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Supernova

@pearlpeppermint / pearlpeppermint.tumblr.com

I am a Supernova. A fire of toxic gases and debris. Debris of broken dreams and burned hopes. A dying star. An extinguishing flame. Waiting to explode.
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addigni

Benedict’s eyes

oh my god i can’t take it anymore i’m in love with ben’s eyes

and not JUST his iris, there’s already loads of appreciation post on his wonderful otherworldly cosmic-coloured irises, this time i wanna talk about the rest of his eye features

i love his eyelid!!! I do i love it so much especially when his eyes are half-open at rest and relaxed because then they make such a distinct and clean line above his eyes

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LOOK AT THOSE EYELIDS IT’S SO CUTE

and then there’s the cute lil slanted pea-shape i mean look!!! it’s so anime-y, as someone who draws lots of ben/sherlock fanart, let me just tell you that drawing the shape of his eye is one of the most satisfying things in the world

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and then there’s his eyelashes! it’s not particularly thick or particularly long, but it’s just the perfect amount of length and sparseness and curl to perfectly decorate his eye and make his iris seem to sparkle more

and also just how expressive all those features combined can be, his eyes are SO expressive!! just look at how soft and radiant it is when he smiles

look at how sad and sombre it is when he cries

how vulnerable it looks when he’s weak

how scary it can look when he’s angry

AND THEN THIS!!!! I DONT EVEN KNOW HOW TO CAPTION IT BECAUSE LOOK AT ALL THE EMOTIONS HIS EYES ALONE COULD CONVEY!

please talk to me about ben’s eyes, every time i see his eyes i amd more and more in love with him and i’m not even the type to romanticize things, i’m the opposite of that but his eyes!! like i’m genuinely in awe with his eyes because of its pure mathematical beauty, the curvature of its shape, the flick of its eyelash, the distinctiveness of the eyelid, the depth of its expressiveness!

DO YOU UNDERSTAND??????? WHY I’M SO IN LOVE????? WITH HIS EYES???????????

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Harry Potter is the first fandom to span across books, movies, stand-alone side books, stand-alone movies, an interactive website, video games, and an official stage play. That’s seven horcruxes. 

You’d best be afraid. 

Harry Potter is immortal. 

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Not like women have been telling y'all this since the beginning of time or anything.

I mean, yeah, at one point three years ago I was curled up in a fetal position literally screaming/crying/gasping for breath on my bed in my dorm room, so my response to this headline is basically, “No shit.”

No wonder women are so likely to ignore heart disease/attack symptoms. If something isn’t as bad as my cramps, I figure it can’t be that bad.

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akiameokami

THAT LAST COMMENT

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Clearly, Lestrade’s division is watching sexy people doing sexy things.

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geniusbee

My division is watching Lestrade be sexy watching sexy people be sexy. 

Amen.

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impishtubist

He does spend an awful lot of time staring at Sherlock. ;-)

Well of course - he’s a Detective Inspector  (ba-dum tssh)

^^^

Still the best joke I have ever made… shame it was on someone elses’ post!

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creamocrop

Here’s a thought.

Sherlock Holmes imagined Molly Hooper as a progressive Victorian woman who risked her reputation and life just so she can study and practice pathology (her obvious passion), and fight for a cause that she believes in.

High-as-a-kite Sherlock Holmes, subconsciously think and (therefore) imagined that Molly has the courage and determination to pursue being a pathologist in a time when women were confined to minimal social roles.

His subconscious revealed that he believed that if Molly was born during the Victorian era, she would fight for her dream, such that she would actually take the dangerous route of pretending to be a male, just so she can pursue and practice her dream.

He believed that Molly has what it takes to get what she wants.

Sherlock sees Molly as a strong, independent woman.

If high-as-a-kite Sherlock Holmes can see this, why are there people who still look at Molly as a weak character?

This is also the same woman, who in the midst of tremendous emotional distress, showed a rebellious streak by making Sherlock Holmes (the same stubborn man who walked into Buckingham Palace wrapped in a sheet) say. it. first.

And while we are on that topic, the same Oh-look-at-me-sitting-inside-Buckingham-Palace-with-just-a-sheet man, said it…

TWICE…

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mental-leaps

Sherlock - filming The Final Problem

“When I read it I was very happy because there is a point in the scene where she turns the tables on him and says: “I’m not gonna say that unless you do!” - Louise Brealey

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aphraelsan

Eurus Holmes

I loved Eurus Holmes quite a lot, and Sian Brooke was absolutely amazing. BUT. Imagine a Newtonian-level Eurus Holmes with a scope and goals beyond getting her brothers’ attention. Imagine an anti-hero, big picture, sacrifices-must-be-made-for-the-greater-good Eurus, who wants to save the world and isn’t worried about who might get hurt along the way.

Imagine five year old Eurus realizing that Victor Trevor is only ever going to amount to a mid-level banker who occasionally hits his wife, but his death would push her brother to be the greatest detective the world has ever known. Hundreds, maybe thousands of lives can be saved. No brainer. Into the well he goes.

