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A quality whatever personal blog

@jadebee / jadebee.tumblr.com

The life of EB who reads, writes, draws, games, loves spending time in nature and is notoriously random! A fan of most anything animated. BA in Animation & Visual Effects (see Art & Writing Blog)
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I know I’ve said this before but vampires

  • don’t show up on camera
  • can fly/scale walls
  • immune to bullets
  • can break into any safe by turning into fog or some bullshit
  • could probably hypnotize security guards as needed

therefore I am in dire need of a heist film where a group of vampires band together to steal back their old stuff from museums

Oceans 1100 AD

Very interested in the hardest part of this beign the vampires trying to trick someone into granting them permission to enter the premises earlier in the day

I feel like this has several simple solutions!

  • they enter the museum while it’s open to the public (and the Welcome sign is on display). they turn into bats and hide in the rafters until the museum closes. the only hiccup is when the overhead announcement comes on and politely requests all visitors leave for closing. the vampire are forced to flee, but come back the next day with tiny bat-sized earplugs.
  • downside: this requires going out in daylight, leading most of the team members to show up in long black victorian formalwear, complete with lacy parasols, which they insist on carrying with them throughout the entire heist (much to the frustration of the team leader, who just wore sunscreen and a raincoat).
  • depending on how invitations work, it is possible any random human can invite them in. one of the vampires gets their Ultimate Frisbee buddy Oakley to tag along and invite them in after closing.
  • downside: the gang spends the rest of the heist gently mocking the idea of a vampire playing association ultimate frisbee (“so what, you turn into a bat and catch it with your fangs? do they make you crawl up the wall when it gets stuck on a roof? if you turn into a cat to get it down from a tree, do you end up stuck in the tree?”) this ends in a Climactic Twist Ending when Oakley reveals they don’t play ultimate frisbee, just dog park frisbee. In the sense that they met when the vampire transformed into a wolf to gatecrashed a game at the local dog park.
  • (Bonus points if Oakley is a werewolf. extra bonus points if this is revealed in a post-credits epilogue where, on the next full moon, the entire gang transforms into creatures of the night and joins Oakley at the park for a frisbee game of Bats vs Wolves)
  • Final option: to gain legitimate entry, an invitation is needed from a museum employee. this presents two possibilities:
  • the vampires pretend to be incredibly rich eccentric patrons who want a private nighttime tour of the museum. (this is convincing due to the fact they are rich and incredibly eccentric.) the vampires get inside, planning to hypnotize the Curator supervising their tour.
  • downside: they immediately discover the Curator has been left immune to hypnosis by years of post-grad exposure to droning history lecturers. the vampires leave their least competent member to distract her while they carry out the heist–in the ensuing 90 minutes, the vampire and the curator accidentally Fall In Love after bonding over their shared fury about british archeological theft.
  • (In the sequel they get married and spend their honeymoon robbing the British Museum in order to return sacred objects to the cultures from which they were stolen. this is made more complicated comical by the fact vampires are unable to interact with holy objects. also, they are lesbians.)
  • alternatively: the gang simply bribes a security guard into letting them in after closing. the security guard then tags along, offering helpful advice for disabling alarms and transporting antiques. it turns out Security Officer Greer only applied for the job bc they too were planning an Elaborate Acrobatic Burglary, but then their partners quit to join Cirque du Soleil and “I can’t exactly perform a Double Cartwheel Birdie Flying Trapeze Boomerang Special without a partner.”
  • downside: the gang becomes too attached to ask Greer to leave. They carry out the heist as intended, but this time pretending to be circus performers to explain their vampire powers. Turning into a cloud of smoke to bypass locks? Magicians never explain a trick. Spider walking across ceilings to bypass alarms? Contortionist. When it comes time to fly from roof to roof, they decide turning into bats would give away their secret, so instead they help Greer, in a sparkling moment of triumph, execute the perfect Double Cartwheel Birdie Flying Trapeze Boomerang Special!
  • Greer and the gang escape (by tightrope walking) into the night with all the plunder they can carry. Tearfully, the gang begins to say goodbye (bc they can’t keep up the pretense of being circus performers forever) when Greer casually asks how a bunch of vampire ended up working in a circus.
  • (Greer assumed from the beginning they were vampires, because of “how you dress, how you talk, and mostly because none of you showed up on camera back in the CCTV control room. Why did you think it took me so long to let yall in?”)
  • I cannot for the lives of me decide which synopsis I like best

(all ideas shared on this blog are public domain, feel free to go nuts. you can find more story ideas like this on my ko-fi)

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wanlingnic

Character design/concept art I did for How to Be Human!

