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Being called a writer.

@familytreeandreacarr / familytreeandreacarr.tumblr.com

Author Andrea N Carr's Blog on tumblr
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Birthdays are a time for the whole family to come together.
A new short film from Teal Greyhavens & Nikolai von Keller. More at inkrunfilms.com.
Official Selection: Fantastic Fest FrightFest London Sitges International Fantastic Film Festival Telluride Horror Show Celluloid Screams Brooklyn Horror Film Festival Mill Valley Film Festival New Filmmakers Los Angeles Ithaca Fantastik Film Festival Toronto Indie Horror Film Festival Hollywood Horror Fest West Coast Horror Fest
Winner: Best Horror Film, Los Angeles Film Awards Best Scare, Spookfest 2018
starring Maya Bowman, Laura Wernette, and Caesar James produced by Rachel Greenwald cinematography by Devin Cutter special makeup effects by Rafif Haj Ahmad original score by Brandon K. Verrett sound design by Hall Cantrell
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The Bronx Freedom Fund pays the bail for people accused of misdemeanors who cannot afford their freedom. Who are these people? They are often the most vulnerable in our community and those with the least public voice. They are people like Ramel. Having Ramel share his story with us was transformative – to be innocent and have your liberty denied is a national shame. His story galvanized us to make this film because his voice not only deserves to be heard, but needs to be heard. His courage, resolve and compassion is an inspiration and it’s time to shine a light on this grave injustice being visited upon far too many of our fellow citizens. The Bronx Freedom Fund, and now the national Bail Project, is doing their part – Ramel’s story is a stirring reminder that it’s up to all of us to step up and do ours.
The Bail Project is an unprecedented national effort to combat mass incarceration by keeping tens of thousands of low-income Americans out of pretrial detention. The organization grows out of The Bronx Freedom Fund and will expand to dozens of high-need jurisdictions with the goal of reducing the unacceptable human suffering caused by unaffordable cash bail and supporting community efforts to end the racial disparities endemic to this system.
Join the cause at bailproject.org.
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Featuring Ramel Edwards
Client: The Bronx Freedom Fund Project Director: Ezra Ritchin
Production Company: Variable Director: Kevan Funk Cinematographer: Peter Hadfield Producer: Alex Friedman Executive Producer: Tyler Ginter Production Supervisor: Paige Demarco Production Coordinator: Rocco Campanelli 1st AC: Oliver Lanzenberg DIT: Jeff Levine Gaffer: Brad Burke Key Grip: Seth Dean Sound: Corey Poindexter Production Designer: Curtis Oliveira Art PA: Syd Richardson Art PA: Jack De Sousa PA: Johnny Guevara PA: Julius Moreno
Editorial: Cartel Editor: Chris Catanach Post Producer: Greer Bratschie Post Executive Producer: Lauren Bleiweiss
Color: Company 3 Colorist: Jaime O’Bradovich Color Producer: Kate Aspell
Sound Design/Mix: Matt Drake @ White Hart Post Original Score: Ben Fox
Casting: Nina Day Casting
Supporting Cast: Young Ramel: Taj Blain Ramel's Aunt: Donna Glaesner Neighborhood Kid #1 Ariana Bantoe Neighborhood Kid #2 Da'jour Jones Neighborhood Kid #3 Jacquel Gilmore
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WeAreVariable.com hello@WeAreVariable.com
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Kriss Kross this isn’t. Lock up your daughters, America: these sixth-grade metalheads from Flatbush, Brooklyn are on a mission to rock your socks off. More on theavantgardediaries.com
Directed by Luke Meyer / Produced by Julia Wilczok & Tom Davis / Director of Photography: Hillary Spera / Camera Assistant: Matt Burke /Additional Filming by Luke Meyer / Location Sound Recordist: Guillermo Hernan Peña-Tapia / Edited by Harry Nelson / Music by Unlocking The Truth / Sound mix by Eben Bull / Special Thanks to Annette Jackson & Tracey Brickhouse
Follow us! facebook.com/THEAVANTGARDEDIARIES twitter.com/theavgd
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When I was in elementary school, the older kids started a rumor that quickly made recess a terrifying experience. I've been wanting to make this film just so I had a place to put some of the details of that rumor.
I animated this in flash, and did my backgrounds in photoshop. After Effects for compositing, and Protools for sound.
Thanks to Michael Paul Kennedy for the wonderful music ( mkennedymusic.com ), and Michael Ho for the voice work ( michael-ho.net/ ).
Watch other films made by my classmates: 2014 CalArts Character Animation Student Films
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When I was in elementary school, the older kids started a rumor that quickly made recess a terrifying experience. I've been wanting to make this film just so I had a place to put some of the details of that rumor.
I animated this in flash, and did my backgrounds in photoshop. After Effects for compositing, and Protools for sound.
Thanks to Michael Paul Kennedy for the wonderful music ( mkennedymusic.com ), and Michael Ho for the voice work ( michael-ho.net/ ).
Watch other films made by my classmates: 2014 CalArts Character Animation Student Films
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When I was in elementary school, the older kids started a rumor that quickly made recess a terrifying experience. I've been wanting to make this film just so I had a place to put some of the details of that rumor.
I animated this in flash, and did my backgrounds in photoshop. After Effects for compositing, and Protools for sound.
Thanks to Michael Paul Kennedy for the wonderful music ( mkennedymusic.com ), and Michael Ho for the voice work ( michael-ho.net/ ).
Watch other films made by my classmates: 2014 CalArts Character Animation Student Films
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When you see someone running in Jamaica, every step carries inspiration. There, track and field is not just a regular sport, it’s passion, dedication and truly being devoted.
Directed by: Douglas Bernardt and Filipe Zapelini Cinematographer: Lucas D. Oliveira Producer: Marina Hecker Editor: PUDIM Colorist: Lucas Moesch Sound: Satélite Soundtracks: ''William Basinski - Watermusic II'', ''Kuj Yato - Clap! Clap!'' Production Company: Santa Transmedia
Special Thanks: Gustavo Gripe, Amadeu Caringi, Gabriel Honzik, Leo Coutinho. DM9Sul, Marco ''Loco'' Bezerra, Marcio Callage, Everton Behenck. Kito Siqueira, Danilo Abraham.
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Eternal Father bless our land Guard us with Thy mighty hand Keep us free from evil powers Be our light through countless hours To our leaders, Great Defender, Grant true wisdom from above Justice, truth be ours forever Jamaica, land we love.
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I watched this TED Talk and thought you would find it interesting. Aomawa Shields: How we'll find life on other planets more about watching TED Talks on all of your favorite platforms: https://www.ted.com/about/programs-initiatives/ted-talks/ways-to-get-ted-talks

