THE TORTURED POETS DEPARTMENT, the new album from Taylor Swift. Listen Now On Spotify

Enchanté

We've someone we would like you to meet. Her name is Jean Deaux, and she does a lot. And when we say a lot, we mean a lot: she is a Chicago-based artist, musician, and filmmaker, spanning genres and disciplines, and a trendsetter in the Black queer community. She even has a Tumblr, as luck would have it, which you can find at @thedeauxdiaries. We think you'll get on just great. 

She released the video for "Roll With Me" today. It comes from her new EP, Nowhere Fast, a record that explores themes of fears of intimacy, stagnation and returning, and chasing your dreams.

At this point, we would like to write something clever about themes of intimacy and its fears, stagnation and returning, and chasing your dreams. But why would we do that when we can leave it to Jean Deaux herself?

Nowhere Fast is out now. If you're fearing intimacy, feeling stagnant and getting back to yourself, or pursuing your dreams, this is a record for all y'all. It's a record that shows, despite these challenges, you can always create something from it.

THE TORTURED POETS DEPARTMENT, the new album from Taylor Swift. Listen Now On Spotify

The Tortured Poets Department. An anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time - one that was both sensational and sorrowful in equal measure. This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.

And then all that’s left behind is the tortured poetry.

THE TORTURED POETS DEPARTMENT is out now.

https://taylor.lnk.to/thetorturedpoetsdepartment

How we doing, y'all??

Musical Acts

Week Ending April 15th, 2024

The number in italics indicates how many spots a name moved up or down from the previous week. Bolded names weren’t on the list last week.

Musical Acts

Week Ending April 8th, 2024

The number in italics indicates how many spots a name moved up or down from the previous week. Bolded names weren’t on the list last week.

K-Pop Spotlight: DAY6

Come one, come all to a K-Pop Spotlight that is sure to dazzle and delight ’til the final curtain. This week, all eyes are on DAY6 following the release of their eighth mini-album, Fourever, and brand new title track, "Welcome to the Show." We caught up with the band to discuss their goals as they approach their 10th anniversary and their ever-growing connection to their fans through their music. Check out our full interview below!

Tracks like “Welcome to the Show,” “The Power of Love,” and “Get the Hell Out” seem to have very different themes. Can you tell us a little about how these songs relate to each other and what aspects make this album cohesive?

SUNGJIN: As we pursue the idea of being a 'band that sings every moment,' it seems like our albums, including the recent one, prioritize diversity in songs and situations rather than unity. Consequently, our albums contain various genres and narratives. However, there seems to be a commonality in most songs, depicting situations that everyone has either gone through or might experience.

Young K: First and foremost, I would say this album is a compilation of the best songs we could create. There's definitely a theme of love running through it. "Welcome to the Show," "The Power of Love," and "Get The Hell Out" all talk about the concept of love.

What goes into creating titles for DAY6 songs and albums, especially those that don’t come directly from your lyrics? Do you find it hard to condense the intentions and themes of a song into a title?

Young K: While there have been cases like that, all the songs on this album came from the lyrics. Sometimes, when choosing a title, we select the one that best describes the song—other times, we choose to give it a twist or make it more intriguing.

WONPIL: Naming songs involves a lot of deliberation. We often contemplate which title will catch the eye and capture the song's essence. Usually, we try to take it from a verse in the chorus. This can be a challenging part of the songwriting process.

Is there a creative project you’ve always wanted to work on but haven’t gotten the chance/found the time?

SUNGJIN: I'm very curious, and have a principle of "trying to experience as much as possible." There are so many things I want to try musically and personally, especially among the things I know but haven't tried yet.

DOWOON: I hope we can have a song that we can collaborate on with My Day, like a choir.

What does your work/studio setup look like? Where do you feel the most creatively inspired?

DOWOON: We try to keep the studio as tidy as possible and make it comfortable for practice sessions.

