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Kevin Wilson

@kevinw / kevinw.tumblr.com

KEVIN WILSON is the Portland-based artist behind the webcomic Titanzer, an action comedy about bored future wizards and cowardly giant robots. //home //twitter //titanzer //facebook //about Me //
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Webcomic day is over but I never got around to sharing some of my favorite webcomics these days. I've been really loving 3rd voice by Evan Dahm. Evan's work has always had this spellbinding effect on me, and 3rd voice continues to do the same. Next is Demon's Mirror! I've had the amazing luck of being able to help the artist build a website for this comic, and really got into it as I was working on it. And lastly I wanted to add Deeply Dave, which is a fantastic webcomic that features animations, music, and more. I've always loved comics that play with the medium by using the random things browsers can do. But these are just three of my favorites! I have many, many more I could go on about. I hope everyone discovers a lot of great new comics to read during webcomic day!

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⭐Happy webcomic day! ⭐

Featuring the process of Ghost Junk Sickness we did a while back!

Check out the comic at www.ghostjunksickness.com

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kevinw

Happy webcomic day! Gosh, there’s so many I like and love, so I’ll start with ghost junk sickness!

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renstrapp

Basic Money Guide for Comic Artists and Other Freelancers

Do you know the difference between a traditional and a roth IRA? No? Ok, sit down and read this zine. Basic Money Guide for Comic Artists and Other Freelancers is a 12 page risograph zine designed for print in blue and red ink.

If you're a comics person, an artist, a writer, any kind of creative or any kind of self-employed person trying to make it work in the US and you don't know how to save money or pay your quarterly taxes... well, I can try to help!

Disclaimer: I'm not a money professional. This guide is extremely basic and serves as an introduction to some terms and concepts that will start you on the right path towards financial literacy. I'm just a dumbass who has been doing this for a couple years, sharing what I've learned.

Options to buy and download the PDF ($2):

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kevinw

Really good money guide for artists, freelancers, etc. Check it out!

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malwarechips

yknow i never noticed the sheer rareness of images having ids or alt text on this website until i started adding alt text to my art (and trying to remember to add it to any images i post in general, especially text screenshots) and that makes me kinda sad

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wolfisblank

I feel like a lot of people just don't know how to do it or are intimidated by the prospect. I was too, actually, and I couldn't find any good guides on how to do it (beyond basic formatting) and most guides boiled down to "just describe what you see and important details!" I really wanted to add alt text bc accessibility is important to me, but I would always get kinda stumped on how to do it.

But then I saw this image, I think in a discord server, and I immediately started doing it. It kinda broke the ice for me

Oh my goodness thank you!!

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thatblindbi

Something also worth keeping in mind with alt text is the intent of the image. You don't (and probably usually shouldn't) necessarily need to include every fine detail of the image if it isn't pertinent to the intent.

Also don't include things like "image of..." Assistive tech will convey that it's an image already.

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kevinw

This is a terrific guide for writing alt text on images. Give it a try!

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stevelieber

Here's another thread I don't want to leave languishing at the old site, relevant because another case of shitty pseudo-mentorship is in the news. It's tough to start a career. I'm lucky to have had good mentors. I'm grateful and want to pass it on. These are some notes I made on ways to do so.

1. Promote artists a generation younger than you. Share your platform. RT them, mention them in interviews. (This means being aware of what younger artists are doing!)

2. Hire them if you can. Pin ups, commissions, variants, fill-ins, assists, anything. A small gig can be what helps them make rent.

3. (The same applies to creators a generation older. Many of them helped develop the visual language, the audience, and the industry infrastructure we rely on. Tell your reader how these artists' choices informed your own. Help your fans see what you saw in your influences' stories.)

4. Support anthologies. They've always been a key place where new and marginalized talent can incubate, & established artists can try something new. (They certainly were for me. Many of the big leaps I made as an artist happened on anthology stories where I had freedom to experiment.)

5. Mentor new artists! Even if their subject or style is different from yours, you still have much to offer. Just be sure to frame your advice in terms of goals & principles rather than "the right way" or "the wrong way." You want to help them find their own voice, not echo yours.

6. Suggest strategies for dealing with challenging clients or collaborators. The industry may be very different from when you broke in, but those young artists are still going to face the many of the same problems you did.

7. Steer them towards someone trustworthy when they need a consultant. It's not easy to find an accountant, an agent, or a lawyer who understands what we do. Your contacts are valuable!

If nothing else, make them aware of Volunteer Lawyers for the Arts. https://vlaa.org/get-help/other-vlas/

8. Share your understanding of industry standards for pay rates & professional practices. This doesn't mean posting your rates in public. The main that does is anchor your position when negotiating rates with a potential client. But in private, TALK. This benefits ALL your peers.

9. There will be times when you can't answer a question. It happens all the time. No one knows everything! But you probably know someone who *can* answer it. Use your network of connections and make the introduction.

10. And finally, take questions about the art, the craft, the culture, and the business on your social media. Answer them as honestly as you can.

