nabulione reblogged
By yama-bato
nabulione reblogged
nabulione reblogged
A diminutive stone circle at Kealkil, Co. Cork. These moments typically date to the Bronze Age
nabulione reblogged
The Rue Montorgueil, Paris, 1878, Claude Monet
nabulione reblogged
Holme Fen, Cambridgeshire, England by John Checkley
nabulione reblogged
The Ghost and Mrs. Muir (1947) dir. Joseph L. Mankiewicz
nabulione reblogged
Lunar night, 1870, Ivan Aivazovski
nabulione reblogged
Impression, sunrise, 1873, Claude Monet
Medium: oil,canvas
nabulione reblogged
1.
Willem van de Velde, the Elder
The Battle of Livorno
1654, pen and ink on white prepared ground, Rijksmuseum, Amsterdam
Arashiyama by Bernard Languillier
nabulione reblogged
Henri Chapu (1833-1891) “Jeanne d'Arc à Domremy” (“Joan of Arc in Domremy”) (1872) Marble Neoclassical Located in the Musée d'Orsay, Paris, France
nabulione reblogged
Harry Dean Stanton: Partly Fiction(2012) dir. Sophie Huber
nabulione reblogged
Portrait of an Old Man with Beard, 1885, Vincent van Gogh
Medium: oil,canvas
nabulione reblogged
nabulione reblogged
The Port of Bordeaux, 1871, Edouard Manet
Medium: oil,canvas
nabulione reblogged
“Let everything that’s been planned come true. Let them believe. And let them have a laugh at their passions. Because what they call passion actually is not some emotional energy, but just the friction between their souls and the outside world. And most important, let them believe in themselves. Let them be helpless like children, because weakness is a great thing, and strength is nothing. When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it’s tender and pliant. But when it’s dry and hard, it dies. Hardness and strength are death’s companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.”
Stalker (1979, Andrei Tarkovsky)
cinematography by Aleksandr Knyazhinskiy, Georgi Rerberg, and Leonid Kalashnikov