Supercut
Am i the only one who thinks the new Lorde album is worth listening to on repeat for the next 10 years? something about break-up songs and albums gives me the empowerment i need to tell fuck boys in my life to actually get lost, and start demanding respect from the people around me.
I’ve been listening to “Supercut” on repeat because i think the hardest thing in a relationship to do is to not look back on all of the things you could have done differently.
And i wanted to write about it.
And so here I am, giving you something new, in a few parts.
Enjoy, tell me what you think, tell me about your lives, just come talk to me sometime.
sometimes it feels like we’re just usernames and blogs, and i’d love it if we could feel like friends :)
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“It’s so hard to leave—until you leave. Then it’s the easiest goddamned thing in the world.”
“A compilation of a large number of short video clips, typically showing examples of a repeated or clichéd action or phrase in films or broadcasts.”
Supercuts aren’t hard to make, at least not when film clips, photos, and memories are housed on SD cards in digital cameras and iPhones. The 21st century has made it surprisingly easy to remember every single second of our life together—both good and bad.
When I first starting putting these pieces—these memories—together, it felt obnoxious and overeager and cliché. I couldn’t determine if I wanted to do it because I wanted to upset him, or to get over him, or to just come to terms with the fact that we both fucked up. I keep thinking about how badass it would be if I were to drop off a film reel and an old as fuck film projector on his porch to watch the supercut. “Make it as hard as possible to get over me,” I think. I laugh about it, out loud sitting at my desk, because the thought of it is so absurd, kind of like the love we had.
I don’t know how parents come to terms with leaving their children. I sat in bed once, reading “The Bright Hour,” knowing very well that the author passed at least 3 months ago. I stayed up all night, with both of our children in bed with me, listening to each breath passing through their noses, hoping that the sound of them surviving would instill the idea that they’ll be okay, with or without us. When Ed left, I couldn’t fathom it, I still can’t. I don’t know how he can sleep somewhere without them, without us.
I seal the USB containing the supercut in a goldenrod mailing envelope and print his brand new address in red ink in big bold letters. The postal worker asks if I want to take insurance out on the piece of mail. I’ve never taken insurance out on mail before, partly because I was unfamiliar with what that actually meant, and partly because I’ve never sent anything I couldn’t live without. I can’t live without him knowing, and seeing, and remembering, and forgiving. I take out $5000 on it. Fuck it. The reel of “what if, what if, what if,” plays in my head over and over again.
When he opens it, he’ll find the USB and a note reading,
“I’m trying to remember you, and let you go at the same time. And this is the only way I know how.”