Carnelian stamp seal featuring a kitty, Minoan, 1900-1600 BC
from The Metropolitan Museum of Art
The production value here is off the charts but this is also literally just what it feels like to play Uno.
legendaryjay_ on TikTok
Erik Olson (Canadian, b. 1982, Calgary, Alberta, Canada) - Tigers in the Night, 2011, Paintings: Oil on Canvas
arge octopus floor mosaic at Gumalimba Park, Roatan, Honduras
PARAMORE Austin City Limits, 2022
The transition from innate human kindness wanting to pass something forward and monkey brain want make chaos is really sharp and sudden.
dark green is a nice color. underrated
ladies and gentlemen, Phtalo Green
This is literally my favorite color. 😩 Smaragd green is another dark shade of green that I’m absolutely obsessed with.
one day i will be recognized for my contributions
this looks like a poster for Grease
When I die someday, whether that's tomorrow or in ninety years, I'll die peacefully knowing that I fulfilled my life's work.
Which was getting strangers horny on the internet using lovingly written, highly personal AO3 smut that I handcrafted myself and kissed on the forehead before I sent it out into the world.
That's what I was put on this earth to do.
Avoid sci-hub too👀
Also, everyone seems to forget this, but if you’re in college, CHECK YOU LIBRARY’S WEBSITE. they usually have access to a ton of journals. Sometimes a site that says you don’t have access will work if you access it through your school’s library website.
XENA: WARRIOR PRINCESS (1995–2001)
Let’s go on a vacation, just the two of us. Anywhere you want.
WONDER BAR (1934) | dir. Lloyd Bacon
“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”
Here is the actual clip, and let me tell you, Jolson’s delivery does not disappoint: