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I know I know, your eye fixed on me
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Les fantasmes sont un monstre
If Rhett & Link want to change their content, they should just do it and stop whining about it. They could devote 1-2 days at the end of each week to the new content. Views from content people are used to can sustain it until the audience for whatever they want to make actually grow. They can't expect all of their current viewers to just switch over to it, they have to wait for a new audience.
Plus I hate when they talk about making mature content when it just seems to mean childish body humor, sex, curse words, and old school jokes that should've died in the early 90s.
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Top teir Link look
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I love when they're like this
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Anonymous asked:
What are your thoughts on today's EB? I enjoyed every bit of it, it entailed a convo that was a long way coming for Link. I personally thought Rhett tried his utmost not to hurt Link even a little as he attempted to make him see the full picture regarding his social behaviour, it was so sweet and endearing.
I did something stupid. Even though I knew it was an important EB, I did not keep notes like that other time a few weeks ago. Also it was a kind of emotionally charged day for me too so everything’s a little bit of a mess in my head and I am pretty sure I won’t remember everything I was thinking at the time I was watching. It was a lot. This was a checkpoint in their podcast, in many ways.
When the podcast starts and Link is back from his trip, Rhett is still a little off. So even though some days must have passed, there is still something up between them. This is again something clearer on Rhett’s side. He is the one who’s antsy about something and Link responds to that. So, whatever the initial situation was, it was almost certainly Rhett who took an issue with it.
Rhett stings a little: “Don’t feel any obligation to listen to it” (his solo podcast), “You’re too busy for that”, “You know me well enough to not need to listen to me talk without you there”. I am pretty sure Link was joking there, but Rhett was responding more seriously and slightly bitterly. Furthermore that last thing is something I would bet Rhett feels it isn’t mutual; that Rhett can’t easily be absent and not care about what Link might say in his absence. Ironically enough, this eventually becomes the central theme in the podcast.
Then as Rhett explains why he’s taking the next week, he reveals how they barely saw each other in March and April and he is calm but you can see he is pissed about it. Maybe the tension has something to do with this after all. Link is a little defensive there, maybe for the cameras, saying they saw each other plenty, to which Rhett has to bite his tongue and take a sip from his cup. This makes me think that Rhett might consider Link partially responsible for the very little time they had together during these months. But this brought back memories of peak needy!Rhett during the 2020 covid carantine 😅
To reinforce his vibe of neediness, Rhett next blames Link for not persuading him to learn scuba diving earlier, saying it was an awesome experience that they needed to share together. At this point, Link is parts startled and amused, because he is secretly flattered by Rhett’s neediness. Link sort of explains that he just wasn’t used to being the one to take the initiative in their relationship and I sense there was some fear of Rhett rejecting / criticising his suggestions, but also Link almost certainly didn’t enjoy scuba diving as hugely as Rhett, that’s why he undersold it a bit in Rhett’s perception. Link feels that he has invested so much in Rhett, that there is a nasty defensiveness coming out of him in the weirdest of moments. Which is why when he has alternatives, he doesn’t want to show he needs Rhett so badly in order to do something. Rhett responds to that bitterly as well, saying: “Well, I would have begged you. Just saying”. So, you see, different love languages. But Link smiles through it, because of Rhett’s loving whine.
Skipping to the ski pass thing. This is so much more TRIVIAL than anyone made it to be, meaning Rhett and Jenna and Christy. Their reactions were SO dramatic. Okay Link messed up a bit but he had paid for all these passes and he went in with the confidence of the payer, you know. He didn’t think that they would ask all his autobiography for a ski pass. Obviously, the right thing to do was to ask for a change of the data on the pass in advance. Obviously, he should tell the truth from the beginning. But what he thought and it’s understandable was “Oh shit, the card has Michael’s name on. That’s okay, I’ll say his name and she will let me in”. He didn’t expect the age would be on there too and that this would lead to further questions. It was understandable and quite possible to happen. And I do understand his argument about Angie being more abrupt than she should. Clearly, he was there with three other teens following him eagerly, like jeez. And even if I knew she was doing her job, I would too get irritable if I had paid for a shitload of passes that my friends were not utilising and then it was me getting dragged in front of 75 people like a thief or a kidnapper. I am not saying it’s the clever thing to do but it is human and understandable and Jenna and Rhett acting so dramatic about it was excessive in my opinion. I found Christy’s insinuations cruel in this instance too. It was clear that Link didn’t think everybody owed him to pass, he just didn’t think there would be any issue since he was the one paying anyway.
EDIT: At this point I decided to take my time with the ask and rewatch important parts
This simple incident provokes a more serious conversation. However, the conversation actually went sideways. The original topic was how and why Link instinctively chooses to escalate situations without a ground reason for it. However, as Rhett tries to explore it, they accidentally find themselves in deeper waters.
Anyway, Rhett starts analysing how Link never considers how a situation can get out of control in his interaction with people and how everything - even the amount of care you have about what people think of you - should be in moderation. Link is open and thankful for Rhett’s feedback, even though he feels defenceless, and Rhett kind of mellows down. The interesting thing is that this is not the main point concerning either one of them deep inside and you will soon get what I am saying. In his attempt to defend / explain himself, an apologetic speech about how he has learned to rely for everything on Rhett comes out of Link and it is like an indirect apology for not persuading Rhett to scuba dive with him. But this was something that was produced out of many twists and turns and it wasn’t exactly the point of what the conversation was at the moment (escalating situations and expecting someone else will always handle it), so it was more like Link found a small, irrelevant moment out of the blue to apologise to Rhett than anything else.
Rhett sees the green light and goes deeper and explains how Link being himself without filter might sometimes involve him in situations uncalled for. Link grimaces through this and after a deep breath, him trying to collect himself, asks Rhett’s opinion about the incident in the movie theatre. While it is implied the situation escalated somewhat, they did not talk about the escalation but the beginning of the interaction only. Rhett then becomes real and gets closer to the source of his own frustration; he feels like he can’t enjoy himself in a social situation because he has to always monitor Link. Furthermore, an escalation might eventually ruin their night out or also Rhett can often feel swallowed and overshadowed by Link’s so strong come-on entrance.
But was this Rhett’s only problem, especially about the guy in the theatre? The awkwardness? Let’s see some specific parts of their conversation:
Link: You say I try to connect aggressively, that I try to put myself out there.
-
Rhett: And if you want to go to parties by yourself and do whatever you want to and see where the cards fall…. But what I am saying is when you go somewhere with me, or with your wife or with a friend, just so you know, it is the thing they are preoccupied with, is a sense of “okay, is he gonna do something that kind of makes things a little bit awkward for what it feels like his own entertainment?… And maybe it is like a “hey, I am going to… I wanna connect with somebody”… and it’s like-
Link: It IS for my own entertainment.
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Rhett: I think there is a common root, like “I am gonna say this thing in this situation; I’m not taking my phone out”, is the same, there is a common root to, “I am gonna come into this group and just say something that makes people feel uncomfortable because it’s kind of fun. And you know what, a lot of times it’s actually gonna lead to a stronger connection with somebody….”
Rhett looks quite pointedly at Link.
Link: I just don’t understand why, I mean, in my mind though, talking about my neurosis of me picking out the brand of shoe I am gonna wear to this movie was something that I thought this guy would get a kick out of and he might enjoy meeting me?! (*scoffs*)
Rhett: Yeah but… all I am saying is there is a sort of ribbing.
Am I wrong to believe there might have been another problem bleeding in in Rhett’s complain and Link had picked up on it and it was the one he was actually reacting to? In a rare occasion, Rhett asks Jenna if he’s making any sense and she is slightly confused and it’s because he is saying one main thing but there is also another thing bleeding in, which makes the dialogue a little complicated.
You see, while Rhett doesn’t say anything specifically negative about it, his posture, gestures and expressions have an accusative tone regarding the implication that Link tries to monopolise people’s attention so much that it might lead to a deeper connection later. And while Link listens thoughtfully, this is the one thing he reacts to. He actually said: “Do you really think me starting a joke conversation about my neurotic shoe concerns was me hoping the guy would want to meet up with me later?”
