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Derek L. Chase

@dereklchase / dereklchase.tumblr.com

Derek is a cartoonist, designer, advocate of the Oxfard comma, and graduate of The Kubert School.
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mckelvie

Comic Book Page Technical Specifications

This is a post for comic book artists preparing their pages for their publisher or colourist. I’m aware that many pros still don’t know some of this stuff, often because the bigger publishers have production teams who will take the incorrectly sized or shaped pages and adjust them before passing on to colourists or for print. However, this a) is giving more work to people that you can easily do yourself and b) reduces the amount of control you have over how your work is printed. It makes sense to provide files that will present your work in the best way possible.

So, the basics of a digital page file:

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I'm excited to announce that on October 1st I will be releasing a digital-only Issue #0 of Baku, my entirely creator-owned property. It will be a very short story (think 5 pages of story), but I will be releasing it as PAY-WHAT-YOU-WANT! That's right! You can pay $0.01 for the whole thing! There will be extra materials bundled with each PDF, which you'll be able to order directly from my site (www.dereklchase.com) and some sneak peeks at some other projects. See you then!

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Hot Wheels is making a Spock-leaning-on-a-64-Buick car for Comic-Con

The classic photo of Leonard Nimoy in Spock costume leaning on the 64 Buick Riviera he bought with his Star Trek earnings will be immortalized in dinkycar, thanks to the good offices of the Hot Wheels Corporation.

The limited-edition car-and-figurine combo will cost $20 and go on sale atMatty Collector when San Diego Comic-Con starts.

I don’t usually get figurines and stuff like that at Con, but this is soooo tempting.

oh my god

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some tips on reading xmen comics

  • if scott is in a helmet it means it’s all gone to shit
  • magneto is a good guy actually except for when he’s a bad guy except for when he’s a good guy
  • if u see a character that u think might be jean grey it actually might be madelynne pryor. the way to know who it is is: check the clothes. terrible sweater? jean. cute dress? maddy
  • illyana can be any age at any time 
  • if you can’t understand rogue or kurt’s accents written out just assume they’re saying, respectively: “i’m gonna kick some ass [random overly southern idiom],” or “gosh i love pirates”
  • sometimes betsy braddock can teleport and sometimes she can’t it’s honestly up to you
  • artie changes color. no one knows why.
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hellotailor

Captain America: Steve Rogers #1 follows two storylines, the first of which is about Steve Rogers battling a modern-day HYDRA cell. The second story is a flashback to Steve’s childhood in 1926, in which his mother is seemingly recruited to HYDRA.

In the present day, the issue ends with Steve pushing one of his sidekicks out of a plane and uttering the phrase “Hail HYDRA.” The implication is that Steve Rogers has been HYDRA since childhood, a plot twist that the comic’s creators promoted in a series of interviews.

Speaking to USA Today, Marvel executive editor Tom Brevoort confirmed that this is the real Steve Rogers, saying, “We knew it would be like slapping people in the face.”

While you could argue that the post-Secret Wars Marvel Universe exists in a new continuity, the idea of a HYDRA Steve Rogers makes no sense in the context of any previous canon. There’s really no way to align this plot twist with the character’s 70-year history of fighting against HYDRA. 

(Pasting a couple of tweets here because I think they cover my opinion of this deeply stupid plot twist.)

On one hand: As a rule, I hang my hat in the “if you can use it as a vehicle to tell a good story, do it” camp.

On the other hand: Gav makes some valid points, especially about Cap’s origins and the ways they change the inflection of this twist.

For me, I think, this also kind of ties to my discomfort with the very cavalier use of Hydra as a fan icon. People make Hydra joke accounts on Twitter and greet each other with “Hail Hydra” and show up at cons in uniforms that, at a glance–say, from across a street–are indistinguishable from Nazi uniforms. Hydra iconography has become fun and edgy and cool in ways that I don’t want to see attached to something based on a group that perpetrated a genocide within living memory; and the fact that most of the iconic characters attached to this were created by Jewish immigrants and the children of Jewish immigrants figures heavily into that discomfort.

So: I am fully willing to accept that this might make for a good story, maybe even a story I’ll enjoy.

But at the same time: The math is really, really not that simple; nor should it be.

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Anonymous asked:

Hey Rachel, I just recently gave a friend my Waid Daredevil comics and now they are wondering what daredevil stuff to read next. Do you have any recommendations? Thank you so much

OKAY. I’m grouping these by writer, because those divide more neatly than artists.

You’re gonna start with vol. 2. SKIP KEVIN SMITH. Trust me on this. No one deserves Kevin Smith’s Daredevil run. Instead, dive in with David Mack, and read straight through from there to the end of Brubaker.

NEXT

Go back and read v.1 227-233.

AT THIS POINT, YOUR PATH SPLITS.

If you want something horrifically bleak but really good: Daredevil Noir.

