can't pin me down

Me: *goes to pick up the phone*

Dua Lipa:

when anyone says any of the boys names in public I just feel like I’m being personally called out.. like someone will be like “Harry Styles” off-handedly and I’ll be like… please leave my personal life out of this

google just made me so emo

Have u ever had sex with a pharoah ahhhhhhhhhhhhhhh put the pussy in a scarmophogoghs

one of the best posts

Harry Potter and the Philosopher’s Stone (2001)

tea.

question for men: why do y'all have to spit on the ground all the time i’m just curious like. is it an excess of saliva? are you marking territory? people will think you’re gay if you swallow ?? like what is it

”The woman’s got to show up, [like], “We all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.”

#me @ quentin tarantino fans

Mad Max: Fury Road and practically every film JJ Abrams has ever made including The Force Awakens.

Mad Max: Fury Road was edited by Margaret Sixel, who is married to George Miller and who he begged to edit the film because he said that if a man edited it, would be a totally different movie and not one he wanted to make.

Maryann Brandon and Mary Jo Markey edited The Force Awakens. Maryann Brandon has worked on almost all of the shows and films Abrams has worked on and Mary Jo Markey is also a frequent collaborator.

Thelma Colbert Schoonmaker has edited all of Martin Scorcese’s films since Raging Bull and worked with him for around 40 years.

Sally Menke edited all of Quentin Tarantino’s films until her tragic death in 2010.

Julia Bloch is an editor gaining attention for her work on Blue Ruin and Green Room.

about 40% of Hollywood editors are women. when discussing how these women are underrepresented, you need to give their names.

I like how Leigh originally describes Adam and Lawrence.

me watching everyone on earth date and fall in love

heteronormativity is when the parent trap (1998) made halle’s obviously lesbian nanny have a forced romance plot with annie’s obviously gay butler

taylor swift trying to figure out how to incorporate entry-level feminist rhetoric into her lyrics without alienating her right-wing fanbase who make up half her sales and also trying to figure out how to merge her innocent and virginal country-pop white girl image with the instagram baddie aesthetic she’s trying to steal from black and brown women