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Exploring Printing History at the Newberry Library

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A project supported by the CLIR Cataloging Hidden Special Collections and Archives program
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About these beauties:

-Hand-printed posters composed of wood type, manufactured by the Hamilton Manufacturing Co.;

-letterpress printed on a Vandercook printing press using foundry and wood type;

-created during the summer of 2014 for an exhibition at the Haley Gallery at the Country Music Hall of Fame in Nashville, TN.

Bee, Small Beetle and Snail are part of the Hamilton Wood Type & Printing Museum collection.

Title: Letterbugs

Artist: William Moran, 1962-

Newberry call number: Wing broadside ZPP 2083 .M675

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Top:

Illustrated by artist John Averill. The 1937 exhibition was presented by R.R. Donnelley & Sons Company in cooperation with the Art Directors Club of New York at the Lakeside Press Galleries.

Bottom:

1929-1930 Christmas and New Year card from the Lakeside Press.

The Lakeside Press was the printing firm of the R.R. Donnelley & Sons Company, where Chicago designer and typographer Burton Cherry began his career. Starting as a journeyman compositor and production operator, Cherry eventually worked as a designer under William A. Kittredge.

Newberry call number: Case Wing folio ZC 1 .183

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1956 advertisement for Artype transparent, self-adhering acetate sheets featuring hand-lettered alphabets (”actual type faces [...] selected by master typographers and designers”), numbers, reference letters, arrows, symbols, borders, and more in a range of styles and sizes.

Newberry call number: Case Wing folio ZC 1 .183

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This Spanish translation of Lucian Deslinières Comment se réalisera le socialisme (1919) is from 1937. The publisher, Editorial Marxista, was founded in 1936 by the P.O.U.M (Partido Obrero de Unificación Marxista), one of the many factions in the Spanish Civil War. Editorial Marxista would last only 11 months but was prolific in its short life, producing dozens of Marxist classics and more than fifty different pamphlets, many of which were translations - like this one. In June of 1937, the Communist police seized the offices of the POUM and Editorial Marxista, destroying any EM material they found. Those items that remain have historical as well as intellectual value to historians of the Spanish Civil War and Marxist intellectual thought.

Newberry call number: Wing ZP 940 .E49

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Christeliicken waerseggher, illustrated by Cornelis Galle and printed by Jan Moretus, is a 1603 Dutch translation of the well-known emblem book, Veridicus Christianus by the Jesuit Father Jan David. An emblem is essentially a picture used to portray an idea or teach a lesson, in this case religious or moral, and is usually accompanied by a motto and verse (here the motto is in Latin on top of the image and verse in Latin, Dutch, and French on bottom). One image shows different interpretations of the crucifixion portrayed by artists (including one heretical portrait being painted of a demon on the bottom left). The last image is of a man’s head seen as a house warning the viewer of the risks of opening one’s senses to temptation (”greedy prying eyes”). In the background is Eve with an apple (letter A), David watching Bathsheba in the bath (letter B), and Lot’s wife just before turning into a pillar of salt with Sodom in the background (letter F).

Newberry call number: Wing ZP 6465 .P675

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“Who is she that sitteth in the shrine of the temple of Bacchus?”  

Well, “The Barmaid”, of course.

Illustration and text from Gavarni in London: sketches of life and character.

Artist: Paul Gavarni

Illustrator: John Gilbert (1817-1897)

Engraver: Henry Vizetelly (1820-1894)

Publisher: David Bogue (1852-1897, London)

Printer: Vizetelly Brothers & Co. (London)

Newberry call number: Wing ZP 845 .G384

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