Fevered Scribblings

exciting entry in the "what genre is mcr" debate. he said be a faggot!!!!! (blender 2005)

this made me emotional ;-;

kabutops stares death in the face

i’ll do you one sadder

THAT’S WORSE

That’s so much worse

Pokemon Heritage Post

March Of Robots Lancer Edition

Day 19

Clockwork Lich

ooo cool links for you to click on to support me

Some good vibes this morning, listening to “Signs of Life” as I paint, and now that I’m done I’m going to read some more Neil Gaiman.

5th option this is a drink now pour directly into face

she’s beauty she’s grace her passport’s just a face

I shouldn’t be laughing this hard

Isopod Culture vs Isopod Counterculture

Hello my fellow dykes, we have officially become visible ✨✨✨✨✨✨✨✨

All sillies aside, please consider donating to Emily Gwen or sharing this if you can! Link

happy lesbian visibility week

one of the biggest things I can advocate for (in academia, but also just in life) is to build credibility with yourself. It’s easy to fall into the habit of thinking of yourself as someone who does things last minute or who struggles to start tasks. people will tell you that you just need to build different habits, but I know for me at least the idea of ‘habit’ is sort of abstract and dehumanizing. Credibility is more like ‘I’ve done this before, so I know I can do it, and more importantly I trust myself to do it’. you set an assignment goal for the day and you meet it, and then you feel stronger setting one the next day. You establish a relationship with yourself that’s built on confidence and trust. That in turn starts to erode the barrier of insecurity and perfectionism and makes it easier to start and finish tasks. reframing the narrative as a process of building credibility makes it easier to celebrate each step and recognize how strong your relationship with yourself can become

I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"

Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.

............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.

Please return us to a world where Notp and squick are used for a ship you don’t like instead of just making up a load of bullshit about how immoral it is or w/e lol 

a short selection of concepts and phrases that used to be commonplace in fandom and we’d really benefit from making that a thing again:

NOTP: the opposite of an OTP (One True Pairing). It is a ship a fan strongly dislikes. The word is a portmanteau of ‘no’ and ‘OTP’ and thus is not a contraction of any particular phrase.

Squick: anything that is a deep-seated, visceral turn-off. Squicks may be shared by many fans or be specific to one; one person’s kink may be another person’s squick.

YKINMKATO, or kink-tomato: Your Kink Is Not My Kink, And That’s Okay: used to indicate support for fannish diversity and to distinguish between disapproval or kink shaming and simply having different taste.

DLDR: Don’t Like, Don’t Read: a phrase used to warn against complaints about an aspect of fic or meta. A “live and let live” philosophy of fandom, which places the responsability for avoiding content one doesn’t want to see on the side of the fanwork consumer, rather that on the creator’s.

SALS: Ship And Let Ship: similar to the above specifically about shipping tastes.

YMMV: Your Mileage May Vary: a phrase used to acknowledge that any given individual’s personal opinion on the topic at hand may differ due to their own tastes, standards, values, experiences, etc.

As the OP points out, all of these crucially imply no moral judgment of what they’re designing.

(definitions lifted more or less wholesale from fanlore’s relevant pages)

bring the healthy fun back to fandom!

If ever a time comes when I don’t reblog this when it appears on my dash, assume I’m dead

ok im really curious do you guys have books you consider your "white whale"? as in books you keep telling yourself oh yeah i really want to read that, but you keep not reading it?

occasional posts from users

reblog if you make occasional posts

Sometimes I still hear my voice

Something I appreciate about Monkey Man is how doesn't try to frame revenge as just a pointlessly violent, self-destructive pursuit the way many films do. I think it's because Dev Patel was unafraid of adding a political element to the story. The kid wants to avenge his mother, but he also doesn't want what happened to them to keep happening to others. The presence of the hijras really drives this idea home. They fight with him not only because he's their friend, but because Baba and the nationalist party will bring violence literally to their door even if they don't fight back. I often roll my eyes at anti-revenge narratives. I think Dev Patel gets what it's like to be a victim of systematic violence in a way most filmmakers seem not to. Revenge isn't just a selfish pursuit that perpetuates the ~cycle of violence~, it can also be a desperate desire for the violence to end.