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Slowly putting myself back together

@poodinsdrawww / poodinsdrawww.tumblr.com

Caroline · VFX artist, illustrator · 29 · Denver, CO
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Sooooo haven't posted in forever

I've gone through a lot of changes with my hair, but my most recent one ended up giving me me the pinkish milk tea color I was hoping for

Inadvertently, I realized my hair resembles the way Armand's from the Vampire Chronicles is described

Heavy heavy photo edits, but I tried to make the levels closer to marble-y looking, Anne Rice's Armand vibes

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#Inktober Day 4: Spell

Magic lessons! But where is the *real* spell being cast?? Fufufu~~*

Not any particular Harry Potter characters, just a couple of students. I decided to save myself the tiniest bit if stress and leave their uniforms/robes and the background relatively simple.

Used #FaberCastell shading pens, in addition to #SacuraMicron and #Helix #ink pens.

#inktober2018 #Hogwarts #magicschool #originalcharacters #magic #HarryPotter

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#Inktober Day 3: Roasted

It was only a matter of time before Sailor Moon became a part of this. And I know roasting #sweetpotatoes is more traditionally a #winter activity for #Japan, I'm just trying to stay away from any pieces that are TOO graphic with this challenge. Plus, the scene from the S movie is one of my favorites with the girls.

Used #FaberCastell shading pens, in addition to #SacuraMicron and #Helix #ink pens.

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#inktober2018 #SailorMoon #SailorMars #SailorMercury #SailorMoonFanart #AmiMizuno #ReiHino #UsagiTsukino

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#Inktober Day 1: Poison

Not completely satisfied with this one, but it's only the first day, and I knew I'd be rusty - used #FaberCastell shading pens in addition to #ink pens.

She came out unintentionally coming out a bit like #Naru/Molly from #SailorMoon, but that's ok. Might scan a copy tomorrow. #inktober2018

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once upon a time young young teenage me used to write fan fiction like my life depended on it, new fics every week and I had no idea there was someone out there printing out my fics and putting them in a box to read when they needed something to cheer them up

anyways fast forward to 20 year old me on my third date with Emily and she mentions offhand that she’s got this box of fic she printed out and saved

it’s a few months later after that and she shows me one of the fics in the box and holy shit that’s my garbage fic from so long ago

anyways my point is life is a fucking trip my dude

i still remember when we found this out. i don’t think either of us stopped yelling for hours

look it’s been eight years and I’m still like LMAO I MARRIED A FAN

This is the cutest thing I’ve ever read in my whole life

; w ; omg…I would yell for hours, too.

Ok, I’ll say it, low key felt this way a little bit when I found out you had already seen my IwtV/VC rage comic before I found your blog. >>; Many warms, much fuzzies.

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Five animated shorts for five female animation pioneers

 For this year’s Annency animation festival, the students at Gobelins made five 1-minute animations to honor five female animation pioneers.

They’re all phenomenal. If you have five minutes, please watch each of them. Warning: some hit HARD.

Mary Blair (1911-1978)

Worked for Ub Iwerks, MGM, and eventually Disney. Known for creating incredibly vibrant watercolors, which clashed with the studio aesthetic at the time. Disney eventually let her loose, and her aesthetic can be strongly seen in Cinderella, Peter Pan, and especially Alice in Wonderland.

Evelyn Lambart (1914-1999)

Hearing-impaired Canadian animator who worked with Norman McLaren on several pieces that the Canadian government would later declare masterworks. She directed her own films, making her one of the first women in animation to take the director’s chair. She was known for scratching up film stock to create “jazz” like patterns, the sort of thing you’d later see in Fantasia, Donald in Mathmagic Land, and the like.

Lotte Reininger (1899-1981)

German director who created the technique of silhouette animation, preceding Disney by 10 years. Started out making titles for movies and moved on to make her own animated feature, The Adventures of Prince Achmed, in 1926! As for the rest of her career, well - watch the short.

Claire Parker (1906-1981)

Created the “pinscreen” animation technique, where 240,000 tiny metal rods were manually manipulated in and out of a board in order to create an animation – think tweaking pixels by hand. She and she alone owned the patent on it.

Alison de Vere (1927-2001)

One of the first women to work in British animation, and was design director for The Yellow Submarine. She went on to create many animated shorts at a commercial studio, winning prizes for virtually almost every single one of them. She is often credited as Britain’s first female animation auteur. 