Imagine 20 year old Eurus realizing that she can save the world, and all she has to do is burn it down first. She knows just how to pull the threads that will create a lasting utopia on planet earth within 100 years. Yes, 4 billion or so people will die along the way, but the earth is overcrowded anyway. She sets about her work, manipulating poor Uncle Rudy and her older brother and the idiots at Sherrinford along the way. At first her access is limited, but she learned patience at an early age.

It gets lonely. She decides to seek out a little helpmeet in her adventures. She knows there is no one else in the world who can match her intellect, but she needs someone who is both smart enough to keep up with her and flexible enough to do what needs to be done. Someone who is not boring. She hopes she’s found that in Jim Moriarty, but within 20 seconds of meeting him she knows that he’s too invested in burning the world down to ever want to rebuild it again afterwards. Ample observation has confirmed that Mycroft, while more intelligent, does not possess the necessary mental and moral flexibility. A quick twitter search confirms that there are no other serious contenders - it will have to be Sherlock.

She sets her nets and she waits. Dear Jim is invaluable in this endeavor. She devises a series of trials that will teach Sherlock about the weakness of sentiment, drive him away from his pets (er…“friends”), and to make difficult decisions for the greater good. She carefully calculates the variables and concludes that once he has killed their brother, he will be ready to listen to what she has to say. She can be very persuasive.

But the day arrives and Sherlock not only refuses to kill their brother, he is prepared to die for him. Eurus is wrong. WRONG. She has never been wrong in her life. If she’s wrong about this, her own brother, what else could she have miscalculated? Could she have been prepared to sacrifice 4 billion lives on incorrect data? Eurus retreats into her own mind, shattered by her failure, destined to spend the rest of her life seeking the one variable she will never understand - love. Sentiment. Amo.

THIS IS ABSOLUTELY AMAZING

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mizjoely

WOW

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theleftpill

This is the Series 5 we deserve.

Wow, fandom will make something interesting out of Eurus yet.

This I would want to watch. Or read. Anything, really.

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gclane

Dear God, keep going. Don’t stop there! If we’re going to have a madwoman in the attic, let’s have a proper 21st-century, globally-minded one. 

I sincerely hope Moftiss see this. They’ll be soooo jealous! Brilliant. 🙂

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A lot of these posts “””defending””” Molly Hooper after that last episode are really rubbing me up the wrong way, because I swear NONE of y’all have given a single shit about Molly until now. I’ve had to endure 3 years of people saying it’s “pathetic” that Molly slapped Sherlock because he “didn’t return her feelings” (WHICH IS NOT WHY SHE HIT HIM OH MY GOD), and I’ve had to listen to people say her silly crush on Sherlock is embarrassing or that she needs to grow up and move on. Even when she’s been praised, she hasn’t been praised as an engaging and interesting character, as the sweet, kind and intelligent young pathologist she is, she’s been praised because she allegedly serves as a prop to further a relationship between two gay men. Which - guess what guys, IS NOT PROGRESSIVE. 

But oh, now that her feelings have finally been vindicated, now suddenly it’s poor Molly and Molly deserves better. But listen. I’m the first person to say that Sherlock’s got major problems with writing women. Ask me about Mary’s fridging sometime. And yes, I wish to God Molly had more screentime, but this idea that her final scene is about glamorising abusive relationships or that Molly was nothing but a prop is killing me.

Do you know what I saw when I watched that scene with Eurus and Molly?

I saw a character who had undergone tremendous growth over the past four seasons. Originally intended as a one-off, but so spellbindingly brought to life by Loo Brealey that she was made a non-canon recurring character, Molly has grown from timid, mousy and submissive to a woman more than willing to stand up for herself, whose kindness is her strength and whose love was the undoing of Moriarty. She’s smart - she’s the literal embodiment of medical and pathological knowledge in Sherlock’s mind palace. She proved you can be soft and strong, that vulnerability doesn’t have to mean weakness, and that you can stand up to someone and demand better treatment in a gentle voice. 

And, God forbid, she’s also in love with a man. But she’s never been given the opportunity to say so. Her feelings, which have been a strength and a weakness, are visible enough to us and everyone in the show, but she’s never said it out loud. 

Now, truth in fiction is a rare substance. It always takes a tremendous amount of pressure for two people to be completely honest with each other, especially if that truth concerns feelings of love. The question, “what will it take to make Molly tell Sherlock she loves him?” is answered in this scene. And the answer is: Sherlock needs to say I love you first. 

And do you know who was in control in that scene? Molly. Every single step of the way. At any moment she could have told Sherlock to stick it up his arse and hung up. There would have been no repercussions for her. Sherlock tries in myriad ways to get an I love you and she blocks him every time, says “leave me alone,” tells him she won’t let him make fun of her, tells him she’s not an experiment. She hasn’t been treated well by Sherlock and John this season, is still grieving over Mary, is probably suffering depression, and she’s sick of Sherlock’s nonsense. She’s willing to help if it’s urgent, but she’s done playing games. 