WONPIL: When working on songs, we talk a lot. We get inspiration from little conversations, joking around, sharing stories, and listening to music from various eras regardless of genre while giving opinions. We also try to build emotional connections with the songs. There’s a lot of communication going on. The songwriting process takes place in the studio of our long-time collaborator, composer Hong Jisang, with whom we've been working together since our debut.

How do you want to evolve as a musician/producer?

Young K: I want to be eagerly anticipated and awaited as an artist. Without those who wait for us, we wouldn't release or even step onto the stage. So I’m always thankful for My Day.

WONPIL: My biggest goal is to make good music for My Day and the public, so I think I'll continue to ponder. When working on songs, I pour my sincerity into them. I constantly strive to express this sincerity musically, fully capturing the emotions I want to convey. I hope to create songs that can still be listened to even after 10 or 20 years.

Design your own Tumblr blog: choose an aesthetic, a blog name, and would you be a frequent poster or lurker?

SUNGJIN: I think I’ll use it to catch up on friends' updates. For the blog name, THUMB BLUR sounds good to me. I might end up being a lurker who never posts.

DOWOON: Maybe a blog for plants? I think I'll post it like a diary.

Want more DAY6? Check out their new mini album Fourever and the music video for the title track “Welcome to the Show,” both out now!

Melissa hated her feelings. 

She buried them in a chest in the 5th grade (along with her ability to express them). Other peoples' feelings on the other hand was her forte. She could process, decipher and regurgitate other peoples emotions effortlessly. This gift could’ve taken her through college, all the way to a degree in psychology. Distinguished Dr. Jefferson with a PhD and a cozy office and impressive roster of high-profile, weallthy clients was a shiny idea. Fate would have a different hand for Melissa her talents were exhausted on mediating family fights, friend group drama, and charming her way out of confronting her own feelings. 

“Feelings.” Even saying it out loud to herself seemed silly. Something reserved for ‘cry babies’ and water signs. Typical Sunday nights started tame, reading or writing fan-fiction and drinking cranapple juice. And then like clock work her father would yell her name, 

‘MELISSA!!!’ Emotionless, she’d get up dust off her Winnie the Pooh shorts and make her way downstairs. On the long walk down the hall to the stairs leading to the living room brawl, she’d go through her check list: 

1.) Don’t cry.   

 2.) Stay neutral; Deescalate

3.)Don’t take anything personal. This isn’t about you

She padded down the carpeted stairs in her old soft socks to see her mother tightlipped and tear streaked thinking, 

‘she broke rule number 1’. Her father, Michael was proud and angry, his big belly filled with self righteousness. She knew he would be unyielding in his resolve and at this point her only option was to deescalate.

 ‘Rule number 2’. Then her sister the water sign and calamity for the evening sat on the floor nearly fetal, face red and raw with emotion. 

‘Its not your fault’ Melissa wanted to say ‘You just didn’t follow the rules… you’re loved.’ But she couldn’t say that because she’d be breaking rule number 3. It wasn’t about how Melissa felt. Even though she felt like screaming,

“VANESSA, YOU DIDN’T DO ANYTHING WRONG. DAD—YOU JUST HAVE PENT UP ANGER BECAUSE YOU GREW UP IN THE HOOD OF DETROIT AS A BLACK MAN IN THE 60s AND 70s. YOU NEED A HEALTHY OUTLET LIKE.. I DONT KNOW… THERAPY?!?!?! THIS IS A WASTE OF ALL OF OUR TIME. I LITERALLY JUST WROTE THE BEST SAILOR SATURN x CHIBI USA FANFICTION EVER AND THIS IS KILLING MY VIBE!”

Instead, she decide to hear every one out. She decided to help. To calm her dragon of a father down. To be a translator for her emotional sister. To not take it personal. To stay neutral. To not cry. 

9 years later, at her fathers funeral she still never broke the rules. She played her flute and spoke at his memorial. She was present for her mother because it wasn’t about her. When other peoples' emotions bubbled up she stayed neutral. She sat through both services and she did not cry. It wasn’t until she excused herself to make a phone call outside did she collapse onto the stairs of the funeral home and weep alone in the cold Detroit snow. 