Like, he said that. That’s what he asked. And then Rhett says “No, but there’s a ribbing” before masterfully shifting the conversation.
Rhett was going so deep about this out of a place of wounded ego, if not jealousy. He questions the reasons Link wants strangers’ attention so bad, even if it is in a positive or negative way. He puts the thought out there that maybe there is something else Link wants but if it is so (wounded ego), then at least Link should not go about it when it’s Rhett or his wife escorting him. Then he concedes that it might be superficial, a playfulness, a ribbing, but it still makes Rhett feel like he is not there, like Link wants something else. I am not saying that jealousy was the central topic in this discussion, but it was something that was bleeding in due to Rhett’s frustration and it was the primary thing that Link wanted to clear the air about.
You think I am stretching this? Let’s move forward.
Link at this point makes it clear that he welcomes Rhett’s feedback and stresses many times that “they are on the same side, that there is only one side”. This softens Rhett visibly. However, Link also points out that this conversation could have happened only between the two of them and that it would be “a little different” in private.
Link then explains how he wants to let go in social situations and he somewhat selfishly likes the feeling of having someone look out for him. Rhett describes this as “living with no filter”.
In Link’s exact words: “I think there’s so much of my life that’s like, I think so hard about it that if I can get out of my head and just get into, like, living, then it feels so good because there’s - I am just trying to explain myself. I am not defending myself. And so it helps me think there’s other things to take into account. Like, I have this desire… in a party setting where there is no stake. I feel like there’s no stakes and it’s all just about fun. And whether it’s the critic in my own head or whatever it is, there’s a lot of crunching down. So in the places where I can let loose, I find myself letting loose in a big way because it feels so good”.
So what is he talking about here? So much of his life that he has to think hard about, that it feels great to let loose, to have the illusion that there are no stakes? Is this about their job? Didn’t he previously say they have CEO brains? Is this about family? Is this about private life?
The first time Link breaks is when Rhett reminds him that he loves some people and he sometimes needs to keep that filter on for the sake of these people. While Rhett carefully keeps himself now within the context of social interactions and escalation and aggressive introduction, Link at this point is emotional so he just says:
“I just wanna jump out of the plane, you know?”
Like, WHAT are we talking about now folks? Escalation and chaotic introductions? Is that really what we are talking about??????????????
Rhett does not comment on this phrase but he does describe how Link’s chaoticness (or his desire to jump out of the plane) becomes stronger and stronger each year. He interestingly says that 10 years ago (2012 - 2013, has it been THAT long? 👀) he would never be worried about what Link would say to other people but now he is constantly concerned. The funny thing here is that if memory serves me correctly, Link was always a little strange and bold in his interactions with people. In fact, Rhett was also less skilled and stranger in the past. So, is it Link being weird what concerns Rhett or the nature of Link’s “weirdness”?
Rhett says: “There’s been good growth in a way, like “I am embracing who I am, I am being myself”.
Again, what on earth are we talking about here? “I am embracing who I am, an escalator? A stranger’s teaser?” Is this still the point of the discussion or has the main point gone off the rails?
Rhett then comments that “there is such a commitment on Link’s part for expressing himself without filter”. And he repeats there is a growth but that this growth needs to be managed. Normally, though, when something can be characterised as “growth” then it is a positive that, if anything, would need less management, not more. Link’s “growth” apparently causes problems to himself, Rhett, Christy and potentially other people as well.
Why? Link explains this immediately afterwards: “Yeah I am not jumping out of the plane alone”.
“It’s a tandem jump”, Rhett agrees.
Tandem is the bicycle for two riders. So it’s not just Link who is about to jump out of the plane. It’s Rhett too.
But they quickly correct this, saying it’s a group of people. Me thinks, wives, families, employees, right?
Rhett then says, “And if there’s one guy who’s like ‘this is what I do and I jump out of a plane, I go as fast as I possibly can’, and they’re like ‘yeah but we talked about how we were all gonna… There is a plan! We are all going to do this together!”