She tells him she can’t say it because it’s true. It’s always been true. She’s always loved him. Do you have any idea how long we’ve waited for her feelings to be validated? At last, no, it’s not a stupid girlish crush, it’s not infatuation, it’s a beautiful, selfless love that she cherishes for him. She loves this man. She saved his life. She stood up to him. She refused to tolerate shabby treatment from him. She was happy to be his friend. She moved on and found a new man, but when Sherlock came back, she had to be honest with herself, and she decided it would be better to be alone than marry a man she doesn’t really love. She is so brave, and so selfless, and she’s never once made her feelings his problem. That’s why she begs him - don’t make me say it because it’s true, it’s always been true.  

And then, still feeling like this must be a game somehow, she challenges him to say it first. Go on. If you want me to make a fool of myself, then you have to go first. I’m not jumping until you do. Molly can see through him; he can’t manipulate her like he did in S1. She’s not that person anymore. And he’s not that person anymore, either. Eurus didn’t rig Molly’s flat with explosives, and Sherlock didn’t win when he supposedly saved her life, because it wasn’t about that. It was about torturing Sherlock emotionally, and where once he manipulated her without a second thought, hurting Molly now is like vivisection to him. Eurus - Molly - both get him to admit “I love you” - twice. Once, because he was trying to save her life - the second time because he realised it was true. As a friend, or something more, who even cares, he loves her and he realises just how much. 

And still, Molly is in control. She can hang up, if she wants. She contemplates it. But then, almost kissing the phone, perhaps having recognised the note of sincerity in his voice, she whispers, I love you.

Too often an unrequited crush ends when a character suddenly finds a new man or woman, falls in love, and gets over their old feelings, and has a happily ever after with this random new person. But I’ve always found that maddeningly dissatisfying, and even though it comes from horrific circumstances, I’m so glad that Molly’s feelings were validated, not because Sherlock returned them, but simply because those feelings are hers, and they are real, they’ve always been real, and it hurts, god it hurts, but at least she was able to be honest. The cut has been made, the truth is revealed, and now she can begin to heal. She doesn’t have to keep those words festering inside her. Molly loves Sherlock, and it took him telling her he loved her to admit that. 

And Sherlock’s a wreck afterwards. He caresses those words “I love you” and thinks about how he always believed caring was not an advantage. He thinks about selfless, kind Molly Hooper, who had always loved him, and saved him, whose love was her strength, whose love was doomed, who would not suppress or deny her feelings, but merely kept them to herself to spare him discomfort and then - 

He thinks about Molly in that coffin. He thinks about losing her. He thinks about what he’s just said to her. He thinks of how he’s hurt her.

No.

He loses control. Always, he’s pretended to be pure intellect, has always clung to rationality, but in this moment he is nothing but emotion. Rage, pain, fear, sadness, needing to destroy this coffin, smashing it to pieces, screaming in agony because of how much he feels for this woman. 

Molly loves Sherlock. We’ve known for a long time. And I truly feel that Molly being allowed to own those feelings, because they are hers, regardless of whether they are reciprocated or not, is far more powerful than sweeping them under the rug and pretending they never existed or that she got over them just fine. This is how she feels, and no she won’t tolerate poor treatment because of them, and no she won’t put up with him playing games, but yes - she will be there when he needs her, because that’s just who she is. 

Holy shit this post is so beautiful and powerful. I’m crying. <3

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mizjoely

I think I held my breath the entire time I was reading it. Most beautiful Molly meta/interpretation/analysis I think I’ve ever read.

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sherlolly

ALL OF THIS

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What if instead of gilly weed Harry had showed up to the black lake challenge in muggle scuba gear like “like where’s your advanced magic now bitches? Got me a free fishing knife with this thing”

Honestly I just want an AU where Harry approached all his magical problems with muggle solutions. Nobody knows how to handle it because he’s supposed to be there learning magic but you know what, it fucking works.

Give me Harry Potter who is like fucking MacGuyver up in this shit, creating his own non-magical solutions to magical problems.

“Potter how did you get past the enchanted keys to the Sorcerer’s Stone?”

“I used a fucking net.”

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octoberreads

“How did you get past the dragon?”

Harry shines a little red light on the wall “works on cats, why not a dragon”

“How did you get through the hedge maze?”

“Weed-b-gone, it’s like a pound. Nothing will ever grow there again”

It’s the final battle between Harry and Voldemort. The Dark Lord begins to prepare a spell to end Harry Potter’s life once and for all when….

Reblogging because this is funny and the gif is perfect.

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cosmic-aria
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wylonaforest

Boys cry. Girls masturbate. Boys can like pink and not be gay. Girls can have short hair and not be a lesbian. Boys can like ballet. Girls can like video games. Boys can be hot without a six pack. Girls can be hot without a hairless body. Boys can have hair down to their waists. Girls can have stretch marks, curves and back fat. Gender doesn’t determine what you can and cannot enjoy, what you can and cannot look like or what you can and cannot do.

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