(much credit must go to cartoonbrew for posting about this in the first place - thanks, y’all!)

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grizandnorm

Tuesday Tips - Floating Hands I use this a lot when storyboarding a first pass of a sequence. Placing hands in the right, most appealing position can be tricky. In order to create a clear silhouette for the hands, I often draw them “floating in the air”. Then, using my general knowledge of anatomy, I just “fill in the arms”. This way I can create a much more expressive and clear pose than if I was just radiating out of the torso. That’s when structure and anatomy can get in the way of a clear message. And hands carry a lot of meaning, so I want to make them as clear as possible  for my audience to see them. I would say the same applies to life drawing. Since they often don’t carry the body weight (legs most often do), I feel like i can take the freedom of changing their position slightly to make a better visual statement. -n

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amaipetisu

A few tips everybody should consider. I’ve experienced all those and some more. I’m not good at english but I hope you get it. Go and support some artists out there and let them draw you nice shit. Not as nice as FairyNekoDesu but still will be cool so give them a chance and you’ll be surprised.

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shadyfolk

THIIIIS.

All of these things.

Especially the deadline. If you don’t have a deadline thats way in advanced it’s not gonna get done by then. I am almost always taking on a ton of projects at once and sometimes need a break from it to: work on stuff for me, work on stuff for friends, search for jobs, be the work slave of parents, actually relax and try to relief stress, technical difficulties, researching on how to do stuff, ect.

Sometimes it’s done in a day. Sometimes it’s done literally a year later. But I always update the people I work with so they know I haven’t forgotten.

Do NOT rush your commissioner. Let them work at their pace and it will be worth it. Rushing them insures a rush job which will very likely make the quality decline.

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What have I done.

Inspired by this post by i-want-my-iwtv. This was a lot of fun to draw! I probably spent more time on this than I should have, but hey! I got in some drawing practice in Photoshop on my tablet, and practice in a style I don’t usually draw in, and practice drawing western historical fashion. :D

Source: poodins
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Some good commentary on the Animation Oscar this year. This highlights one of my main issues, I’m not inherently mad that these Disney films have won any sort of award at all by themselves, I’m frustrated over the fact that these films are winning over 

Persepolis, Fantastic Mr Fox, Ernest and Celestine, The Wind Rises, HTTYD 2, Song of the Sea ect.  

This is what I meant when I said, "reminder why bh6 won over kaguya and song of the sea" I didn’t mean BH6 what the worst movie I’ve ever seen in my life or that I think Kaguya and Song of the Sea are flawless. As said above, these mainstream awards don’t "even recognize all the amazing films that weren’t even nominated because of the Academy’s limited viewpoint on animated art". When these films are acknowledged they are usually treated terribly, often like by being animated and not being made my Disney the films are automatically some sort of knockoff not worth seeing

In order for change to occur we can’t just sit here and passively let it happen. If we do this years tale of blatant disrespect and last years will just keep repeating. Say something and spread the proof

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$10-$20 Base Price Commissions!! Digital or traditional!!

Hey guys! I'm looking to do some simpler commissions for anyone who wants one! I work freelance for the visual effects/post-production company I'm employed by, and the amount of work they have available for me has been much, much lighter than normal, lately - so I am pretty strapped for cash! For that reason, I'm also gonna ask anyone who doesn't have the means to get a piece done by me to please signal boost my post if you can (and hey, if you can't, that's ok, too :]). It would truly mean a lot to me!

Further pricing info below cut!

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Black History Month!

My favorite parts of history (as might be obvious from my choice of subject matter when making books) are the ones that fall into easily-categorized genres, genres with associated visual iconographies. This is the sort of stuff I loved as a kid: pirates, knights, cowboys, explorers, romans and Egyptians and flying aces. Stuff you could find featured in a bag of toys or a generic costume. For Black History Month, I thought I might visit some of these adventure-leaning periods and pick a few historic black people from those eras to draw, just for fun. If you’re doing a project or report in school this month, you could do worse than to tackle one of these toughies.  Feel free to share some of these with youngsters that you know.  And call them youngsters, they LOVE that.

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IF YOUR ART GETS STOLEN

https://www.tumblr.com/dmca Go there, and do as the instructions say. When my art was stolen, I got the post reported, and it was taken down. Don’t worry, it doesn’t just take down the sources post, but it takes down all the reblogged posts too. Please give this a reblog, many artists out there may not know this is here. And remember, ask permission before sharing, or don’t post it.

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