And then Rhett kinda rephrases it but it’s too late at this point. You do realise this has nothing to do with aggression or teasing strangers or being unpleasant in social situations anymore, right? There is a mention of a plan. This has NOTHING to do with what they were discussing before. And what they were discussing before was not Rhett’s real issue! Again, there is a plan, for a tandem fall, and essentially a group fall!!!! Nothing to do with random awkward social interactions!!!!!!! It’s literally a totally different, much more serious topic discussed simultaneously!
Then Link stresses how a lot of it is enjoying interacting with strangers (apparently as his “grown” self?) and Rhett says this is evident, not without a hint of condescension, also implying how Link could become the guy who goes to things alone and talks strangers up. This kinda flies over Link’s head.
The second time Link almost breaks down is when he makes clear that he wants to go out with Rhett and enjoy their time together. And because Link never disappoints he saves it until the last second to make this crystal clear:
“What is this inside of me that wants to come out? Like, it goes out sideways and it… it is funny sometimes but other times it’s like… you don’t wanna, you know, I don’t wanna be the guy that’s giving people that are the closest to me a shitty time because I am having the best time of my life. That sucks.”
Link breaks for the third time. And he also just did the thing Rhett was imploring him all this time to not do. It really is a lost cause.
Now while everything at this point is clear, the one confusing thing for me is how removed Rhett is from all this emotionally, like he is not in sync with how Link feels, like it is not the best time of his life, and on one hand I am pretty sure it is because Rhett doesn’t want to jump off the plane yet and if it weren’t for Link wanting it that bad, he probably never would, but on the other hand it scares my selfish Rhink heart, as if this whole situation is just a Link thing and Rhett is just the supportive friend, you know what I mean? But it cannot be, right? This theory doesn’t agree with TLCOBC and Hazel and so many other symbolic things they have done. I was just confused when Link said he’s gotten this feedback from people that love him the most, not just Rhett. I guess or hope this meant family. But even Rhett looked confused with that lol
They wrap up this episode with Link inviting the viewers to write their thoughts he bets they have and Rhett mutters “Oh they do” but… judging from the comments they still don’t lol Or I am straight out imagining things at this point. I don’t know. As you see, I only used their words. So I really don’t know if everyone is so deaf or I am so delusional.
As a last note, I would like to mention that Rhett has softened considerably by the end of the episode compared to the beginning. I should also point out how many times Rhett repeated he loves Link in this episode. He hit a personal record. Probably because it was a tough topic and he didn’t want Link to think he blames him. My favourite moment was when he said “I say this in love” instead of “I say this with love”. Heh. And Link clearly blinked or turned to him every time. Sweet.
If Rhett (or Christy or some other friend) doesn't actually want to be Link's caretaker at events, they should just stop doing it. If Link offends someone, that person tends to speak up, and Link will apologize or explain his thought process on his own. He's proven this MULTIPLE times on GMM. Like when he put his foot in it with Emily about her snake skin shoes. He couldn't stop thinking about how he may have hurt her feelings and tried to make it right.
But even when he does apologize, Rhett will harp on about Link's faux pas. He does not know how to let things go, so even if Link makes a mistake, Rhett makes them bigger and more embarrassing than they have to be. He doesn't want Link to rely on him to be his social compass but at the same time, he very much does. Rhett feels more correct and sure of himself when Link is in the wrong and unsure of himself.
I know people love Rhett, but this man still has issues a mile long despite therapy. Control is one of his biggest. Link has control issues, but they're ones mostly relating to himself and his own environment (keeping it something he can feel safe in like driving, or keeping a regimented schedule, or having things opened or closed in a certain way).
Rhett, and I know this will sound terrible but if you've lived with someone like him you can recognize it, is more of an emotional/mental control sort of guy. Link's brain operates in a completely different way from his. He's endlessly fascinated, but also angered by this. He wants to understand Link completely. The way Link reacts to things will always be unpredictable though. His emotions fly to extremes quickly so Rhett always feels like he's playing catch up, and if he can't catch up to them, he asks other people around them to take a look at Link's emotions or behaviors and points out how strange they are (which is quite sh*tty in my personal opinion).
Rhett needs to learn how to listen more, stop being so condescending of people who make mistakes, as well as accept people will react differently than him, as well as back off and let Link make and handle his own mistakes. He likes and dislikes stepping in for Link, and Link both likes and dislikes people coming to his rescue. Link would probably stop creating wild situations if people would stop stepping in for him before he can learn his own lessons and correct the behavior in that moment. He's been babied a lot and the only thing to curb that is for the people in his life to stop babying him or showing extreme reactions to his behavior. (Like when a kid falls and you act like it's some major event, they will cry or keep falling to keep getting your attention)
And if he's neurodivergent, people need to find a different way of explaining emotions or his behaviors to him than telling him he's being a burden to their own enjoyment. Cause that just makes him defensive and emotional.
Another cause of contention between Rhett and Link is they don't hear words in the same way. One will say something completely innocuous, next thing you know, the other is flying off the handle. They crave time together but are massively different people and while they acknowledge that, one of their biggest issues is expecting the other to react the way they do and having trouble accepting when the other will not.
I'm rambling at this point 😅 humans are fascinating
Link trying to be funny and cute by hiding the pickle behind Rhett's seat. Rhett not knowing how to let things go and unaware of how condescending his tone is when he says "I thought you'd do something smart-"
🙄
I love watching GMM, but the way Rhett talks to people sometimes gets on my nerves.
Reminds me of how his kids said that one of his phrases that stood out to them was "I didn't think you were a moron." His words are hurtful and he may get silly reactions from his kids now, but there's no way it didn't hurt them at some point. Wonder if this is how his father spoke to him as well.
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Me, a Greek, in whose language agape means love: Dudes you are not making this easy for me
But I suppose as ex-Christians they might know this one.
Of course it’s not just “Christian” love, it’s love, period. Anyway, not going anywhere with this, as the word makes perfect sense without Greek subtext lol, it’s just how the RandL universe is not making it easy for me lately 😂
There's nothing Rhett loves more than Link needing him
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It has always been one story
The last days I have been making some analyses based on Rhett and Link’s latest video “We Dug a Medium-sized Hole”. My realisation of what I have been explaining there led me to a new surge of excitement when watching their content. I have talked before about how much I like Hazel but to be precise I never watched the TikTok videos, I had only listened to the two versions of the song, which is certainly the best song they have written and performed so far in their career in my opinion. So a few days ago, my YouTube feed actually suggested the Hazel videos to me and, as I have been in this new RandL surge, I thought “why not”. I thought it will be fun and creepy, and it was, but once again I wasn’t ready for the hammer of realisation that fell right on my forehead. You see, being freshly out of my We Dug a Hole analyses, I noticed a load of similarities between the two. But even more importantly, I noticed numerous similarities between Hazel and the Lost Causes of Bleak Creek. In fact, what I mean by “numerous similarities” is that they are all essentially the same story, and the only thing that changes are the settings, the side characters and other secondary elements. So if this is the case, Rhett and Link have been telling one story again and again for quite some time and, in their words, have been somewhat disappointed at the reaction they did (not) receive from the viewers (Hazel), their difficulty to promote their story in other media (Bleak Creek) and now their decision to not have expectations so that they won’t get disappointed again (Digging a hole). But let’s say a few words for each of these major projects.
We Dug a Medium-sized Hole
Let’s start from the last one, which is also the smallest and most superficial project. It is a humorous video with a prepared song and a predetermined concept which is supposedly unscripted. I analysed it in excruciating detail a few days ago so I will just give you links to my posts “They Dug A Hole” and “The ‘We Dug A Hole’ Discussion”, which I would recommend because they will help make this post much clearer as well. Anyway, to summarise, here’s what goes down: Rhett and Link agree to dig a medium sized hole without examining this agreement and intent thoroughly and carefully enough to see if they are on the same page fully. They slowly get the hang of this, Link becomes very invested and loses control entirely. Rhett panics and tries to help Link get back to his senses and establish control between them again. Yet, if you remember this part from the “They Dug A Hole” post,
well, it had intrigued me then but it actually proved to be unexpectedly significant for real! Despite Rhett being the one who tries to establish control in the hole-digging process, soon he is the one to fall back into it the hardest. True enough, the second time it’s Rhett we see running the excavator. There are no other characters in the video, except for the mole who supports them but is accidentally killed. Rhett and Link have revealed this is the first of a series of similar videos (and songs, perhaps).
The Lost Causes of Bleak Creek
If you haven’t read their novel yet, well this is simply the best thing they have made so far and I definitely recommend it. I have always found it curious how little tumblr fans speak of TLCOBC, especially since it is RAGING with innuendo and symbolism that is not even subtle. I will give the story in very broad terms, however there are going to be some strong spoilers here because I don’t have another way to prove my point. Be warned. Of course here we have a different setting and the main characters are preteens. The setting is a dark twist of Rhett and Link’s actual childhood. Their small town with its extremely puritan, conservative community. The book has many characters but once again there is only one more character that can be considered as “main”, Alicia Boykins, their female best friend with whom they are secretly both in love. Well scratch that off, there is also Janine who is important, she is clearly Stevie’s character. But anyway. Rhett and Link have implied in a Mythicon that Alicia is a symbolic character who represents “their ideal selves”, “who they wanted to be”. So in short Rex, Leif and Alicia is a trio of best friends who live in this small Christian town hiding a dark secret. Leif falls in love with Alicia first and more profoundly, Rex a little later. Alicia is kidnapped and sent unfairly to a notorious reformatory school. Rex and Leif agree to save her but the whole plan goes wrong and Leif falls in a trap, in a very dark, deep and hopeless place, where Alicia also is, where you lose memory and the sense of self. (Won’t spoil more.) Rex returns to his town in utter panic and frustration and creates a master plan to rescue Leif. After a lot of allegories and adventures, Rex dives in the dark deep place and saves Leif (in a very romantic way btw). Alicia is rescued too. They confront the evil guys who control the reformatory school. They resume their peaceful life in their town. The book ends in a cliffhanger where Alicia sees something while bicycling that is a major sign that the cult / curse / that thing that was going on there is not defeated. So here we have as common themes: Link losing control because of how invested he was (in Alicia), Rhett panicking and trying to save him and correct the situation, and another main character who is a mysterious symbolism. It’s a little hard to be certain of what Alicia exactly symbolises, just like it is the case with the mole. What we don’t see in TLCOBC is Rex being the one to fall in deep the second time, but I bet this is the intended plot for the second book.
Hazel Macon
I watched this video a few days ago for the first time. Hazel is a fantastic project Rhett and Link came up with but the platform they chose to execute it on originally (TikTok) literally executed its chances for success. I will explain this in more detail. Rhett and Link promoted Hazel to the unaware GMM viewers by saying they were pulling an all-nighter to compose a song with their fans through TikTok. So they overestimated how many would go to TikTok for that. However, for those fans who signed up for this, they had already prepared a short movie separated in short bits, being uploaded gradually, telling a very creepy story. Here’s the plot: Rhett and Link start their all-nighter in the Creative House by uploading videos on TikTok. In order to get some ideas for their new song, they randomly choose the album Yearning by Hazel Macon. Link is confused because he does not remember this album, although Rhett argues confidently it’s Link’s and he acquired it in GMM (true). They play it and it is a haunting song of a girl wandering lost in a forest (as also evident on the album cover), waiting for someone to play her song, so she can be set free. They both hear whispering in the song and they figure it is backmasking (messages recorded backwards) so Rhett plays the record backwards to decode the message, to Link’s discomfort. Rhett says the message is there for a reason and he mockingly parallels it to satanic subliminal messages. He hears “I just want out. Just open the door. It’s been so, so long. I feel so lost. “ (Needless to say, this is in the official song obviously too.) Meanwhile, dead birds (crows) fall on their doors and windows every time they try to get out of the house. As they listen to the secret messages of the song, the girl vanishes from the album cover and they hear her singing from the back of the house. Scared to death, they see her emerge from the middle room (👀) . They try to hide in the kitchen where Link attempts to say something final and heavy with meaning to Rhett in case they die, but Hazel appears behind him and touches him causing him to fall into shock. She vanishes. Rhett stops playing the record but Link is now in a dead-inside state, the video suggesting Hazel is now inside him. Rhett roams