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Es difícil ser astronauta 🚀⭐

@justanotherheartlessbitch / justanotherheartlessbitch.tumblr.com

"Diego: Papá, cuando eras chico ¿Qué querías ser cuando grande? Armando: La verdad es que siempre estuve indeciso entre ser Leonardo da Vinci o payaso de circo. Supongo que por eso me volví dibujante de historietas."
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stsebastiens

finding out there's a frankenstein ballet and that it was in october of last year…DEVASTATING

look at this. look at these. im foaming at the mouth

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kaijutegu

It was stupid good. So good in fact that the bbc filmed a version and put it on dvd when it debuted. I bought that dvd after I saw the show and put it up on the Internet Archive. The audio is not great but the dancing is spectacular. Ever see a pas de deux around an anatomical dissection? You will.

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cloverture

there’s a website where you put in two musicians/artists and it makes a playlist that slowly transitions from one musician’s style of music to the other’s

lady gaga -> napalm death takes a weird detour through epic rap battles of history

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lordpudi

This is actually really useful for finding music that’s in between genres that I wouldn’t know to look for.

This has nothing to do with books but it’s COOL

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lyrslair

I feel like this could be useful for trying to slowly pull yourself away from your depression music to something more uplifting without it being jarring…

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fenmere
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yukipri

Wanted to say Glaze 2.0 is AMAZING.

What took 30 mins+ before, took me THREE MINUTES last night. WITH my other programs still running.

For folks who tried Glaze but haven't been using it due to glazing time, give 2.0 a chance!

I've heard that other folks have had it taking the same time/longer, but the quality is so much better. Your settings will determine the outcome, but it's definitely a huge improvement over the initial release version.

This update was super sexy of the Glaze Project. You can download the updated version from their site HERE!

(You should also use in conjunction with Nightshade!)

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WONDER BAR (1934) | dir. Lloyd Bacon

“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”
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amarguerite

Here is the actual clip, and let me tell you, Jolson’s delivery does not disappoint:

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lucidloving
Girlpool—Before the World Was Big // memorial bench quoting Toni Morrison's Sula // @inanotherunivrse // Iain S. Thomas, I Wrote This For You // Zadie Smith, Swing Time // Fall Out Boy—The Kids Aren't Alright // Audrey Emmett // Mikko Harvey, "For M" // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) // Langston Hughes, "Poem"
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“Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘What do I care if there is a summer; its warmth is no help to me now.’ Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.”

— Vincent Van Gogh

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notthegrouch
“If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning.” 

- Vincent van Gogh

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