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medievalpoc

The evidence for African migrants in Britain from the Bronze Age to the Medieval Period

It looks like someone finally put some very solid research together in regards to the whole demographics question, which people have been asking me for at least three years now. Dr. Caitlin Green has compiled some documentary and archaeological resources specifically showing African populations in Bronze Age, Roman, and Medieval Britain. Some of these I already knew about, others are original research and pretty darn cool. Also of note: the isotope method only counts first-generation immigrants and not their descendants, since the method of identification used has to do with childhood drinking water’s geographical origins.

The degree to which pre-modern Britain included people of African origin within its population continues to be a topic of considerable interest and some controversy. Previous posts on this site have discussed a variety of textual, linguistic, archaeological and isotopic evidence for people from the Mediterranean and/or Africa in the British Isles from the Late Bronze Age through to the eleventh century AD. However, the focus in these posts has been on individual sites, events or periods, rather than the question of the potential proportion of people from Africa present in pre-modern Britain per se and how this may have varied over time. The aim of the following post is thus to briefly ponder whether an overview of the increasingly substantial British corpus of oxygen isotope evidence drawn from pre-modern archaeological human teeth has anything interesting to tell us with regard to this question.

The following post offers a map and brief discussion of the Islamic gold coins of the later eleventh and twelfth centuries that have been found in England and their context. Whilst clearly rare finds, there are now ten coins of this period known, all but one of which are thought to most probably have their origins in Spain. Moreover, these coins are considered to be the survivals of a potentially substantial body of this material present in England at that time.

The aim of the following post is to offer a draft look at an interesting Arabic account of early medieval Britain that appears to have its origins in the late ninth century. Despite being rarely mentioned by British historians concerned with this era, this account has a number of points of interest, most especially the fact that it may contain the earliest reference yet encountered to there having been seven kingdoms (the 'Heptarchy’) in pre-Viking England and the fact that its text implies that Britain was still considered to be somehow under Byzantine lordship at that time.
The following short note is based on a narrative preserved in the eleventh-century Fragmentary Annals of Ireland that tells of a Viking raid on Morocco in the 860s. This raid is said to have led to the taking of 'a great host’ of North African captives by the Vikings, who then carried them back to Ireland, where they reportedly remained a distinct group—'the black men'—for some considerable period of time after their arrival.

So, this is just what was included in that particular Twitter thread. I’m going to work on OCR for some of those images and transcribe what I can, as I can. if anyone would like to help make this post more accessible feel free to do so and/or drop a link in my inbox.

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