Designing the protagonists, based on the author's directions, was my favorite part. My intention was to ensure kids could - with just a glance - immediately understand their personality!

As always,big shoutout to the Authors, Zed Yeo, and Tan Yi Lin, and Editors Melanie Lee and Melvin Neo!

The books are in the process of being released now - so it might take a few months before all 6 books appear at your retailers.

  • If you're in the UK, check your listings on on W H Smith.
  • If you're in the USA, the books will be released be on Amazon.
  • If you're in Singapore - get them wherever good books are sold!
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reblogged

Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

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meraarts

Might I add:

The defeat of the wizard who made people choose how they’d be to be executed

The woman who raised the changeling alongside her biological child

The human who died of radiation poisoning after repairing the spaceship

The adventures of a space roomba

Cinderella finding Araura (and falling in love)

I don’t know a snappy description but the my nemesis cynthia story certainly lives in my head

I am in love with you /p

What about the one with the princess locked in a tower learning to become a wizard? That’s lived in my mind for years and I haven’t seen it in a long time

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adamskiiii

Wow! @writing-prompt-s contributing to like half of these!

I can hardly take any credit for these stories! But I love sharing them. Unfortunately I cannot read all the prompt responses so please tag me if you want me to reblog a story that resonated with you so I can give it a little boost :)

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thewaltcrew
Director Kirk Wise, screenwriter Linda Woolverton, and actor Robby Benson on casting the Beast [x]

They gave me an incredible amount of freedom. I didn't want Beast to be a cartoon character. I played it as though I were doing a Broadway show. As if this was a living person. And I wanted him to be funny. By funny, I don't mean shtick or one-liners. I am talking about real comedy. When real comedy works, and is truthful, especially with the Beast, it comes out of the fact that he is so pathetic. For some reason, I really understood that. Ha! Because of that, they gave me a lot of leeway. [x]

My first audition was recorded on, of all things, a Sony Walkman. As a musician, I had branched out into recording engineer and loved to play with sound. When I saw the Sony Walkman I knew it had a little condenser microphone in it, and if I were to get too loud, the automatic compressor and built-in limiter would 'squash' the voice— and there would be very little dynamic range to the performance. I did a quick assessment and wondered how many people who had come in to audition for the part were making that error: playing the Beast with overwhelming decibels, compressing the vocal waveforms. I decided to give the Beast 'range.' Because of my microphone technique, and an understanding of who I wanted Beast to be, they kept asking me to come back and read different dialogue. After my fifth audition, Jeffrey Katzenberg the hands-on guardian of the film, said the part was mine…

Beauty and the Beast was so refreshingly fun and inventively creative to work on that I couldn't wait to try new approaches to every line of dialogue. Don Hahn is one of the best creative producers I have ever worked with. The two young directors, Kirk Wise and Gary Trousdale, were fantastic and their enthusiasm was contagious. I not only was allowed to improvise, but they encouraged it. It never entered my mind that I was playing an animated creature. I understood the torment that Beast was going through: he felt ugly; had a horrible opinion of himself, and had a trigger-temper. Those are things that, if done right, are the perfect ingredients for comedy. Painful and pathetic comedy— but honest. The kind of comedy I understood...

In the feature world of Disney animation, the actors always recorded their dialogue alone in a big studio, with only a microphone and the faint images of the producers, writers, directors and engineer through a double-paned set of acoustic glass. Paige O'Hara and I became good friends; it was her idea that for certain very intimate scenes, such as when Beast is dying, we record together. We were able to play these scenes with an honest conviction that is often absent in the voice-over world...

The success of this film was the culmination of a team effort but I must say, the honors go to the animators— and for me (Beast), that's Glen Keane — and to Howard Ashman and Alan Menken. This was the perfect example of a crew who 'cared'. And the final results (every frame) of the film represent that sentiment. [x]

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pencil-line

method actor this method actor that. toshiro mifune played a guy getting shot at by arrows by getting shot at by arrows

and yeah i believe it. ^ this is the face of a guy getting shot at by arrows

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lysenkoite
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"i cant watch shows about fantasy kingdoms without thinking about how they should be abolishing the monarchy" that my friend sounds like a skill issue

if im watching the lord of the rings extended edition i am a monarchist for 682 minutes

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red-pencil

Here's my contribution to the Spread the Love challenge animation collab. Had a lot of fun with this one. I'll be sharing a process video of this soon.

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bunjywunjy

the motions and expressions here feel like golden-age Don Bluth, and I mean that in the best possible way

This is still one of my favorite pieces of animation of all time.

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