If you want something fun and kind of dated: The entire Silver Age. No, seriously.

If you want a really fun crash course in the learning curve of comics storytelling, read Miller’s entire run from its start.

From any of these paths, head to either the other alternative or the Nocenti run.

ALSO: Watch the Netflix series. Then watch it again with audio description. Then watch it a third time just because Elden Henson’s Foggy Nelson is so pitch goddamn perfect.

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Jay here!

Reviewing media here always feels like straddling a fence. On one hand, I’m a professional critic, and that’s a lens that never really goes away. On the other hand, when I’m writing or talking at xplainthexmen.com, I’m largely speaking as a fan, to other fans; and my considerations change accordingly. Sometimes, if I’m lucky, those perspectives line up, and everything is smooth sailing.

Other times, it’s X-Men: Apocalypse.

Look: Miles and I both enjoyed the hell out of this movie. I’m definitely going to see it again, probably more than once. When I put on my fan goggles, it’s awesome, delightful, rewarding. We spent a lot of the movie elbowing each other in the ribs and grinning; and then being really glad that the critic we happened to be sitting next to was our former producer Bobby, who has no illusions of our professionalism for us to shatter.

At the same time, there is no real question that X-Men: Apocalypse fails as a cohesive whole. In general, it plays less like the conclusion of a trilogy than like the final stage of a very large and unwieldy truck navigating a very narrow hairpin turn in hopes of finding clear highways ahead: an impressive feat, but not particularly epic unless you’re the guy at the wheel.

I reviewed X-Men: Apocalypse over at xplainthexmen.com. 

TL;DR: YMMV.

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#czołg #tank #vehicle #wóz #opancerzony #armia #wojna #bliski #wschód #irak #arabia #iran #zatoka #gulf #iraq #middleeast #war #army #armored #soldier #drawing #instartist #instadaily #daily #dailypic #artoftheday #picofday

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We’re international!

Friends of The Black Mill: we had originally worried about the cost of shipping the stretch items overseas, and so had sought to limit patrons to folks in the USA. A plea from a friend abroad rapidly convinced Orion Zangara and me that this was a silly limitation, and so the Kickstarter is now open to a whole planet’s worth of supporters. Thanks for your feedback!

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I’ve been working with Orion Zangara and Paul Di Filippo on this and I’d really appreciate any liking, sharing, donating, or whatever you could spare!

The Black Mill Comic Book: Issue Zero - For all lovers of the New Weird; for all the fans of Mervyn Peake's GORMENGHAST books--the foundational story of a great new series. - http://kck.st/1K4QJ41

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I see this kinda advice passed around all the time here is the thing: shading with black will indeed look bad if you don’t know what you are doing. However, telling people not to do things without explaining why is terrible advice.

Shadows are the opposite of light, this includes in colour.

This means that if you have light in one colour, the shadow will be of the opposing hue, saturation, and value.

Unless the object is white, it has its own local colour -  the object’s true colour, how it would appear if the light were pure white.

The colour of the light influences the local colour of the object. so if you had yourself a brown cube and a blue light, the colours would get bluer and pinker.

now the reason shadows do not tend to be black is because pure white light is hard to find in nature.

the closest you will get to pure white light is during a really overcast day and the sun is filtering through the clouds, but even then it’ll lean towards yellow so the shadows will be slightly blue.

During a clear day, the shadows will pick up a lot of bounce light from the blue sky and have a blue tinge. You can learn more about this in this tutorial: [http://artbyriana.deviantart.com/art/Why-shadows-aren-t-gray-321656856]

But! None of this means you are never allowed to use black.

realistically shadows will have a hint of a colour to them, but stylistically you might be going for, say, a film noir look and deep black shadows are needed for impact for example.

The more you know about how light works, the more informed decisions you can make about shading and the more options you have.

If someone tells you that you can’t do something, they’re wrong! you can do what you like!

yes, black is hard to use and if you just mix a colour with black it’ll get muddy, but thats easily resolved by choosing your colours manually - which ideally you want to do regardless bc the computer doesnt have your eyes & cant choose the colours you like

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basically if someone gives you some art advice and says you can’t do something, they’re wrong! you can, you just might need to study a little to figure out how to make things work.

I mean for example, people will say you must make your composition follow the rule of thirds and never align centrally, but while the rule of thirds makes it easy to create visual interest, Mad Max Fury Road is a testament to the fact that central composition can and will work if you experiment.

there are no rules in art! there are theories based on reality, this has been a post on colour theory & light theory, but they exist to inform you, not to restrict you.

Do what you like! Trust your eyes, if you think something looks good, then great! If you don’t, then research & experiment until you do.

Also if you wanna learn more abt colour theory, I go into it in a lot more depth over yonder: http://helpfulharrie.tumblr.com/post/131822744966/ http://helpfulharrie.tumblr.com/post/131958395841/

cstmart

puttin this on my art blog so i can keep finding it

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