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@lastwordbeforetheend / lastwordbeforetheend.tumblr.com

terfs fuck off | any pronouns |
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fozmeadows

the older I get, the more the technological changes I've lived through as a millennial feel bizarre to me. we had computers in my primary school classroom; I first learned to type on a typewriter. I had a cellphone as a teenager, but still needed a physical train timetable. my parents listened to LP records when I was growing up; meanwhile, my childhood cassette tape collection became a CD collection, until I started downloading mp3s on kazaa over our 56k modem internet connection to play in winamp on my desktop computer, and now my laptop doesn't even have a disc tray. I used to save my word documents on floppy discs. I grew up using the rotary phone at my grandparents' house and our wall-connected landline; my mother's first cellphone was so big, we called it The Brick. I once took my desktop computer - monitor, tower and all - on the train to attend a LAN party at a friend's house where we had to connect to the internet with physical cables to play together, and where one friend's massive CRT monitor wouldn't fit on any available table. as kids, we used to make concertina caterpillars in class with the punctured and perforated paper strips that were left over whenever anything was printed on the room's dot matrix printer, which was outdated by the time I was in high school. VHS tapes became DVDs, and you could still rent both at the local video store when I was first married, but those shops all died out within the next six years. my facebook account predates the iphone camera - I used to carry around a separate digital camera and manually upload photos to the computer in order to post them; there are rolls of undeveloped film from my childhood still in envelopes from the chemist's in my childhood photo albums. I have a photo album from my wedding, but no physical albums of my child; by then, we were all posting online, and now that's a decade's worth of pictures I'd have to sort through manually in order to create one. there are video games I tell my son about but can't ever show him because the consoles they used to run on are all obsolete and the games were never remastered for the new ones that don't have the requisite backwards compatibility. I used to have a walkman for car trips as a kid; then I had a discman and a plastic hardshell case of CDs to carry around as a teenager; later, a friend gave my husband and I engraved matching ipods as a wedding present, and we used them both until they stopped working; now they're obsolete. today I texted my mother, who was born in 1950, a tiktok upload of an instructional video for girls from 1956 on how to look after their hair and nails and fold their clothes. my father was born four years after the invention of colour televison; he worked in radio and print journalism, and in the years before his health declined, even though he logically understood that newspapers existed online, he would clip out articles from the physical paper, put them in an envelope and mail them to me overseas if he wanted me to read them. and now I hold the world in a glass-faced rectangle, and I have access to everything and ownership of nothing, and everything I write online can potentially be wiped out at the drop of a hat by the ego of an idiot manchild billionaire. as a child, I wore a watch, but like most of my generation, I stopped when cellphones started telling us the time and they became redundant. now, my son wears a smartwatch so we can call him home from playing in the neighbourhood park, and there's a tanline on his wrist ike the one I haven't had since the age of fifteen. and I wonder: what will 2030 look like?

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tuulikki

My grandfather, who is 100, remembers his dad’s accountant doing math on an abacus. Now he texts me “<3” on his flip phone.

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A strange alien doctor stands near the unconscious body of Padme Amidala. “It appears she has lost the will to live.” A older man with a limp hobbles closer with the aid of a cane. “That’s the dumbest thing I’ve ever heard,” says Dr. Gregory House.

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gwenthebard

-Keeps Padme on life support despite DNR, somehow this ends in him getting punched by Obi-Wan

-Immediately starts putting her on every treatment known to man

-Walks over to Wilson’s office, which is the only part of the entire ship that just looks the same as it does in the show

-Homoerotically complains about how stupid Jedi are, then makes a bet with Wilson on whether Obi Wan is gay or the father of Padme’s twins (Wilson wants House to believe people can be faithful)

-Padme almost dies again. Turns out the treatment’s not working

-“if the dark side nearly killed her, maybe it can save her”

-House uses force lightning to restart Padme’s heart

-Gets brought into Cuddy’s office and told off for using an experimental treatment, and the power of the dark side, in her hospital

-House is taken off the case and foreman is put in charge of the case

-Padme is unexpectedly doing better, but Cuddy refuses to tell House or else he’ll be using the dark side to save all his patients

-House watches on as Wilson tries seducing a relieved Obi Wan while he paces in the lobby. Doesn’t seem to work

-House interrogates Obi Wan about his relationship with Padme, insinuates it’s Obi Wans Fault. Gets in a struggle and once theyre seperated it’s revealed he ripped out some beard hair

-Padme is getting released from the hospital but crashes again with obvious signs of infection. Everyone blames the dark side of the force

-is put in intensive care again, everyone thinks she’s going to die, House is brooding.

-House meets Bail Organa and talks to him, Bail mentions how he was so worried about her the last time she was in a hospital, and this seems much more hopeless

-“what time she was in the hospital?”

-House marches in as they’re about to pull the plug, rolling Padme’s unconcious body over to point at dark spot on the back of her neck

-Foreman looks disapointed, “it’s a bruise house, her husband nearly snapped her neck.”

-“Our princess’ boyfriend here failed to mentioned she was scratched by a Nexu on Genosis years ago. Nexu claws are known as a vicious poison.”

-“it would have killed her years ago”

-“unless a small chunk of claw stuck in her back, working into the muscles near the nape of her neck for years. The little prince of Darkness chokes her, pressure and muscles spasming lets it work into a blood vessel. It’s why the force lightning only was a bandaid, it vaporized what was in her bloodstream but broke up the rest of the claw and let it enter in her bloodstream. Start her on dialysis, she’ll be fine by tomorrow afternoon.”

-Next day Padme’s wheeled out of the hospital with her two children, bittersweetness. House watches from balcony before going back to his office

-Wilson enters with his shirt unbuttoned and a few bruises on his neck, declaring, “the Jedi is gay. I win.”

-House holds up a paternity test, “he’s bisexual, it’s a draw”

I’m HOWLING this is the funniest thing I’ve ever read

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Southern Comfort (2001)

A beautiful scene featuring transgender man Robert Eades and his transgender girlfriend Lola.

[TRANSCRIPT:

Robert: – and now she’s coming out, full blown… she is something else.

Lola: Oh, please, stop it.

Robert: What? I’m just telling her how wonderful you are, and how beautiful, and how organised, and…

Lola: Actually, you know, I really should put all of this on tape, you know? For when I’m not feeling so great.

Robert: Sweetheart, it is on tape. 

[BOTH LAUGH]

Robert: Just in the last couple of months now, it’s come on real strong, but she just really blushes! I can get her to blush all the way from head to toe. See? And she can’t deal with it! She’s never blushed like that before!

Lola: [SIGHS]

[BOTH LAUGH]

Robert: All my life, I’ve been looking for the perfect woman… and all this time, she’s been right there in front of me, and I didn’t even realise it, ‘cause I never thought I’d have a chance with her.

Lola: Why? You’re like… completely loveable.

Robert: To be loved by you, that’s… that’s…

Lola: I had no notion, to think that we would have this little fling.

Robert: That’s what I feel - we have this nice friendship, we can’t go out, we have fun together, we got no entanglements and stuff and then - bam! Just… all of a sudden, next thing I know, we’re in love with each other and we can’t stop it.

END TRANSCRIPT]

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rthko

In her song Rainbow Dress, Taylor Swift describes the position of her purported "straight sex" in relationship to what Gayle Rubin terms the charmed circle of sexuality, wherein any sexual behavior outside an accepted range can only be immoral. When it comes to the vectors of heterosexual versus homosexual and vanilla versus kinky, her "just normal sex, nothing too weird" with a "regular hunk with a beard" is positioned inside this charmed circle. Yet the most glaring exception is that her sex is public--at the gay pride parade, no less. The hunk she desires has no name, no specific relation to her, and she makes no pretense of monogamous attachment. Her apparently ironic participation at the gay pride parade draws from Michael Warner's anti-identitarian critiques of tendencies that elevate sexual orientation above other maligned sexual practices and detach queerness from sex altogether. Swift's sexuality is clearly informed by queer perspectives: the erotic fixation on ball sweat evokes gay sadomasochist "pig" subcultures, and her claim that she hates her own vagina invites a multiplicity of pleasure possibilities that do not involve direct genital stimulation. The push and pull in her lyrics between straight nomenclature and queer imagery builds upon Eve Sedgwick's critiques of heterosexual-homosexual binarism in Epistemology of the Closet, and attuned listeners know that the question of queerness "hidden inside" cannot follow such an either-or formulation.

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This was the funniest hour of my life

At the end of the panel we gave them a round of applause for being so brave in trying to write straights and cisgenders

Especially Jasika, who got very emotional about her childhood with straight parents

types of comments on this post:

-straight people saying :/ love is love :/ gay or straight why does it matter ://///

-gay people saying wait no really i’ve never written a non-lesbian pls help

-people pointing out that even straight people don’t know how to write straight people without unnecessary romance

the truly impressive part of this panel was how for an hour, a FULL hour, they talked about writing straight characters like the st8s talk about writing queer characters and they did. not. break. It was the most amazing piece of improv comedy i’ve ever seen. 

t h e l i n k

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alexseanchai

[image: screenshot of the PodCon 2017 schedule listing for a panel entitled “How to Create Straight Characters”, moderated by Gaby Dunn of Bad With Money with participants Cecil Baldwin of Welcome to Night Vale and Jasika Dunn of Alice Isn’t Dead. (not shown, but identified in the Castbox link for the panel recording: panelist Brie Williams.) the panel description is below:]

So often straight characters are defined by their romantic relationship with someone who is a different gender. How do you keep a story from being overwhelmed by the sexuality of your main character? Is it possible to have a straight character in a story without having a romantic relationship in order to demonstrate their straightness? And how does an LGBTQ storyteller include straight characters while remaining true to their own values and ideals?

