(repost of my own work with slight tweaks)
Trying out this Blaze thing.
If you like the Horizon Zero Dawn games, great! Have a listen! Like film scores & video game music? Awesome! Give it a whirl!
Hate everything I just said? Cool, have a nice day.
@literary-potato / literary-potato.tumblr.com
(repost of my own work with slight tweaks)
Trying out this Blaze thing.
If you like the Horizon Zero Dawn games, great! Have a listen! Like film scores & video game music? Awesome! Give it a whirl!
Hate everything I just said? Cool, have a nice day.
the thing is with rochester and jane is that they're insane best friends. like it's easy to call rochester weird but you cannot make an adaptation of jane eyre where you don't establish the fact the reason rochester falls for jane in the first place and why they bridge that huge gap they have in terms of age and experience is that she's the only one out there that's as weird and offputting as he is. that's literally mr and mrs bozo
whenever you see a post on this website don't forget to ask yourself: why is op the worst human being that has ever walked upon the earth, how does this post target me specifically, and what are the hateful implications hidden between the lines ???
One of the things that’s really struck me while rereading the Lord of the Rings–knowing much more about Tolkien than I did the last time I read it–is how individual a story it is.
We tend to think of it as a genre story now, I think–because it’s so good, and so unprecedented, that Tolkien accidentally inspired a whole new fantasy culture, which is kind of hilarious. Wanting to “write like Tolkien,” I think, is generally seen as “writing an Epic Fantasy Universe with invented races and geography and history and languages, world-saving quests and dragons and kings.” But… But…
Here’s the thing. I don’t think those elements are at all what make The Hobbit and The Lord of the Rings so good. Because I’m realizing, as I did not realize when I was a kid, that Tolkien didn’t use those elements because they’re somehow inherently better than other things. He used them purely because they were what he liked and what he knew.
The Shire exists because he was an Englishman who partially grew up in, and loved, the British countryside, and Hobbits are born out of his very English, very traditionalist values. Tom Bombadil was one of his kids’ toys that he had already invented stories about and then incorporated into Middle-Earth. He wrote about elves and dwarves because he knew elves and dwarves from the old literature/mythology that he’d made his career. The Rohirrim are an expression of the ancient cultures he studied. There are a half-dozen invented languages in Middle-Earth because he was a linguist. The themes of war and loss and corruption were important to him, and were things he knew intimately, because of the point in history during which he lived; and all the morality of the stories, the grace and humility and hope-in-despair, was an expression of his Catholic faith.
J. R. R. Tolkien created an incredible, beautiful, unparalleled world not specifically by writing about elves and dwarves and linguistics, but by embracing all of his strengths and loves and all the things he best understood, and writing about them with all of his skill and talent. The fact that those things happened to be elves and dwarves and linguistics is what makes Middle-Earth Middle-Earth; but it is not what makes Middle-Earth good.
What makes it good is that every element that went into it was an element J. R. R. Tolkien knew and loved and understood. He brought it out of his scholarship and hobbies and life experience and ideals, and he wrote the story no one else could have written… And did it so well that other people have been trying to write it ever since.
So… I think, if we really want to write like Tolkien (as I do), we shouldn’t specifically be trying to write like linguists, or historical experts, or veterans, or or or… We should try to write like people who’ve gathered all their favorite and most important things together, and are playing with the stuff those things are made of just for the joy of it. We need to write like ourselves.
i'm so glad goncharov happened when it did, right before prolific public use of AI. that was pure honest gaslighting straight from the heart. real human whimsicality and trickery thru blood sweat and tears. we were a family. and we all gonched, together. you cant replicate that with any machine.
the only reason why ten year old girls are destroying stupidly overpriced products at sephora to make “skincare smoothies” is because they aren’t being given access to a yard with a variety of mud, sticks, rocks, puddles, and old ceramic planters to make potions in. the children yearn for the apothecary
I think one of the best things about Clue (1985) is that nobody goes through any character development. They're all just trying to solve locked-room murders as they're being committed, overacting, and delivering witty lines. Nobody learns anything except who killed people. Tim Curry is there too.
i miss when you could make political art without placing personal identity (and the self) at the center of everything
this piece (“artist bio” by anna daliza) sort of perfectly sums it up. the emphasis on identity politics and tokenization in art/music/performance spaces feels reductive and exploitative- like it offers a sort of racial tourism for the wealthy white patrons. none of what im saying are original thoughts btw go see White by james ijames
[ID:A photo of a brick wall with a big cinematic light up box with with text that reads: "The writer (she/her) is a trans woman and lebanese-canadian who also identifies as queer. Her work is about" /End ID]
Proposition: when one person has to cover a shift that is normally done by two people, they get paid double. This is both to compensate them for working twice as hard, and to remove any temptation for management to think “hey, actually that wasn’t so bad, maybe we should do this more often.”
you know what dad? maybe i don't wanna be the saviour of the broken, the beaten and the damned. it's a lot of pressure to put on me and honestly i've been feeling stressed recently because of it
hold on lemme google something
ok yeah this is funny
The Monster Manual but it's blatantly written by the monsters
mimc Mouth perfec t size for put baby in to n\ap! inside very Soft and Comfort baby sleep soundly put baby in Mimic Mouth. Put Baby In Mimic Mouth. no problems ever in mimmic mouth because good Shape and Support for baby neck weak of big baby head. Amimic Mouth yes a place for a baby put baby in mimic mouth can trust mimic for giveing good love to baby. friend mimic
What are Joe Biden's plans to deal with the "Eurgh why do we have to learn this?" kids to "they never taught us about this in school" adults pipeline
I wish there were a universal, low-brainpower, nonverbal way to communicate to my friends that says "hey I'm thinking about you but I don't have anything to say, nor do I have the wherewithal for a conversation right now anyway" via text message but I'm so so so upset that the original Facebook messenger Poke feature was the closest to anyone getting the right idea