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PiyoStoria's personal blog

@piyolaurant / piyolaurant.tumblr.com

May contain too much reblogs, though I do draw sometimes. My art blog would be here.
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The Swedish warship Vasa. It sank in 1628 less than a mile into its maiden voyage and was recovered from the sea floor after 333 years almost completely intact. Now housed at the Vasa Museum in Stockholm, is the world's best preserved 17th century ship

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skulki-d

Kinda funny that the best example of its kind is the one that sucked as bad as it possibly could.

Oh, it was *ridiculously* bad. That initial post says “from the sea floor,” but that implies it made it out to sea.

So Gustavus Adolphus is king when Sweden is fighting wars all over the place. They need more ships, so he commissions four of them, two big and two small. The Vasa was supposed to be one of the smaller ones. Emphasis on “supposed to be.” Because Gustavus Adolphus keeps ordering changes. Like, add twelve more feet to the keel! Pile on the carvings! Add another gun deck for the hell of it! It got even worse when Sweden lost ten ships in a huge storm, so now they needed the Vasa *yesterday*. But Gustavus Adolphus is STILL demanding changes. So the shipwright scales up the measurements to try and make things work. Which might have worked, except the ship was being worked on by Swedes, Finns, Danes, Sami people. Communication is hard enough, but also it turns out that there are two different types of rulers being used by the workers. One is in Swedish feet and one is in Amsterdam feet. Amsterdam feet were only eleven inches long. (There’s a joke there I’m too tired to make.)

Anyway, because of that, the port side is heavier.

Okay, so you have to imagine the Vasa, with its hastily-scaled-up measurements, its *seven hundred* decorative carvings, its sixty-fucking-four bronze cannons. It’s a goddamn mess, AND its center of gravity is way off. Except that’s not something you could measure with instruments at the time. What you’d do is, you’d put it in the water, then have a bunch of guys run back and forth from port to starboard a bunch of times to test if it’ll tip over.

The guys who did this test could only do it three times before the Vasa was like, “I think I’m gonna hurl,” and almost tipped over right then and there.

Everybody there is like, “… uh-oh.” The admiral conducting the test just sighs and goes, “If only the king were here,” because Gustavus Adolphus wasn’t, and maybe if he had been he would have seen they fucked up and decided to pull the plug. Oh, and those bronze cannons? They weighed down the ship so much that the lowest row of gun portals was almost at the waterline.

But. Sweden needed the Vasa. It needed it to go to war. At that time, it was the most expensive thing Sweden ever spent money on.

SO. It’s August 10th, 1628. It’s the port in Stockholm. There’s music, there’s festivities, everybody’s showed up to see the Vasa off. A few ships tug the Vasa out to the current, let her loose, she drops four of her sails, and off she goes.

For about thirteen hundred meters.

Then, a light breeze blows. When I say light, I mean light. But that was all it took. The Vasa flops to port, water flows into the gun portals, and down it goes, still in the fucking harbor with its masts sticking out of the water.

So when that original post says “recovered from the sea floor,” it means brought up from the *actual harbor*. Like, within sight of the docks.

Oh, oh! But cool story about all this. Remember those sixty-four bronze cannons? Yeah, Sweden kind of needed those back, so about three decades later in 1658, the Swedes go down and retrieve almost all of them with a diving bell. Which is kind of badass.

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septiseph

my entry in pokemon masters art contest…

I didn’t win but I quite like how this turned out.

Originally wanted to draw more characters in this but sadly I didn’t have much time (I managed to finish this a few hours before deadline tho lol) 

Congrats to the winners!

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I can barely contain myself right now

holy shit

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27dragons

holy CRAP.

Artists, creators, students, and researchers of all types, take note:

Digitized photos and text. 2D and 3D object renders. Music and other sound files. Videos. Research datasets. Collections metadata.

On a Creative Commons Zero license: Take what you want. Use it. No permission or attribution required. Yes, even for commercial use.

There is a lot wrong with the world at the moment, but the Smithsonian… the Smithsonian is right.

The archive includes fashion images!

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reblogged
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piyostoria

Living dangerously.

So my dad used to live in Alaska, right? (And I swear this is relevant to your post, I’ll get back to the Zoroark in a bit)

One time his… friend or roommate, I can’t remember which, had a cousin come to visit, and the cousin really really wanted to pet a wild bear cub. Now, if you have any common sense relating to wild animals at all, you know why this isn’t a good idea, and how extremely emphatic everyone who heard him was about Not Letting Him Do That. Two weeks of visiting go by, people are keeping an eye on The Idiot Cousin to make sure he doesn’t run off to the wilds without supervision, as idiots may tend to do, and they get to the day before The Idiot Cousin is to fly out, and someone says, “wait. Where’s your cousin?”

Now. This was in the eighties. Before cellphones. But emergency contacts were obviously very much a thing, as were people whose job it was to keep track of who entered national parks.

The Idiot Cousin had achieved his goal, but mama bear was not please with a human by her young. The Idiot Cousin survived, thankfully, and dealt with very many “you idiot, we told you so/not to do that!”s while laying maimed in the hospital. Once he woke up anyways.

Anyways, I’m just imagining a “wait. Akari said she wanted to pet a Zorua” followed by many emphatic curse words as people run to stop something like the above story from happening to her.

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feluka

the first time i played ace attorney i was so hyped and confident like oh i’m gonna nail this so good i love murder mysteries and then when the first trial started and the first ever question was ‘what is the name of the defendant’ i laughed out like like lol this is even easier than i though. a child’s play. i got this. what a pathetic question. but because english isn’t my first language and i’m still unfamiliar with many words, i assumed defendant=person who defends and with 100% confidence i selected ‘phoenix wright’ as an answer and everyone was like. phoenix you fucking dumbass loser you’re a disappointment to the legal system you shit for brains. and my self confidence has never recovered since

you’re laughing. my client/childhood friend just got found guilty of murder because his lawyer doesn’t know what his job is called and you’re laughing.

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loish

There’s a protest going on against AI art over on artstation, so I feel like now is the time for me to make a statement on this issue! 

I wholeheartedly support the ongoing protest against AI art. Why? Because my artwork is included in the datasets used to train these image generators without my consent. I get zero compensation for the use of my art, even though these image generators cost money to use, and are a commercial product. 

Musicians are not being treated the same way. Stability has a music generator that only uses royalty free music in their dataset. Their words: “Because diffusion models are prone to memorization and overfitting, releasing a model trained on copyrighted data could potentially result in legal issues.” Why is the work of visual artists being treated differently?

Many have compared image generators to human artists seeking out inspiration. Those two are not the same. My art is literally being fed into these generators through the datasets, and spat back out of a program that has no inherent sense of what is respectful to artists. As long as my art is literally integrated into the system used to create the images, it is commercial use of my art without my consent.

Until there is an ethically sourced database that compensates artists for the use of their images, I am against AI art. I also think platforms should do everything they can to prevent scraping of their content for these databases. 

Artists, speak out against this predatory practice! Our art should not be exploited without our consent, and we deserve to be compensated when our art is exploited for commercial use. 

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