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The Dangers of Ghost Kitchens

@wapy / wapy.tumblr.com

Moro num dos melhores países da Península Ibérica
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Imagine writing a history of how Roman political culture changed from 509-60 CE and not mentioning the utterly ludicrous career of Scipio Africanus, and the example he set for Scipio Aemilianus, Marius, Sulla, Pompey, Caesar, and goddamn everyone who followed him. Harriet Flower...please...give my boy Scipio "refused to become consul for life even when the Roman people asked him to" Africanus some credit...

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Celeste dos Cravos

An illustration commemorating the 50 years of the Carnation Revolution that took place in Portugal on the 25th of April of 1974, and the woman, Celeste Caeiro, who gave the revolution its name with a simple gesture :)

25 de Abril sempre! Fascismo nunca mais! ✊

Art Prints: inprnt & Redbubble

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70sscifiart

Ron Cobb’s ornithopter concept for Jodorowsky’s Dune

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this was a comment on one of my post from a recent live event. it was photos of joyful queer buckaroos celebrating together and proving love is real through creation, community, and a trot of love. most important I AM LITERALLY IN PHOTO AS A REAL FLESH AND BLOOD HUMAN

it got me thinking about how DEEP AND VICIOUS the irony poisoning of these early internet communities goes. the way buds like this cannot fathom someone just being a sincere person unrelated to their OWN old days of cynical posting. it is fascinating, and i will admit, sad too

despite a DECADE of work, countless live events, 350 tinglers written well before large language models were a thing, there are still people who cannot imagine someone like me could exist. it is a strange place to be. not just part of me, but my entire EXISTENCE is often gatekept

it is easy to say ‘well chuck your art IS strange’ but honestly i think it is more than that. magical realism is common. there are stories about dinosaurs and bigfeet and unicorns. this scoundrel reaction is about two unspoken things: my art is neurodivergent, and my art is queer

heres the thing: I WILL BE FINE. what concerns me is not an issue of MYSELF, it is a concern for the other young outsider buckaroos who see comments like this one and think ‘is that what they will say if i express MY unique way? will i be dehumanized like this at every turn?'

i will be honest, i cannot say that WONT happen, but i CAN say this: for as deep as this irony poisoning goes, it is slowly dying. the way i was treated at the start of my career is LIGHTYEARS DIFFERENT from the way i am treated now. there is a massive shift towards sincerity

BUT MORE IMPORTANTLY. to young artists trotting up, the things that i am harassed over and doubted for and made fun of for are NOT tangental to what has made me successful, THEY ARE LITERALLY THE SAME THINGS THAT HAVE MADE ME SUCCESSFUL. YES I AM STRANGE, WHAT OF IT?

the things that you tuck away for fear of a review that says ‘there is a PROBLEM with this art because it has always been done another way’ THOSE ARE YOUR SUPERPOWERS. the gatekeepers want you to tuck those parts of yourself away because THEY TUCKED AWAY THOSE PART OF THEMSELVES

never forget that your unique way is PURE UNFILTERED 100 PERCENT ROCKET FUEL. it will stick out (maybe, if you are lucky, scoundrels will even say that someone like you could never actually be real), but sticking out isnt so bad when you are waving the flag of love.

in fact, when youre waving the flag of love, sticking out is pretty dang cool. what are flags for, after all? LOVE IS REAL BUCKAROOS. thank you for reading, and if you enjoyed this long post then please consider preordering BURY YOUR GAYS.

LETS TROT

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triviareads

The good, bad, beautiful, and problematic: romance novel cover art painted by John Ennis. He spent decades painting cover art for various publishing houses and recently retired, and I had a lot of fun attending this exhibition!

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