than the most expensive visual effect and communicate the type of felt human experience that, contrary to Hollywood’s belief, still has a home on the big screen.”

(Source: TribecaFilm.com)

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