How I Approach Color
I got this sweet message with some very real questions about color! Here is where I try to answer:
Looking at the following pieces, you’ll notice (at the core) it’s an interplay between warm/cool, complimentary colors, or primary colors. Here’s that in order:
But of course there’s a lot more happening than these fundamentals. At least, that’s what it looks like. But really I’m just repeating the same principles of warm/cool, complimentary, and primary colors (color theory) in smaller, more hushed ways throughout the whole painting! This makes it harmonious, but interesting! Let me explain and show through deconstruction:
1. Basic division of primary colors:
2. Smaller divisions of primary colors:
3. Smaller divisions of primary-color-relationships (it just keeps happening):
At the core, we are repeating the same core principle of contrasting primary colors, but with varying degrees of contrast and subtlety as we add more detail.
Indulging in the midtones:
Everyone’s all about those highlights and shadows, but great color treats the midtones just as lovingly. In this piece, you’ll notice bits of what seems to be blues/purples within all the green foliage:
Really, if you color-dropped them, it is just grey. The simplest way to tap into these greys is to just move your color pick to the left and a few degrees towards it’s complimentary color. Now dapple it all over the leaves and rocks and forms! See what it does to your piece.
Midtones aren’t as explicit, but they are certainly felt. It can differentiate mature color to immature color, goodness to greatness, etc. Do allow yourself permission to camp out here longer!
Final:
There’ a whole other half to color that says, “Well, why did you choose to make the sky teal with yellow? Why is the sunset purple this time, etc?” This is all your feelings, your intuitions, your personality, your intention, etc. It really is the large majority of why you choose a color.
It is just as important as the technical stuff, but I can’t really teach you to have a certain taste. I can just urge you to not neglect this part about color (all the FEELS) because otherwise things will turn out hollow. Allow yourself permission to care about the feelings and the technical stuff, don’t shame one over the other, and appreciate the growth in both.
I can only encourage you to keep actualizing your tastes and personality through your art. Repeatedly. This will become more clear and refined for you, and I’m sure you will notice it growing with you as well.
Thanks again for your sweetness and forcing me to reflect and come to my own thoughts about color!
Here are some other resources that say things in a way better than I could: