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I envy you the valley that you've found

@akintodenial / akintodenial.tumblr.com

Nath - MA Byzantine Studies in London. 21. This blog has Byzantine icons, folk music and beat poetry. It's a nice mix if you're like me; handsome, talented and secretly longing for death. Just whispering to myself so I can't pretend that I don't know. I sit in a lot of libraries.
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Let me be your son I cried,

To hospital gowns and tubes and lights

And the shrinking man that all my life had been strong.

Through mask and visor and gloves and stuffed up

In a deadly mess. He was my Dad.

Yet I was losing him. Have lost him now.

To lies, and happy birthdays, and untested inpatients and lies.

Days, turn to weeks, and months and years and still I

Can’t do more than return to that room

That shitty. Little. room.

In which I begged him not to die

Not to die

Not to die

Not to die

I will bury you in fifteen years not fifteen days,

I pleaded and bargained.

we bought him three months.

I still don’t know if we did right

And he died apologising

To me. To his son.

My sister collapsed in the hallway.

Alarms screaming.

Doctors rushing to her

If you collapse in hospital people help you fast someone should spread the word

My father dying in one room. Ruth unconscious on a stretcher.

She is wheeled in one way, he is slipping away another

Head spinning and crying and reeling and crying and losing and losing and losing them both

‘What do I do?’

I wanted to be goodness.

To be

More than the model

To wander to more than I was due.

To reverse death

i lost.

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When we took Shakespeare’s “Measure for Measure” into a maximum security woman’s prison on the West Side…there’s a scene there where a young woman is told by a very powerful official that “If you sleep with me, I will pardon your brother. And if you don’t sleep with me, I’ll execute him.” And he leaves the stage. And this character, Isabel, turned out to the audience and said: “To whom should I complain?” And a woman in the audience shouted: “The Police!” And then she looked right at that woman and said: “If I did relate this, who would believe me?” And the woman answered back, “No one, girl.” And it was astonishing because not only was it an amazing sense of connection between the audience and the actress, but you also realized that this was a kind of an historical lesson in theater reception. That’s what must have happened at The Globe. These soliloquies were not simply monologues that people spoke, they were call and response to the audience. And you realized that vibrancy, that that sense of connectedness is not only what makes theater great in prisons, it’s what makes theater great, period.

-Oskar Eustis on ArtBeat Nation (he told the same story on Charlie Rose)

Source: azpbs.org
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istmos

from “Andrei Rublev”, 1966, dir. by Andrei Tarkovsky

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two wrongs don’t make a right but 24 rites make one holy catholic and apostolic church

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When you’re downed in a match and your teammates won’t revive you:

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Steel panther feet. Along with a couple of snaps of the women on stage. They called the females in the crowd for 17 girls in a row and I swear Heath and safety were having kittens.

Excellent performance and highly entertaining some breast flashing and one guy got his cock out in the crowd. 😂

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