the house but there is no way out as birds fall on every door. In a moment that Link escapes Rhett’s notice, Hazel reappears, turns Link into Harlan Macon, a reserved southern dude coming straight from the 1900s, and leads him to the middle room. Rhett follows in panic but there is nothing there when he opens the door. The Yearning album cover has changed and now it’s both Hazel and Link on the cover and on the record singing. Rhett in despair realises that he will have to play the record again, open the portal, find Link and save him (again, like in TLCOBC, see the trope?). As Rhett walks towards the door listening to Link’s voice from somewhere deep, he says “I don’t know if he can come out. I don’t think I want to go in there but I think I am gonna have to go in there”. This time when he opens the door to the middle room, it is an opening to a forest during a very dense night. It has a claustrophobic feel. Long story short, Hazel attacks him and turns him to Hardy Macon. However, when Hardy meets Harlan (Link), Harlan is “way too deep”, in Rhett’s words, he doesn’t recognise Rhett and he has assumed a different personality. Hardy!Rhett orders Harlan!Link to follow him, he bumps Hazel with a fallen branch, finds the door of the middle room and saves them both. Rhett immediately stops the record and Link returns to his normal self but has no memory of any of this. The album now has only Hazel on it again. Rhett tries frantically to get rid of the “Yearning” album but the “Yearning” album proves to be indestructible. It does not break, it does not melt and when he tosses it in the yard, it comes back.
Then there is a hilarious joke which Link now films; that Rhett is locked in the toilet for way too long, and Link thinks Rhett has shitted himself (however I bet the implied joke is that he was trying to wank it out, as a last resort solution to deal with Yearning). Link then explains to the fans how he still doesn’t remember the Yearning album and hypothesises that Rhett must have brought it earlier to him and ruined their entire evening. Link concludes that if he plays the record backwards again, he will decipher the message and be done with it. Rhett screams from the toilet but it’s too late. Hazel reappears and turns him to Hardy again. When Hazel and Hardy appear to Link again, the camera drops from his hands. The album which had turned to have Hazel and Rhett on the cover and record once Link started playing it again, now morphs into having Rhett and Link together, implying that they now both are lost in those woods with no way out. An unknown hand turns the record to play the normal version, by the Macon Brothers.
Notes and conclusions:
* It is important to note that all of these projects have an either neutral or bad ending. The most neutral one is the digging a hole one, where they have succeeded in making a medium hole but there is also the unintended massive hole behind them, which they choose to ignore. TLCOBC has a fake happy or ominous ending, as the threatening sign appears just when everything seems to be working out well. Hazel is dark and ends in melancholic despair - Rhett and Link remain trapped in that ominous forest hiding in the middle room of their house. These are not happy stories even though all feature Rhett and Link’s light humour (the fork in Hazel came to mind, this joke gets me every time).
* Alicia and Hazel clearly stand for the same or a very similar symbolism. They likely are the personification of yearning, of confronting the truth openly, of being free, as Rhett said Alicia was an allegory for who they truly wanted to be. In two of the projects, they are trapped female entities, whose steps Link follows.
* All of the projects were meant to be part of a series. The book ended in a cliffhanger. Rhett and Link had revealed in their EB for Hazel that they had more scenarios prepared to execute in the same way. Alas, this podcast was filmed before Hazel aired and apparently they were very disheartened by Hazel’s failure. Imagine all that I described, it didn’t take more than 76,000 views in TikTok and most video bits only made like 11,000 views, which must have been a stab in the heart. Ironically, they later uploaded the whole thing on YouTube, and it now has half a million. I mean it’s still not as much as expected for this type of production, but it’s better than the 70,000. In any case the moment was lost then. Now they return with the hole digging which they announced it is the first in a series of similar videos coming. They emphasised how they were determined to ignore the views this time, and even though they did not mention Hazel, I believe the concept is connected directly to the concept of the Hazel video series, postponed for two years after their disappointment. The videos tell the same story, accompanied by a song, but in totally opposite styles.
