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the so-called blood boy stigma

@spikeghost / spikeghost.tumblr.com

Crow T. Robot stan account Please don't follow if you're under 18. I am a grown man and this is not a family-friendly space.
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i didn't think it needed to be said because my blog speaks for itself, but please do not follow me if you're under 18.

This is not a family friendly space. I don't wanna have to worry about whether what i post is appropriate or not, i can barely tag my shit as it is. And i know when you're a teenager you wanna act grown and interact with mature content, i can't stop you from doing that, lord knows nobody could have stopped me when i was a teenager, but please go to that somewhere else.

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runcibility

Not only is this true, it came out of a discussion with Stan Winston on how to work through some plot critical tensions:

During the writing process, he was in his living room excitedly explaining the T-1000 to his friend and collaborator Stan Winston when Winston raised a concern. “I don’t know who the bad guy is,” Winston said. “I need a specific character, a specific image.” To Winston, what Cameron was describing sounded like a blob of goo, not an iconic evildoer. “From a story standpoint, I thought it was a problem,” Winston later recalled in an interview for the picture-book history of his story, “The Winston Effect.” Cameron respected Winston’s instincts for creating memorable characters, and he started reconsidering how he would shape this one. Later that same night, the effects artist got a phone call from his friend. “I’ve got it!” Cameron said. “He’s a cop!” The form the T-1000 would take for most of the movie was a Los Angeles police officer. This solved the storytelling dilemma Winston had raised and also gave Cameron an opportunity to underline a central theme in both of the Terminator movies - how people, especially those in violent jobs, like soldiers and cops, can become barbarized. “The Terminator films are not really about the human race getting killed of by future machines. They’re about us losing touch with our own humanity and becoming machines, which allows us to kill and brutalize each other,” he says. “Cops think all non-cops as less than they are, stupid, weak, and evil. They dehumanize the people they are sworn to protect and desensitize themselves in order to do that job.”
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it’s so bizarre when animated American films are set in a certain location and then only certain characters have the accents of that place. It makes no damn sense!! like

WHY IS SHE MORE FRENCH THAN THE REST OF THEM???

WHY ARE THESE GUYS MORE SCOTTISH THAN THE KIDS??

(also, aren’t they Vikings or something?)

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bramblepatch

To be fair, almost everyone in Ratatouille does have a French accent. The real question is why Linguini and also all the rats sound intensely American

If it was just the rats I’d say it’s because the movie can be interpreted to mean that the rats understand but don’t necessarily speak human languages so the rat dialog isn’t literally taking place the way we see it but that doesn’t explain why Linguini has a rat accent

LINGUINI HAS A RAT ACCENT 

Do we ever hear like

For sure that Linguini grew up in France tho?

It could be possible he’s just an American immigrant

I mean his name is Alfredo Linguini so I always assumed he was Italian

I’m sorry his first name is Alfredo?

What

ALFREDO???

he’s American you guys his mother was American it was mentioned in the beginning

I’m sorry, I’ve moved on to the fact his mother was going through her cupboard for baby names

Alfredo was a name before it was a sauce let’s go over the movie from the top again

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dappercyborg

This is Alfredo di Lelio (right) the inventor of fettuccine Alfredo, he’d come out to the table and make it in front of you by hand

The chap on the left is an airport

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ceekari

I think you might have your left and right mixed up, my friend

Great post everyone. Hit the showers.

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Y’all I can’t believe the “whistleblower assassination” and “literally falling apart in the sky” company is being represented by a man named Rich White

You could not call a character this in a movie because everyone would say “that’s not realistic” and yet!

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tgraywrites

JK Rowling has used her billionaire legal team to silence a Jewish woman for telling the truth about her contempt for trans victims of the Holocaust.

Scotland’s network of “freedom of speech” organisations, as per usual, have nothing to say about the use of wealth to gag critics of the wealthy.

However fast they race to condemn the LGBT+ community for saying the names of those who harm us. Statements at the ready to insist that transphobes no one wants to work with anymore must be given every possible opportunity to gain from their bigotry.

But it's not the billionaires who are being silenced, as our media breathlessly echo their every hateful proclamation.

It's journalists and activists forced to publicly humiliate themselves under the weight and the threat of billionaire legal teams or be driven into destitution.

We deserve better. Freedom of speech needs to mean something

The Streisand Effect strikes

This will swiftly become one of the primary things JK Rowling is remembered for. Trying to erase crimes of the Holocaust against trans people and then silencing Jewish journalists for calling her out.

With your help we can make sure JK Rowling is known as a Holocaust denier first, author of mediocre children's books second

Also worth noting, from the Buzzfeed article on this

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“I’m almost 50, and here is the best thing I have learned so far: every strange thing you’ve ever been into, every failed hobby or forgotten instrument, everything you have ever learned will come back to you, will serve you when you need it. No love, however brief, is wasted.” @louisethebaker on Twitter

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mr--link

No love, however brief, is wasted.

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isagrimorie
“I think most people watch two seasons of a streaming show, and they check out, you know, and that’s not specific to Trek. I just think that’s the watch pattern for television in the streaming world.”

The way I hate this and how this is what the streaming platforms are peddling and they want us to believe is the case.

WHY THEN ARE SHOWS PRODUCED ON NETWORKS WITH MORE THAN 5 SEASONS SO POPULAR????

Also, the best Trek world-building and relationship-building are on 'bottle episodes' the so-called 'fillers'.

I don't need a return to 22 episodes!

13 - 16 episodes will do me!

(Although I miss the 'back nine' sometimes, it's usually when shows could recalibrate and find the pace that works).

ETA: Also as @dealanexmachina pointed out -- streaming platforms keep cancelling shows within 2 seasons! It's why people jump ship -- why invest if the streamers just cancel?? There's no thought to retention or letting a show build steam!!!

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