@airiervessel / airiervessel.tumblr.com
my step mom was asking me more questions about the nonbinary thing and after talking to me for a bit, she said "oh, so youre a rosé! not a chardonnay transitioning to a merlot, just your own unique type" which was such a middle aged white woman way to frame it, but i cannot lie gang. it did make me want to cry
This is the funniest thing on the internets today, don't you hide it in the tags
One of the most memorable interactions was Saturday. Into our booth strolls a small family, tempted by free samples of freshly brewed tea. We chatter and give them the spiel, that the tea is character merch and we’re a cozy health-based app called Forage Friends.
The young girl zeroes in on our pride pins.
“They have my pin!” She says excitedly. “They have my flag!”
The dad blinks. He is surprised, but also calm and positive when he sees it’s the lesbian flag. “Oh. That’s… different from what you told me.”
“That was months ago, dad.” And she rolls her eyes. Definitely a teenager.
I turn to him and say, “Yeah, dad.” And we share a little laugh about it.
He says, “No, it’s great. That’s amazing, honey. It was just news to me.”
“Well, I guess I just decided to stop lying to myself. About liking guys. Like right now.”
A little lesbian just came out to her dad and he was super cool about it.
I’m standing there in my tie-dye mask and my cheery blue apron pouring tea and making small talk and I’m trying really hard not to cry or compare it to my experience, the fire & brimstone, the disgust, the conditional acceptance as long as I never bring it up.
So as this beautiful bonding is going on, the girl’s even younger brother turns his gaze around. He’s in a snorlax hoodie and bored and wants to go look at the swords across the hall. But on the other side of our booth….
“WHY DO PEOPLE DRAW THAT?” He asks loudly, and we all turn to our neighboring booth.
Our neighbors were extremely lovely people. Every time we had a break we would talk, and we became good friends over the weekend. They kept apologizing that their booth was next to ours and we kept repeating that it was totally fine. Their booth was great. I even bought their merchandise.
The thing that was so contentious, that they felt the need to apologize for, was that they were selling explicit titty hentai stickers of popular characters. They were censored with little yellow R18 labels but the content was very clear.
So back to the family: I freeze and immediately go somewhere else to let dad handle this question. With adult customers I’ve been loud and positive about our neighbors. (“Man, how has it been boothing next to them?” It’s been great! They bring a lot of foot traffic and they’re kind and wonderful professional neighbors. If anything it’s a fun juxtaposition. We believe in artistic freedom. I bought a sticker too!)
But this is a kid, it’s not my place to explain anything…. But I was extremely curious about what this chill dad would say.
“Well,” dad says with a long measured silence between each word. “Sometimes people are horny.”
tv shows with time travel organizations/bureaus/police/agencies/whatever should have a department with instead of a tech genius eating candy, it’s a harried seamstress or fashion designer who is like
“1450 italy? does it look like I have the time to dye you wool? nO. YOU’RE GOING TO THE 1980s”
and throws shoulder pads at the hapless time agent
“I literally made three- THREE- 18th century corsets last week. You can wait until one of them gets back, or you can go sometime post-1920s, because if I have to sew one more god damn channel I will literally lose my mind.”
“Upper middle class?!?!? You told me upper class! FUCK YEAH THERE’S A DIFFERENCE!!!”
“How about kimoNO.”
“Look me in the eyes. I do not care what you want. This is the 1500s. You absolutely cannot wear trousers.”
“Another court gown?? Here’s a novel idea: go as a peasant for once in your life. Why do you do this to me? You’re fucking sadists that’s why.”
“Don’t mind me, I’ll just be up all night hand painting silk.”
“THE POLICY IS ONE MONTH’S ADVANCE NOTICE ON PRE-1900s WOMEN’S FASHION FOR A REASON, DEBRA.”
“Upper middle class?!?!?
You told me upper class! FUCK
YEAH THERE’S A DIFFERENCE!!!”
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
Anakin in a nutshell
really? another album? didn't she just make one??
taylor swift is the MCU of music
do you realize what you're wishing on me
Bold of op to assume swifties see any issues with the mcu
Being a little too cold: brrrr i’m a little too cold !!!
Being a little too warm: i am going to kill the next person who makes eye contact with me.
message to all leftists: understand that landlords are bad because they are extorting you in exchange for a basic necessity of survival, not because they are "lazy" or "don't have real jobs"
Pulling an 'Ally'
Rumble Road | The Last Stand
YES I'M GAY:
faGgot
dykAe (the a is silent)
trannY
i may be stupid
you shut your whore mouth
i won’t hesitate bitch
stop being mean to me
when this post hits 69420 im turning off reblogs
This really is the PvP enables website
I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"
Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.
In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.
In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.
In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?
In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.
The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.
And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?
And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?
Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.
The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.
The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.
They always come home eventually.
The thing Kipperlily doesn’t understand is that they didn’t just become favorites over night. They put in the blood sweat and trauma it takes to become one of the best adventuring parties at aguefort.
wanda childa design... i love her