* Settings, secondary elements and characters vary - the main plot remains the same always in at least 2/3 of the projects at any moment. For whatever reason each time, Rhett and Link decide to do something that unexpectedly makes them vulnerable to a truth they either had not realised or hid well within themselves. Link is seduced or trapped by this truth and falls deeper and deeper, there is always this trope of him falling in deep, either because he wants to or because he has no choice. Link reaches a desperate, helpless state and Rhett realises that he will have to help him out of the situation. Rhett is always very scared and very panicked but in every version he is determined to bring back Link or bring him back to his senses or save him. Rhett struggles and he gets into this dark zone or loses himself in this seductive trap momentarily in order to get Link back. However, he succeeds. They are both back to normal, figuring things out properly. The success is short-lived as Rhett eventually realises he is in fact trapped in way too deep as well, that he is trying to fight something he cannot defeat. The moment he realises this, Link relapses again soon too. This of course is given in a very cheerful, carefree way in the digging video while the plot in the book doesn’t reach the moment of Rhett’s defeat yet.
* The traps in all projects share some common characteristics: the bright sun doesn’t make it clear at first but a hole in the desert is still a hole in the desert. The bigger and deeper it is, the harder it gets to escape it and beneath it there is just darkness and dirt. The forest in Hazel is accessed through a portal to the Creative House’s middle room, it is dark, dense, quiet and claustrophobic. The trap in the Lost Causes is the most mystical, underwater and deep and with other dangers looming as well. Another common element in the last two is the memory loss and losing the sense of self or consciousness.
* Does religion have anything to do with all this? Yes, lots. Is religion the only thing that has to do with all this? No…
* On a lighter note, the Hazel song slaps! It is so good that it is haunting even when played backwards!
* On a heavier note, I was already convinced Rhett and Link are hiding a message in all these projects. I am still not sure however, whether they want this message to be decoded by people or they just make it in order to vent, to get the sensation they escape for a bit the walls of the room, the house, the trap. Hazel is perhaps the boldest of the projects (although the innuendos in TLCOBC are the most glaring) as a main plot because Rhett himself in the video brings awareness into the fact that their song has a hidden, forbidden message that subtextually yearns to be heard.
PS. Just to lighten the mood
Even their Buddy System stories have some similarities. Link's character is always written to need Rhett in some capacity and while Link may come to the rescue once or twice, Rhett always likes his heroic moments for Link to be bigger. Link tends to be feminized (booty shorts, a womano in the nougat skit) and pursued by a female character he ends up discarding for his 'friendship' with Rhett.
It sort of reminds me of the fanfics I used to write before I started to see myself clearly. One character would struggle with religion vs sexuality, trying to live their own life vs their family's, desiring romance but not sex, most ending in my romanticized version of a HEA.
Despite them talking about how much they look into themselves, I feel like we get some of their more honest conversations in these sorts of contents. They have their friendship on a pedestal and consider it greater than romantic/sexual since there is a romance within their friendship in how they tell stories about it and their gestures for each other.
tikxy reblogged
LTAT Link Looks
His mannerisms suit drag so much, the way he tilts his head when he laughs, the way he moves his hands
My favorite thing they do is when Rhett starts poking Link and Link says "stop, stop, stop" for each poke with that big smile on his face
I really hate the food service worker skits between food delivery to Rhett & Link's desk with a passion. I hate Cotton Candy Randy. The characters for the stadium episodes are annoying. I didn't mind when they brought the crew in to play the foreign game episode or catch a fish with granddad, but anytime they're on doing skit voices and actions etc, I can barely get through the episode.
Just when I'm about to hop out of GMM, they release the classic nonsense I got in for. I love the Medium Hole vid
Rhett hunter and Link berry gatherer. What role play is he considering now