-end-

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kevinw

A lot of really good comics advice in here. Especially for people with experience in the field and wanting to help keep the ladder intact. I try to give advice to anyone looking for it when I can, especially if you’re new to comics. My focus is mostly in design and building websites, but I will take a lot of this to heart.

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scottycomics

There's been a big discussion about webcomics lately so I thought i'd post about my own webcomics that I've been drawing since 2009 LOL (Started posting on Smackjeeves in 2010) and have all seen some amount of a reboot or redone art but are also still updating after all these years.

And heck even one of them is in it's final Volume while the other 2 are FINALLY done laying down the groundwork so I can start heading towards the end game story-wise lol

I seriously appreciate folks that have stuck around reading my works for so long and to newer folks just stumbling onto my comics now that I'm updating on Webtoon/Tapas

And I hope ya'll continue to join me as I chip away at my little stories. ;u;

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8pxl

PSA: Tumblr/Wordpress is preparing to start selling our user data to Midjourney and OpenAI.

you have to MANUALLY opt out of it as well.

to opt out on desktop, click your blog ➡️ blog settings ➡️ scroll til you see visibility options and it’ll be the last option to toggle.

to opt out on mobile, click your blog ➡️ scroll then click visibility ➡️ toggle opt out option.

if you’ve already opted out of showing up in google searches, it’s preselected for you. but you also have to opt out for each blog you own separately, so if you’d like to prevent AI scraping your blog i’d really recommend taking the time to opt out. (source)

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melgillman

It's December and it might seem like fruit season is pretty much over for most of the eastern half of the US, but it's a good time to look for bradford/callery pears! (AND it's a good time to eat the fruit to curb their spread, as a highly invasive plant!)

Here's a page from my fruit foraging zine, FRUIT FOR FREE. You can download the whole book from my ko-fi page if you want to see more!

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kevinw

Some December fruit tips for everyone from Mel

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noendcomic

Thank you everyone for reading No End, it means the world!

Also, if you would like to give us a gift, please share our social media posts, comment your thoughts and reviews on the comic, that would be incredible!

Remember our Patreon and please disable all your adblocking addons (ABP, Ghostery, NoScript, etc) on the site!  Any and all support is greatly appreciated, thank you! <3

Erli: twitter / tumblr / ko-fi - Kromi: twitter / tumblr / ko-fi

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kevinw

Congrats on ten years!

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reblogged

Idk if I talked about this here, but for the past 3 years I've been quietly developing a particular kind of comics taxonomy: identifying, naming and describing the visual-literary devices used in comics. Most of them are devices appropriated and adapted from other mediums, like poetry, rhetoric, cinema, etc - but quite a few are unique to comics. My intent is to give language not just for comics creators when they need to articulate their authorial choices, but for critics, scholars and teachers to talk about comics as a visual-literary art form.

Anyway, the research has gotten to the point where it's ready for the public. My plan is for this resource to be delivered in the form of a Wikipedia, online database, basically an accessible website that contains all the information related to the devices, including working examples from other graphic novels, webcomics, etc. It's STILL not ready yet - Idk when it's gonna debut, but I've recently secured an opportunity that will make progress move faster.

This zine right here is both soft-launch promo + a fancy business card for the Comics Devices guide. It's meant to pitch my research and act as a quick reference type of thing for folks. I'm only able to sell this in person in Australia, but folks in the US might get an edition soon (related to aforementioned opportunity).

But yeah. Big comics stuff happening.

🦇 Oct 31

After 3 years and a bit the site is almost live!!!! Subscribe to the newsletter to get the drop! :3c

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Anonymous asked:

do you know any good places to put webcomics? is it best to just make your own website for them? I'm not really into sites like webtoon or whatever...

If you don't want much setup, you can make a Tumblr and use the Simple Webcomic Theme (or any other theme, as long as you set it so the blog shows 1 post per page for long form serialised work, or in a full-size grid for funny comics).

There are still other alternative platforms like Comics Fury, Comics Gator and Drunk Duck, those have been around before Webtoons.

If you are comfortable with HTML, CSS or generally learning/playing around with independent website setup, then you can go to Neocities or Wordpress. I use Wordpress (the dot org) for my personal website, The World in Deeper Inspection webcomic and the Comics Devices library, but that's a system that's worked with me and my brain for 11 years now.

Neocities allows you total freedom, but you really have to be comfortable with learning since this is old-school website building. There's a webcomic template though.

Squarespace or Wix is fine if you use their blog system.

I don't recommend Carrd for webcomics! I just don't think the infrastructure (one-page site) is flexible enough for yourself or your readership.

My general opinion is that I'll always recommend having your webcomic in a place that you can control, or at the least, easily export to another platform. I've been through so many eras of platforms rising and falling. And exporting all the posts/art you upload on that one dying platform only is an ordeal that you would want to avoid (ask me, who's working on manually transferring stuff from Twitter and Deviantart to my personal website OTL)

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kevinw

Some really solid advice for where to post your webcomic. Setting up a website can be very intimidating, but there's plenty of services and places that can help you build and/or maintain your website.

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