It’s okay to break the rules sometimes, she reminded herself. As long as no one else sees it.

Traumas began to compact on Melissa, as they do. Humans tend to collect traumas like pebbles on a long hike. We toss them into our backpacks and keep moving forward. Some hikers would falter, but Melissa was built for this. She’d carried the stones of her family’s traumas uphill for years. She was strong. 

When men began to befriend and reject her, saying ‘you’re too good for me’ but not too good to make them feel good. She carried that. 

When childhood friends began to cut off the strings of her heart, saying ‘We can’t be friends anymore’. She carried that.

When her family separated like dandelion seeds, it seemed like they’d never be together again. Melissa slept on so many couches, floors and car seats sometimes she didn’t know if she’d see them again. 

She carried that. 

Dying was never an option though sometimes she didn’t mind the thought of it. Peace and warmth were two things she’d desperately yearned and hadn’t felt fully since the womb. Then one night in the pitch black of the hot, sweaty, roach-infested studio in southeast Houston she slept in she wondered:

‘Why can’t I break the rules?’ She’d seen everyone else in her life break them like popsicle sticks. And she didn’t just want to break the rules, she wanted to break them boldly and loudly and annoyingly and honestly and sloppily like every one else gets to do. It was in that moment, tucked in a thin jacket inside of an 8-foot high instrument cubby in the inky darkness—it hit her. 

‘Is my suffering for a high purpose? Or is my suffering trying to kill me?’ 

She cried. 

She escalated. 

She took it personal. 

But it wasn’t enough. She wanted to scream in a microphone in a sea of shadowy faces. She drank whiskey and wove her pain into rock music. 

‘Music is my boyfriend’ she declared. The only man that kept his baggage to hisself. And it healed her. It gave her voice reason and purpose. 

The pebble-laden hike became lighter with time. The incline eventually evened out to flat, beautiful landscapes where the breeze finally met her back. She knew it wasn’t gonna be easy or sunshine but even the rain cleansed her and it was beautiful too. 

Somewhere in the rain she decided rules were meant to be built and broken. Like trust and love and friendships and families. Because every thing deserves the opportunity to change and grow. 

So... She broke rule number 1 on stage while singing a beautiful song. Dr. Jefferson (PhD) screamed for her to stop but she didn’t listen and the tears flowed like rivers of emotion down her cheeks. 

Rule number 2 was broken when she grew older and saw the injustices of the world. Marching with hundreds in protest she realized not everything needs to be pacified. 

And one day when she finally fell in love, she broke rule number 3. No matter how much training she’d done she couldn't help but take every thing her lover said and did personal. But it was ok. Because in all her resistance she realized breaking rules was her power. 

Melissa began to fall for her feelings. Her feelings gave life purpose. They weren’t always logical, as feelings seldom are. They were sloppy and embarrassing and rude and so fucking uncomfortable. But they were hers. And they were real. And when she sat alone sipping wine, staring at the moon…They were the only ones still by her side. Ready to break the rules for her because they loved her. 

And she finally loved them back. 

Spotlight: Música

Rudy Manusco and Camila Mendes sat down with @overchers to chat about their new film Música, define Pilates, discuss green (and beige and red) flags, and share what they've learned from each other.

Musical Acts

Week Ending April 1st, 2024

The number in italics indicates how many spots a name moved up or down from the previous week. Bolded names weren’t on the list last week.

me from the passenger seat whenever we hit the highway:

COWBOY CARTER Beyoncé — March 29, 2024

Happy Beyoncé Day to all who celebrate 🤠

Lyrics for the 10 year anniversary of our album, Going To Hell

10 Years of Going to Hell

ALL three and a half hours of Taylor Swift | The Eras Tour (My Version), including “cardigan” and FOUR new acoustic songs, are now YOURS to stream anytime you want on Disney+! 

disneyplus.com/TSTheErasTourTaylorsVersion

@lordemusic

will I see you again? #chenayder #goodbye #tylerthecreator #indie #rnb #altrnb