Wayback Machine saved the link at some point before it 404ed, but not real usefully. happily, Past Alex saved the audio!

…I don’t suppose anyone is up for transcribing the audio?

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Jackie says she was bullied as a fat kid and learned "how to fight back;" she goes crazy in Vegas when she hallucinates someone calling her fat. I think there's a direct line connecting this with Jackie's fight instinct to Lou constantly reiterating that Jackie killed J.J., and Lou locking Jackie inside the house. Over the payphone, Jackie's foster mother, curt: "Stay away from us, you monster." Lou doesn't know she is treating Jackie like a monster. Jackie can't have that feeling. Perhaps that's why she needs to run away to Vegas and win so bad: to disarm her size and her strength, to have those qualities be unimpeachable, only for show and admiration.

Jackie in turn is tripping all of Lou's wires. We know Lou thinks her mother ran away, and fears that Lou Sr. maybe killed her. But Lou Sr. goads her about an even deeper fear: that Lou's mom ran away not only to get away from her husband, but also to get away from her awful, complicit daughter. (Lou is so terrified this is true that she has red nightmares about it all movie long. When she's more afraid, there's more red on the screen, like the glow from the hospital's Coke vending machine when Lou Sr. confronts her about J.J.'s body.) If Jackie's response to being perceived as a monster is to fight, Lou's is to take flight: exit the situation for fear of abandonment. She comes close to doing this in the confrontation with Jackie after dinner with J.J. and Beth (a confrontation aborted only because of the lingering F.B.I. agent), but J.J.'s murder flings the shit into the fan.

Lou does everything in her power to cover up J.J.'s murder, and then Daisy's, so that Jackie doesn't leave her. But everything Lou does reminds Jackie that she's a monster (Daisy naked, victorious, whispering: "Lou doesn't want you anymore"). When Lou frees Jackie from her binds in the shed, Jackie takes off running, so caustic is the effect of this reminder ("I wish I never met you!") We know she's not running away for fear that Lou will kill her, because Jackie only really calms down when Lou convinces her that 1) she still desires Jackie, and (2) Jackie is not morally culpable for the murders of J.J. and Daisy. She was forced, for fear of Beth's life, for fear of Lou Sr. (Lou in her recounting was also forced to sleep with Daisy. Everyone is only ever forced to do bad things; no one is ever a bad person.)

Lou has freed Jackie from several mental hang-ups. So Jackie joyfully reclaims her size and strength and breaks a guy's arms as easy as wringing a wet t-shirt. And Lou is now more aware of Jackie's inner turmoil than she was before. In the last scene, when she slips quietly out of the truck to kill Daisy, she is loathe to disturb Jackie's sleep, yes, and also her conscience.

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Qualifying Round

there are an uneven amount of fandoms who have qualified for round 1, leaving space for 2 more. this means we are going to start with a qualifying round! the top 2 will move on to the first proper round with the others

you get one vote, this poll ends in 24 hours, the final bracket will be released after this is completed....

remember: the 2 with the most votes will qualify, the rest are immediately eliminated!

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Quick PSA, if you get one of those "Work scanned, AI use detected" comments on AO3, just mark them as spam.

Some moron apparently built a bot to annoy or prank hundreds of authors.

There is no scanning process, your work doesn't actually resemble AI writing, it's all bullshit. Mark the comment as spam (on AO3, not the email notification you got about the comment!) and don't let it get to you.

The spam comments have evolved.

They are now also linking to a site they claim is able to scan works and tell you whether they were AI written or not, and that you should do that before reading a fic.

It should go without saying that you should not, under no circumstances, visit a site advertised in a spam comment.

In this case, I'd say there's even a chance that the "scanning" site is actually used to scrape fics and use them for future AI writing. What it definitely doesn't do is tell you whether something was AI written or not. That's a bullshit claim.

Don't use that site. Don't believe these spam comments, whether you get them on your own works or see them on someone else's.

It's all bullshit.

Just got another one, so here's what they look like to anyone curious. They're never real users, either, just keysmashes for the display name.

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everentropy

Image Description: a screenshot of an AO3 comment by nlaoboh that says HoloAI pattern found in work. To all readers, before you read please scan the work with an AI detector like gowinston.ai and call out all AI using cheaters /end ID

As someone who works in education, actual AI detectors don't even work well and are rendered obsolete within weeks if not days. Please spread this around to spare your fellow writers and reader!

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