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Is it someday yet?

@secretallie-blog / secretallie-blog.tumblr.com

Alena, 29, Philippines, here for books, cats, gardens, photography, and excitement over Tolkien, Marvel, Elementary, Inception, Pacific Rim, Leverage, Brooklyn 99, Disney, Sterek, Check Please, and other shiny, happy, fluffy stuff.   I dream of grilled cheese sandwiches and you can talk to me any time. :)
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medievalpoc
You guys know about vampires? … You know, vampires have no reflections in a mirror? There’s this idea that monsters don’t have reflections in a mirror. And what I’ve always thought isn’t that monsters don’t have reflections in a mirror. It’s that if you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves. And growing up, I felt like a monster in some ways. I didn’t see myself reflected at all.
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justira
The “Women Guerrillas” corps trains in Manila, Philippines in 1941. #DiversifyAgentCarter pic.twitter.com/7zia1Rr2vW
— Jennifer de Guzman (@Jennifer_deG)
May 9, 2015
My grandfather was an Air Force instructor to Tuskeegee Airmen before & during WWII. #DiversifyAgentCarter pic.twitter.com/3QoURyx2pf
— Starfishncoffee (@starfishncoffee)
May 9, 2015
#DiversifyAgentCarter MT @womenshistory: Maggie Gee, 1 of only 2 Chinese-Am women to serve in the WASP during WWII. pic.twitter.com/1kMwd0SQKG
— Helen Shin (@H_X_S)
May 9, 2015
1928 pilot license photo of Ms. Pancho Barnes, who broke Amelia Earhart’s air speed record. http://t.co/ov1rzvi9b3 pic.twitter.com/WYUewz0fuo
— Saladin Ahmed (@saladinahmed)
May 9, 2015
1940s superspy Senorita Rio, the first Latina lead character in US comics. #DiversifyAgentCarter pic.twitter.com/xsQQX5lb1G
— Saladin Ahmed (@saladinahmed)
May 9, 2015
#DiversifyAgentCarter because Katherine Sui Fun Cheung was the first Asian Am woman to get a pilots license in 1932! pic.twitter.com/PnMRJCwe3I
— UbeEmpress (@ubeempress)
May 8, 2015
My Arab great-grandma, a detective & civil defense director in 1950s NYC. These women existed. #DiversifyAgentCarter pic.twitter.com/YGVcadaadT
— Saladin Ahmed (@saladinahmed)
May 9, 2015
#DiversifyAgentCarter because of this book on my Amazon wish list about the history of gay men and women during WWII. http://t.co/UFD1DIdvsd
— Jennifer Matarese (@trollprincess)
May 9, 2015
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em1ree

the filming of an iconic scene

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ellidfics

I simply cannot get over how straight Evans is when he runs, and how little he leans forward.  

That’s why he had to do almost all of his own running. They were like, “Chris, you’ll be running today. Tomorrow, we’ll film your double doing flips but today you get to run and run and if you don’t like it, learn to run like other people.”

I understand they also had a tough time finding a stunt man who could double for him because he doesn’t move like most actors.  It’s probably better now that they’ve sent him for martial arts training, but evidently the first Cap movie was rough until they started choreographing the fight scenes to a musical beat.

I didn’t know they did that. That is the best thing I’ve heard today.

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weesta

Vital information

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forochel
I think that every choice is political. When you decide that a woman can be a character of her own and not have to fall in love with the f***ing guy, that’s a political choice. When you choose that they can speak in their own language and be subtitled, that’s a political choice. I think it’s very important for us to understand that we are all — the whole world — in the same robot. It’s this f***ing planet. No matter who you are, what you like to do, whatever your race or whatever your religion, we’re all human. And I think it’s really great to make a movie that celebrates that diversity.

Q: I really appreciate the fact that you have non-American actors speaking their native languages, instead of making it seem like everyone in the world speaks English like it usually is in most Hollywood movies. Why is Hollywood so allergic to subtitles? Interview in Today Online with Guillermo del Toro, 11/07/2013

BAAAHHHH WHY IS HE SO GREAT

(via forochel)

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we’re taking a group of people who have insider knowledge of the English language (or at least a good grasp of it) and placing them in a new, unfamiliar, virtual space. This space introduces visual aids to language in the form of photos and gifs, the ability to comment on someone else’s text in a reblog and the ability to communicate a lot of information in very few words using hashtags. We also see the creation of tone in a toneless medium. In order to simulate conversational patterns in writing we SHOUT WHEN WE’RE SUPER EXCITED or *psssst whisper when we’re pretending to tell someone a secret while perfectly aware that anyone on the internet can read what we’re saying.* slash the coolest bit tho is that u can like ironically forgo all capitalization and punctuation just write in a weird speech pattern its ok everyone will still understand maybe it even helps read the text more quickly because nothing is interrupting the flow of words In short, this dialect results when people who already share a language are given new tools. The result isn’t a butchering of English language but a creative experiment with it. Am I claiming that the Internet as a whole is operating on a level of postmodernism that would make Joseph Heller, Kurt Vonnegut and Thomas Pynchon seem like novices? maybe i am maybe im not u punk wut of it like who r u to tell me otherwise

Totally worth reading the whole article, especially the part on Tumblr and gender.

Internet linguistics is super fascinating to me. 

This whole article is absolutely fascinating. As someone who is older than the average tumblr user, and someone who can be a bit of a grammar freak, it took me a long time to get used to the Tumblrisms, but now I find them incredibly useful.

(via thymey)

“it took me a long time to get used to the Tumblrisms, but now I find them incredibly useful.” Same. All the internet speak that people my age usually malign, I find flexible and expressive and important. 

Some people especially don’t like the term “feels” but I find it really helpful. “Feels” are not “emotions”. Emotions are specific, partitioned states. Feels are the simultaneous experience of all emotions (including emotions that would usually be framed as neutralizing one another if occurring simultaneously—happy/sad—but which often amplify each other instead) that are presently occurring as an immediate or on-going reaction to an inciting incident (image, movie, etc.). “All my feels” is a way to express both the totality and the immensity of those emotions being experienced.

Following that, “right in the feels” is how to express that a secondary inciting incident has occurred which, like one molecule in motion intersecting with another molecule in motion, has effected an impact and a temporary or permanent change in state/velocity/trajectory of the total-state of emotions affecting the speaker and, if the impact is strong enough, may permanently alter the composition of the feels in question.

How damn cool is it to be able to sum up both the initial concept and the experience—with a gif (a tiny movie that, like a hologram, contains the whole of the original as well as the subcultural context around that movie and that scene and that character), no less?

In my last year of university, I took a postmodern theory class that hinged on the relationship of text and image as a fundamental binary along the lines of male and female, logic and emotion, etc., in which text was valorised over image. One of the things I love about tumblr is the way images and gifs invade the communicative territory of text, and the perscriptivist notion of grammar is completely abandoned. 

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