forbronwen reblogged
forbronwen reblogged
forbronwen reblogged
— A llama?! He’s supposed to be DEAD! — Yeah. Weird…
THE EMPEROR’S NEW GROOVE (2000) dir. Mark Dindal
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mossyredwood
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forbronwen reblogged
forbronwen reblogged
Isn’t evermore a magical record? Somehow in the coldness of tis the damn season I found warmth and comfort in this record. The way Taylor always has the right words and the right notes to put together the feelings some of us thought were lost, or had us confused. That kind of fulfillment you have when you can finally know what your feeling all throughout a song is all thanks to her. I’m beyond amazed and surprised, again. It’s just so amazing how talented she is. I put together my own ideas and made this illustration with some of the visuals of the album and my own interpretation. My favorite song is definitely gold rush, but all of them are so perfect I might find myself changing my mind✨ @taylorswift I just love you so much hope you see this @taylornation
forbronwen reblogged
forbronwen reblogged
Bear vibing in a river ⊂(￣(ｴ)￣)⊃
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forbronwen reblogged
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“Everything seems so golden one moment, then turns to ashes the next" ~ Mary Crawley
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forbronwen reblogged
forbronwen reblogged
forbronwen reblogged
everyone born in the 90s has an intense inherent desire and ability to play the sims for hours at a time
forbronwen reblogged
“Several designs, such as Emma’s pale pink spencer jacket, are copies of extant garments. The spencer, essentially a short jacket, was initially a brief menswear fad of the 1790s. It quickly became exclusively feminine. Though technically outerwear, many extant spencers are very lightweight and provide little warmth, suggesting they were largely used for varying the look and adding color to the endless white cotton dresses popular throughout the first quarter of the century. The cording and sleeve details on Emma’s spencer (above) are taken from a circa 1817 garment in the Chertsey Museum collection; the original’s collar has been simplified.”