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o:

@vulpinecyanide / vulpinecyanide.tumblr.com

to be alive is to seek, to set foot in every place the eye can see
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ikimaru

I was gonna draw something more serious but sometimes u just gotta draw memes

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I know using ‘it’s funny ‘cause it’s queer’ is an incredibly lame punchline, but watching gender/sexuality subversive comedy is also such a big ol’ power trip sometimes

like, canonically bugs bunny is not stopped by goddamn anything, not rabbit season or codified institutions or the fucking jail cell of gender binary perimeters

he’s basically a chaotic neutral trickster, but damn if he isn’t near invisible to the point even sexuality norms can’t fuking mark this dude, lit

this feels somehow very true

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brechtian

can you imagine being 11 and playing fortnite and getting the kelsier skin and then like 5 years later you read mistborn and realize. hey wait. isnt kelsier that thottie from fortni

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kingjasnah

@fithragaer wait forreal because ngl that makes this whole thing like 500 times funnier

“So, for those who don't know, I'm good friends with the director of Fortnite.  Before he made this came, he made a smaller game called Infinity Blade--and we collaborated on some story things for that.   (Curiously, he and art director Isaac went to school together, which is how I ended up meeting him.) Fast forward a decade or so, and one day he says to me, "Hey.  We should put Kelsier in Fortnite."  So here we are.  I realize this probably isn't going to be earth shattering to most of you--I expect the audience who both reads the books and plays Fortnite to be somewhat small--but it was too neat not to pursue.“

Found it

"i realize this probably isn't going to be earth shattering to most of you" im going to put my fist through a wall

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people keep talking about how mantis shrimps can or cannot see multiple colors but can we talk about how fucking violent they are

Like dude

What the fuck

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jaubaius

Penguins getting weighed.

THE LITTLE HOPS

Caretaker: God booooy! :)

Penguin: M̶̡̬̖͔̖͋̆o̶̫̝̩̖̟̰͚̞͋t̸̨̯̘͖̎͆͊͊̈́̽̐ͅͅh̷͚͂͠ẻ̷͇̝̳̄̐́̐̍̍̀͝r̶̢̻͔̦̹͎͖͈̀͜ ̸̻̳̦̩͎̉͂ͅg̸̛̗͓͖̠͇̩ǐ̶̧͈̣̇́̈̀̑̉̆͘v̸̢̛͍̻̜̭̇͊̌̐̏̅̂ͅe̵͙͐̕ ̸̳̭͓̱̍m̶͉͚͍̺̳̊͐̾̂̚ę̶̢̠̲̫͇̠̮̙̅̐͝ͅ ̵̲̙͚͐̒̚ͅt̵̜̣̙̜͍̀̓̿͆̈́͂̅̀͝ĥ̷̢̖̞̼̝̞͍̠̐̈́̒̊́e̸̥͒ ̶͓͓̂̎̀̑́t̵̛̯͓͚̜̪̩̺͖́̄͐̋́r̶̢̹̞͔̲̘̭̠̖̉̄͋̓͌͘͝ȩ̸̨̼̺̻̭͚̾̉͐̂̄͆̇a̵̭̼͙̼̜̋͝t̴͔̱̯̥̙͇̬̮̓͘ͅs̸̮̖̟̝͔͇̣͑̈́̃

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Opening on March 12th, 2020 at Roq La Rue Gallery in Seattle, Washington is artist Dawid Planeta’s solo exhibition, “The Unknown.”

Planeta’s digital works recently zipped like wildlife through the online world thanks to the striking symbolism and mystical nature of his dark, atmospheric landscapes and imagery. In response to experiencing a crippling depression, the artist decided to use the bleakness he was expiring as a source of introspection and exploration. By going deep into his subconscious a murky jungle world started to emerge, populated by giant spirit animals with glowing eyes that seem like beacons in the gloom. While the creatures are massively oversized and and loom imposingly, especially when paired with a the tiny, almost unnoticeable human figure that stands regarding them, they radiate a calm serenity. The wondrousness of these spirit animals is a comforting gift, and finding them and then having them bend a regarding gaze upon you feels like a connection back to the numinous world of spirituality and connection. In other hands a depiction of this sort could come across as overly sentimental and saccharine, but the nocturne earnestness of Planeta’s vision allows the contemplation of redefining our personal darknesses and using them as a source of power, rather than weakness. 

The exhibition will be on view until April 4th, 2020.

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