AV

Porthleven, 1931. French schooner, St Anne, on the rocks

William S Burroughs, Photo by by Allen Ginsberg, 1986

2024 will be the Year of the Wood Dragon, Welcome!

Art by Hosio Hirotta

—Edith Hamilton

autumn mornings ⋇ 5 oct

Leeuwarden Old City graveyard, Netherlands by Mortangia

It’s solar and wind and tidal and geothermal and hydropower.

It’s plant-based diets and regenerative livestock farming and insect protein and lab-grown meat.

It’s electric cars and reliable public transit and decreasing how far and how often we travel.

It’s growing your own vegetables and community gardens and vertical farms and supporting local producers.

It’s rewilding the countryside and greening cities.

It’s getting people active and improving disabled access.

It’s making your own clothes and buying or swapping sustainable stuff with your neighbours.

It’s the right to repair and reducing consumption in the first place.

It’s greater land rights for the commons and indigenous peoples and creating protected areas.

It’s radical, drastic change and community consensus.

It’s labour rights and less work.

It’s science and arts.

It’s theoretical academic thought and concrete practical action.

It’s signing petitions and campaigning and protesting and civil disobedience.

It’s sailboats and zeppelins.

It’s the speculative and the possible.

It’s raising living standards and curbing consumerism.

It’s global and local.

It’s me and you.

Climate solutions look different for everyone, and we all have something to offer.

I did it again (part 1 here)

1. Godward’s A Fair Reflection (1915) and Waterhouse’s The Soul of the Rose (1908)

2. Frank Cadogan Cowper’s Damsel of the Lake (1924) kissing the lady in Auguste Toulmouche’s The Kiss (c.1870)

3. Waterhouse’s A Song of Springtime (1913) and Auguste Toulmouche’s Woman and Roses (1879)

4. Evelyn De Morgan’s Ariadne in Naxos (1877) with Waterhouse’s Sweet Summer (1912)

5. A woman from Charles Perugini’s Dolce Far Niente (1882) about to wake up Victor Gilbert’s Sleeping Beauty (date unknown)

please reblog if you save!

Bowl with Fish, Iran, probably Kashan (late 13th–mid-14th century).

Francesc Masriera - Salomé (1888)

Circe by Edmund Dulac

gosh but like we spent hundreds of years looking up at the stars and wondering “is there anybody out there” and hoping and guessing and imagining

because we as a species were so lonely and we wanted friends so bad, we wanted to meet other species and we wanted to talk to them and we wanted to learn from them and to stop being the only people in the universe

and we started realizing that things were maybe not going so good for us– we got scared that we were going to blow each other up, we got scared that we were going to break our planet permanently, we got scared that in a hundred years we were all going to be dead and gone and even if there were other people out there, we’d never get to meet them

and then

we built robots?

and we gave them names and we gave them brains made out of silicon and we pretended they were people and we told them hey you wanna go exploring, and of course they did, because we had made them in our own image

and maybe in a hundred years we won’t be around any more, maybe yeah the planet will be a mess and we’ll all be dead, and if other people come from the stars we won’t be around to meet them and say hi! how are you! we’re people, too! you’re not alone any more!, maybe we’ll be gone

but we built robots, who have beat-up hulls and metal brains, and who have names; and if the other people come and say, who were these people? what were they like?

the robots can say, when they made us, they called us discovery; they called us curiosity; they called us explorer; they called us spirit. they must have thought that was important.

and they told us to tell you hello.

“once upon a time” in other languages

korean: “back when tigers used to smoke” (호랑이 담배 피우던 시절에) [x]

czech: “beyond seven mountain ranges, beyond seven rivers” (za sedmero horami a sedmero řekami)

georgian: “there was, and there was not, there was…” (იყო და არა იყო რა, იყო…)

hausa: “a story, a story. let it go, let it come.” [x]

romanian: “there once was, (as never before)… because if there wasn’t, it wouldn’t have been to told” (A fost odată, ca niciodată că dacă n-ar fi fost, nu s-ar mai povesti…)

lithuanian: “beyond nine seas, beyond nine lagoons: (už devynių jūrų, už devynių marių)

catalan: “see it here that in that time in which beasts spoke and people were silent…” (vet aquí que en aquell temps que les bèsties parlaven i les persones callaven…) [x]

turkish: “Once there was, and once there wasn’t. In the long-distant days of yore, when haystacks winnowed sieves, when genies played jereed in the old bathhouse, [when] fleas were barbers, [when] camels were town criers, [and when] I softly rocked my baby grandmother to sleep in her creaking cradle, there was/lived, in an exotic land, far, far away, a/an…* (Bir varmış, bir yokmuş. Evvel zaman içinde, kalbur saman içinde, cinler cirit oynar iken eski hamam içinde, pireler berber [iken], develer tellal [iken], ben ninemin beşiğini tıngır mıngır sallar iken, uzak diyarların birinde…)

Judith with the Head of Holofernes (ca.1633-37, detail) Francesco Cairo